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The sixth chapter studies the relationship between MMs and stylistic feature, taking a dynamic perspective to study style, with the second section of this chapter analyzing the usages of MMs in report text and comment text of news style, the third comparing the different usage of three Chinese translations of Uncle Toms Cabin, the fourth analyzing the usage of MMs in three kinds of modern Chinese text , the fifth comparing the usage of MMs in three disciplines academic text and The sixth discussing the interactional rehtorical model, including the establishment of self-identity of speaker/writer, the expectation to reader/hearer, and the intertextuality interaction.

第六章讨论元话语和各语体语篇语体特征的关系,认为从元话语的角度来分析语体是从动态的角度来探讨言语行为和语体类型之间的关系,第二节讨论了报道体和时评体语篇中元话语使用情况,第三节比较了Uncle Tom's Cabin的文言文、古代白话和现代汉语三个译本中元话语标记使用的差异,第四节比较现代汉语三种语体文本中元话语标记使用情况,第五节讨论三个专业的学术论文中元话语标记的使用差异;第六节讨论元话语与语篇的互动修辞,讨论了语篇中表达者自我身份的确立、语篇对接受者的期待和呼吁和语篇的互动模式,说明元话语研究对探讨语篇的修辞互动模式和结构具有重要的意义。

They were, says Mr Stephen, and the end was that the men of the island seeing no help was toward, as the ungrate women were all of one mind, made a wherry raft, loaded themselves and their bundles of chattels on shipboard, set all masts erect, manned the yards, sprang their luff, heaved to, spread three sheets in the wind, put her head between wind and water, weighed anchor, ported her helm, ran up the jolly Roger, gave three times three, let the bullgine run, pushed off in their bumboat and put to sea to recover the main of America.

此语不差&,斯蒂芬先生曰,&其结果,本岛男子发现负情女子异口同声,无可救药。遂建造舟筏,携家财登船,桅杆尽皆竖起,举行登舷礼,转船首向风,顶风停泊,扬起三面帆,在风与水之间挺起船首,起锚,转舵向左,海盗旗迎风飘扬,三呼万岁,每次三遍,开动舱底污水泵,离开兜售杂物之小舟,驶至海面上,航往美洲大陆。&&

Xia Shangzhou in three generations, there is the powder rouge records, Zhang Bo contains "Zhou Tin Lead to burn powder", the Chinese ancient and modern note also mentioned the "rouge, 1998 at the Zhou", the long cloud,"since three generations to lead to powder, Qin Mugong a woman Guo Rong, Germany flu immortal, Xiao history as a powder burn mercury and Tu, Yiming Feiyun Dan, a 2007 song-and end up ", a visible powder products have been used as early as three generations.

在夏商周三代,对香粉胭脂就有记载,张华博载&纣烧铅锡作粉&,中华古今注也提及&胭脂起于纣&,久云,&自三代以铅为粉,秦穆公女美玉有容,德感仙人,肖史为烧水银作粉与涂,亦名飞云丹,传以笛曲终而上升&,可见脂粉一类产品早在三代已使用。

Three-dimensional Geologic Spatial Information System is a three-dimensional system, it uses three-dimensional spatial model to represent the geoscientific spatial information.

本论文分为两个部分:三维地质空间信息系统总体设计和三维可视化研究。

Deng Jingshan, the leader of the Hangzhou Dance Troupe said gladly that in order to make the audiences to experience charm of the summer concert, they specially invited some guests being arranged in the "three tiers inside". They were the workers who have worked for rebuilding the "One Vertical and Three Horizontals" comprehensive road and the Armed Police Officers, and there were more spontaneous and enthusiastic citizens in the "three tiers outside".

