查询词典 three-minute glass

Chapel Royal of the three-door and its spectacular grand罗马尼斯凯as early jewelry luster of the decorative glass windows, and both are in the twelfth century French architecture in the history of classical masterpieces.

教堂的三重皇家大门和其壮观宏伟的罗马尼斯凯像，早期的珠宝光彩的玻璃装饰的窗户，无一不是十二世纪法国建筑史上的经典杰作。

Three empty-looking, pretentious shops, with plate-glass windows, and a hopeless air of gentility.

这三家装着玻璃橱窗、看上去空空如也的、装模作样的店铺，露出一种假充体面、没有什么希望的暮气。

As a bionic sense technique, the AITS is composed of three parts, namely the cross-sensitive sensors and their array, self-study specialist database and intelligent recognition. The voltammetric and the potentiometric techniques are two main test methods. The sensitive materials include noble metals, rare earth metals, lipids and lipids polymer, chalcogenide glass materials, conductive polymers and other materials such as graphite paste, phthalocyanin, Prussia blue etc. The PCA and the ANN are the primary pattern recognition tools in intelligent recognition.

作为一种仿生感觉技术，人工智能味觉系统是由交互感应电极及阵列、自学习专家数据库和智能模式识别三部分构成；电位法和伏安法是两类主要的传感方法；传感器材料包括贵金属及稀土金属、类脂/聚合物、硫属玻璃、导电聚合物以及其它如碳糊、酞菁、普鲁士蓝等；主成分分析和人工神经网络是智能识别过程中主要的模式识别工具。

Today, he employs about 3,000 'benders,' who spend three months learning how to hand-shape the glass into spirals.

现在他雇了大约3，000名&弯管工&，这些人要花三个月的时间学习如何手工将玻璃弯成螺旋形。

Three layers of glass and epoxy were laid up, then another sheet of wax on top of that.

三层玻璃和环氧奠定了起来，然后再资产负债表蜡最重要的是。

Zhongshan Dong Shengzhen plant in constant electronic weighing under constant Weighing in for under one of three plants, production and marketing of professional home health scale, including electronic scales glass body, the body fat scale two series hundreds of models, China has built more than 100 sales outlets, with nearly 100 gift companies, agencies maintained a stable cooperation.

中山市东升镇中恒电子衡器厂隶属于中恒衡器，为下设三分厂之一，专业生产销售家用人体健康秤，包括电子玻璃人体秤、人体脂肪秤两大系列上百种款式，国内已建营销网点一百多个，与上百家礼品公司、代理公司保持着稳定的合作。

In his short stories, a scant three dozen of them, rounding off the whole oeuvre, he gradually took the name and voice of Buddy Glass, a fortyish and paunchy short-story writer who had ended up in an English Department.

在他的短篇小说里（一共写了为数不多的三十几篇，和其它作品一块儿组成了他的全部作品），他慢慢开始借用巴蒂·格拉斯的名字和声音来说自己的话，这是一个四十来岁、大腹便便的短篇小说作家，最后沦为一名大学英语系教师。

In his short stories, a scant three dozen of them, rounding off the whole oeuvre, he gradually took the name and voice of Buddy Glass, a fortyish and paunchy short-story writer who had ended up in an English Department.

他慢慢开始借用巴蒂·格拉斯的名字和声音来说自己的话，这是一个四十来岁、大腹便便的短篇小说作家，最后沦为一名大学英语系教师。

In his short stories, a scant three dozen of them, rounding off the whole oeuvre , he gradually took the name and voice of Buddy Glass, a fortyish and paunchy short-story writer who had ended up in an English Department.

他只有寥寥三十几部短篇小说中——差不多也算是全部作品——他渐渐成为笔下的巴蒂·格拉斯，借他的口吻道出自己的声音。格拉斯是个四十来岁、大腹便便的短篇小说作家，最后沦落到了英文系教书。

The whole architecture consists of three parts: in the west is a sector space with its height increasing by degrees; in the middle is a transparent oval-shaped hall of glass (42 meters at the highest and 67 meters at the widest) and a yellow sphere in the center (18 meters in diameter), which symbolize the boundlessness of the universe and the gestation of life; in the east is a four-storied framework, each floor 10-meter high and the highest place rising 49 meters above the ground floor.

整个建筑分为三个部分：西侧是一个由低到高逐步递增的扇形空间；中是透明的玻璃卵形大堂(最高处为42米，最宽处为67米)和中央的黄色球体(直径18米)象征着宇宙的无垠、生命的孕育；东侧是4层的框架结构，每层10米，最高隆起处高出地面达到49米。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。