查询词典 three-component

2 He answered him,＂ Bring me a three-year-old heifer, a three-year-old she-goat, a three-year-old ram, a turtle-dove, and a young pigeon.

上主对他说：＂你给我拿来一只三岁的母牛，一只三岁的母山羊，一只三岁的公绵羊，一只斑鸠和一只雏鸽。

We obtained the nasal deformation with three-dimensional reconstruction images and adjusted to separate the images of nasal cartilage, defined the form and structure of nasal deformation. Then we measured 10 cases of adult cadavers nasal alar, lateral and septal cartilage through modern mechanical measuring instruments, to obtain the elastic modulus of above three part structure of nasal cartilage, then to obtain more accurate nasal cartilage elastic modulus data through statistical analysis. At the same time, according to the relevant literature, we obtained nasal soft tissue biomechanical properties, mainly were elastic modulus and Poisson\'s ratio. Finally we established three-dimensional finite element analysis model of unilateral cleft lip nasal deformation, defined the model\'s constraint conditions and carried out biomechanical measurement and analysis of unilateral cleft lip nasal deformation.

将唇裂鼻畸形患者鼻部进行三维重建并调校，分离出外鼻软骨的影像，并对鼻部组织进行分层和重建，确定畸形鼻的形态和组织结构；通过现代力学测量仪器，对10例成人尸体鼻部的大翼、侧鼻和中隔软骨进行弹性模量的测量，获得上述三部分鼻部软骨结构的弹性模量数据，并通过统计学分析来获得较为准确的鼻部软骨结构的弹性模量数据，同时查阅相关文献，得到鼻部软组织的相关生物力学性质，主要为弹性模量和泊松比；建立单侧唇裂鼻畸形的畸形鼻部三维有限元分析模型，确定有限元分析的边界条件等，进行单侧唇裂鼻畸形的鼻部生物力学的测量和分析。

The first three sections studied the three kinds of regulation actions, namely abstract administrative actions, particular administrative actions, and other actions relate to accounting regulation which includes self-perfecting actions of the government, harmonizing actions among government departments, and marketing actions done by the government. The following three sections studied the problems occurred in government regulations to accounting information, accountants and CPA profession.

前面三节分别从会计监管的行为类别，即抽象行政行为、具体行政行为、与会计监管相关的其他行为等三个方面进行分析，其中政府实施的与会计监管相关的其它行为又包括政府自我完善行为、政府部门之间的协调行为、政府实施的与会计监管相关的市场行为。

Usually need to focus on playing some games, such as pictures to find missing part (scissors only one blade, only one long rabbit ears, a small car wheels, etc.), four-person scramble a circular motion to sit three chairs,"three-guess a" or "a four-guess"(the table first and three or four toys toys, let him look at one minute, and then took a blindfold and opened his eyes and let him look less what pieces) and so on.

平时玩一些需要集中注意的游戏，比如看图找缺失部分（剪刀只有一扇刀片，兔子只有一只长耳朵、汽车少一个轮子等）、四人转圈抢坐三只椅子、&三猜一&或&四猜一&（桌子先放三件玩具或四件玩具，让他看一分钟，然后蒙上眼睛拿走一件，打开他的眼睛，让他看少了哪一件）等。

The sixth chapter studies the relationship between MMs and stylistic feature, taking a dynamic perspective to study style, with the second section of this chapter analyzing the usages of MMs in report text and comment text of news style, the third comparing the different usage of three Chinese translations of Uncle Toms Cabin, the fourth analyzing the usage of MMs in three kinds of modern Chinese text , the fifth comparing the usage of MMs in three disciplines academic text and The sixth discussing the interactional rehtorical model, including the establishment of self-identity of speaker/writer, the expectation to reader/hearer, and the intertextuality interaction.