杭州歌舞团团长邓京山看着热闹的人群,笑着说&里三层&的观众是这次晚会特别邀请的&一纵三横&道路综合整治的工作人员和武警部队的官兵,为了让他们亲身体会这场夏日音乐会的魅力;而更多的&外三层&观众则是自发前来的热心市民。

His major works and commissions include: ' Three Temperaments , for Big Choir ' (1986), ' Counterpoint of Times , for woodwind septet ' (1989), ' Wild Children , for mixed Chamber Ensemble ' (1993), ' Overture , for solo Chinese bass drum and Chinese winds and percussion band ' (1994), ' Intonation , for chamber orchestra ' (1990-1994), ' Flavour of Bashu , for two violins, piano and percussion ' (1995), ' Pole , for solo Chinese Yun-luo, Chinese pai-gu and Chinese bass drum with six percussionists ' (1996),commissioned by Japan Asian Percussion Ensemble, ' Symphonic Prelude --- Bashu Capriccio' (1996), 'The Song Without Words , for solo percussion ' (1997), commissioned by the Ministry of Culture of Japan, Japanese Contemporary Music Association, and Japanese Embassy in China,'Illusions of the Symphonic Stage of Tang Dynast y , for orchestra of Tang Dynasty, percussion, voices and a big choir '(1999), commissioned by Japanese No Music Guanshiliu Green Spring Association, Chinese Music Research Center in Japan, Japanese Asian Percussion Ensemble and Japanese-Chinese Cultural Exchange Association,'The Prospect of Colored Desert , for violin, cello, sheng, pipa and percussion '(2000),commissioned by Yo-Yo Ma, Silk Road Project Inc. of the U.S., Sony Record,'Three Movements of Autumn , for small Chinese instruments ensembl e'(2000) and ' Sound Games , for 5 Chinese Percussion Instruments Players ' (2000-01), commissioned by La Cité de la Musique, Paris "2000 Chinese Classical Music Series", ' Fusion I , for Mixed Chamber Ensemble ' (2002), commissioned by Holland New Ensemble and Atlas Ensemble, ' Fusion II , Concerto for Solo Chinese Percussion and Orch.' (2002), commissioned by Japanese–Chinese Committee of Friendship and Public Music Performance, and ' Fusion III , for Irish flute, accordion, bodhran, Chinese sheng, zheng, Percussion and 13 Strings with Chamber Choir.' (2003-04), commissioned by China-Ireland Exchange Program, ' The Three Images from Washing Painting , for chamber ensemble of 17 players '(2005) commissioned by the New Juilliard Ensemble for the special concert of the Juilliard Centennial and sponsored by Asian Cultural Council and the Guggenheim Partnership and 'The Butterfly Dream', new 7 scenes Opera inspired by KUN QU' (2007) commissioned by the Contemporary Legend Theatre, Taiwan etc.

主要作品及委约包括:《三种气质,无伴奏合唱》(1986)、《时间的对位,木管七重奏》(1989)、《野娃子,混合室内乐队与童声》(1993)、《对话,男声独唱,女高音,童声合唱团,混声合唱团与混合乐队》(1993-94)、《序鼓,独奏中国大鼓、排鼓、云锣与中国民间吹打乐队》(1994)、《吟,室内交响乐》(1990-1994)、《蜀韵,两支小提琴、钢琴与打击乐》(1995)、《极,独奏中国云锣、大鼓、排鼓与六位打击乐演奏家》(1996)、《巴蜀随想,交响序曲》(1996)、《无词歌,打击乐独奏》(1997)(日本国文化厅、日本现代音乐协会、日本国驻中国领事馆等联合委约)、《梦的交响舞台,唐代乐队,打击乐,人声与合唱团》(1999)(日本能乐观世流绿泉会、日本中国音乐勉强会、日本亚洲打击乐团、日中文化交流协会等联合委约)、《舞蹈组曲,大型管弦乐队》(1999)、《漠墨图,小提琴、大提琴、笙、琵琶与打击乐》(2000)(马友友、美国丝绸之路文化发展公司、日本Sony唱片等联合委约)、《秋三阕,9位中国乐器演奏家》(2000)、《响趣,5位中国打击乐器演奏家》(2000)(法国巴黎音乐城&2000中国古典音乐系列音乐会&委约)、《融I ,混合室内乐团》(2002)(荷兰 New Ensemble, Atlas Ensemble联合委约)、《融II ,打击乐协奏曲》(2002)(日本日中友好音乐公演委员会委约)、《融III ,爱尔兰笛子、手风琴、巴朗鼓,中国笙、筝,打击乐,13件弦乐器以及室内合唱团》(2003-04)(爱尔兰国家文化委员会、爱中2004文化交流年组委会委约)、《水墨画意三则,为17位演奏家的室内乐团》(2005)(美国朱丽亚音乐学院新室内乐团委约,美国亚洲文化基金会和美国古根海姆基金支助)及《梦蝶,七场新昆剧》(2007)等。

