查询词典 this evening

In my solitude of heart I feel the sigh of this widowed evening vei

这寡独的黄昏，幕着雾与雨，我在我的心的孤寂里，感觉到它的叹息。

In my solitude of heart I feel the sigh of this widowed evening vei led with mist and rain.

这寡独的黄昏，幕著雾与雨，我在我的心的孤寂里，感觉到它的叹息。

In my solitude of heart I feel the sigh of this widowed evening vei led with mist and rain.

这寡独的黄昏，幕着雾与雨，我在我的心的孤寂里，感觉到它的叹息。

In my solitude of heart I feel the sigh of this widowed evening vei??????with mist and rain.

这寡独的黄昏，幕着雾与雨，我在我的心的孤寂里，感觉到它的叹息。

In my solitude of heart I feel the sigh of this widowed evening vei % P W0 Q, T2 O

这寡独的黄昏，幕着雾与雨，我在我的心的孤寂里，感觉到它的叹息。

In my solitude of heart I feel the sigh of this widowed evening vei 5 l7 U9 }* i!

d； R； H* D； S 这寡独的黄昏，幕着雾与雨，我在我的心的孤寂里，感觉到它的叹息。

In my solitude of heart I feel the sigh of this widowed evening vei , R2 d6 D# n2 P3 |6 x H7 G

这寡独的黄昏，幕着雾与雨，我在我的心的孤寂里，感觉到它的叹息。

Evening calm ushers a fishing boat past a reef off Viti Levu, largest of 300-plus islands in this South Pacific success story .

平静的傍晚，一条渔船经过维提岛边的暗礁。维提岛位于著名的斐济大洋洲，是南太平洋300多个岛屿中最大的岛屿。

Evening calm ushers a fishing boat past a reef off Viti Levu, largest of 300-plus islands in this South Pacific success story .

黄昏的平静迎来一艘钓渔船通过一个暗礁 Viti Levu ，最大的300多个岛屿，在这个南太平洋的成功传说――斐济，但平静的表面不能掩盖一个令人不安的波斯湾之间的本土斐济族人和公民的印度裔。

"Evening calm ushers a fishing boat past a reef off Viti Levu, largest of 300-plus islands in this South Pacific success story . Yet tranquil surfaces cannot mask a troubling gulf between native Fijians and citizens of Indian origin."

黄昏的平静迎来一艘钓渔船通过一个暗礁 Viti Levu ，最大的300多个岛屿，在这个南太平洋的成功传说――斐济，但平静的表面不能掩盖一个令人不安的波斯湾之间的本土斐济族人和公民的印度裔。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。