第六章讨论元话语和各语体语篇语体特征的关系，认为从元话语的角度来分析语体是从动态的角度来探讨言语行为和语体类型之间的关系，第二节讨论了报道体和时评体语篇中元话语使用情况，第三节比较了Uncle Tom's Cabin的文言文、古代白话和现代汉语三个译本中元话语标记使用的差异，第四节比较现代汉语三种语体文本中元话语标记使用情况，第五节讨论三个专业的学术论文中元话语标记的使用差异；第六节讨论元话语与语篇的互动修辞，讨论了语篇中表达者自我身份的确立、语篇对接受者的期待和呼吁和语篇的互动模式，说明元话语研究对探讨语篇的修辞互动模式和结构具有重要的意义。

They were, says Mr Stephen, and the end was that the men of the island seeing no help was toward, as the ungrate women were all of one mind, made a wherry raft, loaded themselves and their bundles of chattels on shipboard, set all masts erect, manned the yards, sprang their luff, heaved to, spread three sheets in the wind, put her head between wind and water, weighed anchor, ported her helm, ran up the jolly Roger, gave three times three, let the bullgine run, pushed off in their bumboat and put to sea to recover the main of America.

此语不差&，斯蒂芬先生曰，&其结果，本岛男子发现负情女子异口同声，无可救药。遂建造舟筏，携家财登船，桅杆尽皆竖起，举行登舷礼，转船首向风，顶风停泊，扬起三面帆，在风与水之间挺起船首，起锚，转舵向左，海盗旗迎风飘扬，三呼万岁，每次三遍，开动舱底污水泵，离开兜售杂物之小舟，驶至海面上，航往美洲大陆。&&

Xia Shangzhou in three generations, there is the powder rouge records, Zhang Bo contains "Zhou Tin Lead to burn powder", the Chinese ancient and modern note also mentioned the "rouge, 1998 at the Zhou", the long cloud,"since three generations to lead to powder, Qin Mugong a woman Guo Rong, Germany flu immortal, Xiao history as a powder burn mercury and Tu, Yiming Feiyun Dan, a 2007 song-and end up ", a visible powder products have been used as early as three generations.

在夏商周三代，对香粉胭脂就有记载，张华博载&纣烧铅锡作粉&，中华古今注也提及&胭脂起于纣&，久云，&自三代以铅为粉，秦穆公女美玉有容，德感仙人，肖史为烧水银作粉与涂，亦名飞云丹，传以笛曲终而上升&，可见脂粉一类产品早在三代已使用。

Three-dimensional Geologic Spatial Information System is a three-dimensional system, it uses three-dimensional spatial model to represent the geoscientific spatial information.

本论文分为两个部分：三维地质空间信息系统总体设计和三维可视化研究。

Deng Jingshan, the leader of the Hangzhou Dance Troupe said gladly that in order to make the audiences to experience charm of the summer concert, they specially invited some guests being arranged in the "three tiers inside". They were the workers who have worked for rebuilding the "One Vertical and Three Horizontals" comprehensive road and the Armed Police Officers, and there were more spontaneous and enthusiastic citizens in the "three tiers outside".

杭州歌舞团团长邓京山看着热闹的人群，笑着说&里三层&的观众是这次晚会特别邀请的&一纵三横&道路综合整治的工作人员和武警部队的官兵，为了让他们亲身体会这场夏日音乐会的魅力；而更多的&外三层&观众则是自发前来的热心市民。