Methods A retrospective analysis from January 2007 to December 2008 patients treated four cases of IMH, aged 41-65 years old, three cases of patients with hypertension, in which the merger at the same time one cases of dilated cardiomyopathy, mitral insufficiency, atrial fibrillation defibrillators, heart function three. Four cases were combined in patients with pleural effusion. 4 patients underwent preoperative echocardiography and 64-slice spiral CT scan, in which the right shares by the three cases of catheter inserted, angiography confirmed after stent implantation. Results In this group died without surgery.

回顾性分析2007年1月至2008年12月收治的IMH患者4例,年龄41-65岁,合并高血压病3例,其中1例同时合并扩张型心肌病,二尖瓣关闭不全,心房纤颤,心功能三级。4例患者均合并胸腔积液。4例患者术前均行超声心动图及64排螺旋CT 扫描检查,其中3例经右侧股穿刺置入导管,造影确诊后,植入覆膜支架。

This fascinating disc presents three masterworks of our time written by three composers and performed by three orchestras.

这迷人的光盘提供了三个由三个作曲家的作品我们时代的杰作,由3名乐团合作演出。

To "customer first, honesty first" business philosophy, dedicated to customers design, manufacture their own products; First, the development of categories of products 1, Xianglong auspicious screen (the two major series, more than 20 varieties) 2, Fukurokuju Liuzhou screen Jubilee Series 3, precise degree of corrosion of copper gold stationery series (more than 10 varieties) Second, the product type ordered 1, pure gold, silver, gold-plated, silver medal 2, Gold, paperweights, gold plate, bookmarks, badges, etc. 3, flat, three-dimensional gold leaf products Third, wholesale Product category 1, three-dimensional gold leaf painting series (more than 50 varieties) 2, Crystal Glass 3, three-dimensional gold leaf Bonsai series (more than 10 varieties) Our company insist on "reputation first, reasonably priced, high quality, fast," the operating principle of expanding the market scope of business, at the same time the company will also continue to provide customers more, better and more satisfied with the products, with you to create better at the end of the past, thus forming "Qin Xuan-style" boutique line.

以&顾客至上、诚信为先&的经营理念,全心为客户设计、制造各具特色的产品;一、精品开发类 1、祥龙吉日屏风(两大系列,二十多个品种) 2、福禄寿禧龙屏系列 3、精蚀铜度金文具系列二、产品订制类 1、纯金、银币、镀金、银纪念章 2、金卡、纸镇、金碟、书签、徽章等 3、平面、立体金箔类产品三、产品批发类 1、立体金箔画系列 2、水晶琉璃 3、金箔立体盆景系列本公司坚持&信誉第一、价格合理、高品质、快速度&的经营方针,不断扩大市场业务范围,同时公司也将不断为客户推出更多、更好、更满意的精品,与您共同缔造美好末来,从而形成&琴轩式&的精品路线。

The development from simplex existence of three tuning systems to organic combination of three tuning systems is known as the twelve-tone-equal temperament with multi-frequency flexibility. The harmonious combinations between circle-of-fifths system and rhyme, just intonation and harmonic, and twelve-tone-equal temperament and inflexion, make up a new tuning system which takes full use of advantages of three tuning systems.

从三律的单一存在发展到现代三律的有机结合(即&复频弹性十二平均律&),五度相生律与旋律美相映,纯律与和声美相映,平均律与转调美相映,复频弹性十二平均律综合三律之长,避其之短,构成一个新的律制,使三律融为一个自由变通的统一体,进入相对的自由王国。

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推荐网络例句

She gently rebuff ed him, but agreed that they could be friends

她婉言拒绝了,但同意作为朋友相处。

If in the penal farm, you were sure to be criticized.

要是在劳改农场,你等着挨绳子吧!

Several theories about reigniting and extinguishing of the arc have been refered.

本文综合考虑了几种电弧重燃和熄灭理论。