His major works and commissions include: ' Three Temperaments , for Big Choir ' (1986), ' Counterpoint of Times , for woodwind septet ' (1989), ' Wild Children , for mixed Chamber Ensemble ' (1993), ' Overture , for solo Chinese bass drum and Chinese winds and percussion band ' (1994), ' Intonation , for chamber orchestra ' (1990-1994), ' Flavour of Bashu , for two violins, piano and percussion ' (1995), ' Pole , for solo Chinese Yun-luo, Chinese pai-gu and Chinese bass drum with six percussionists ' (1996),commissioned by Japan Asian Percussion Ensemble, ' Symphonic Prelude --- Bashu Capriccio' (1996), 'The Song Without Words , for solo percussion ' (1997), commissioned by the Ministry of Culture of Japan, Japanese Contemporary Music Association, and Japanese Embassy in China,'Illusions of the Symphonic Stage of Tang Dynast y , for orchestra of Tang Dynasty, percussion, voices and a big choir '(1999), commissioned by Japanese No Music Guanshiliu Green Spring Association, Chinese Music Research Center in Japan, Japanese Asian Percussion Ensemble and Japanese-Chinese Cultural Exchange Association,'The Prospect of Colored Desert , for violin, cello, sheng, pipa and percussion '(2000),commissioned by Yo-Yo Ma, Silk Road Project Inc. of the U.S., Sony Record,'Three Movements of Autumn , for small Chinese instruments ensembl e'(2000) and ' Sound Games , for 5 Chinese Percussion Instruments Players ' (2000-01), commissioned by La Cité de la Musique, Paris "2000 Chinese Classical Music Series", ' Fusion I , for Mixed Chamber Ensemble ' (2002), commissioned by Holland New Ensemble and Atlas Ensemble, ' Fusion II , Concerto for Solo Chinese Percussion and Orch.' (2002), commissioned by Japanese–Chinese Committee of Friendship and Public Music Performance, and ' Fusion III , for Irish flute, accordion, bodhran, Chinese sheng, zheng, Percussion and 13 Strings with Chamber Choir.' (2003-04), commissioned by China-Ireland Exchange Program, ' The Three Images from Washing Painting , for chamber ensemble of 17 players '(2005) commissioned by the New Juilliard Ensemble for the special concert of the Juilliard Centennial and sponsored by Asian Cultural Council and the Guggenheim Partnership and 'The Butterfly Dream', new 7 scenes Opera inspired by KUN QU' (2007) commissioned by the Contemporary Legend Theatre, Taiwan etc.

主要作品及委约包括：《三种气质，无伴奏合唱》(1986)、《时间的对位，木管七重奏》（1989）、《野娃子，混合室内乐队与童声》(1993)、《对话，男声独唱，女高音，童声合唱团，混声合唱团与混合乐队》(1993-94)、《序鼓，独奏中国大鼓、排鼓、云锣与中国民间吹打乐队》（1994）、《吟，室内交响乐》（1990-1994）、《蜀韵，两支小提琴、钢琴与打击乐》（1995）、《极，独奏中国云锣、大鼓、排鼓与六位打击乐演奏家》（1996）、《巴蜀随想，交响序曲》（1996）、《无词歌，打击乐独奏》（1997）（日本国文化厅、日本现代音乐协会、日本国驻中国领事馆等联合委约）、《梦的交响舞台，唐代乐队，打击乐，人声与合唱团》（1999）（日本能乐观世流绿泉会、日本中国音乐勉强会、日本亚洲打击乐团、日中文化交流协会等联合委约）、《舞蹈组曲，大型管弦乐队》(1999)、《漠墨图，小提琴、大提琴、笙、琵琶与打击乐》（2000）（马友友、美国丝绸之路文化发展公司、日本Sony唱片等联合委约）、《秋三阕，9位中国乐器演奏家》（2000）、《响趣，5位中国打击乐器演奏家》（2000）（法国巴黎音乐城&2000中国古典音乐系列音乐会&委约）、《融I ，混合室内乐团》（2002）（荷兰 New Ensemble， Atlas Ensemble联合委约）、《融II ，打击乐协奏曲》（2002）（日本日中友好音乐公演委员会委约）、《融III ，爱尔兰笛子、手风琴、巴朗鼓，中国笙、筝，打击乐，13件弦乐器以及室内合唱团》（2003-04）（爱尔兰国家文化委员会、爱中2004文化交流年组委会委约）、《水墨画意三则，为17位演奏家的室内乐团》（2005）（美国朱丽亚音乐学院新室内乐团委约，美国亚洲文化基金会和美国古根海姆基金支助）及《梦蝶，七场新昆剧》（2007）等。

Plunder melds and run with this jewel!

掠夺melds和运行与此宝石！

My dream is to be a crazy growing tree and extend at the edge between the city and the forest.

此刻，也许正是在通往天国的路上，我体验着这白色的晕旋。