查询词典 there-in-after

I wouldn't mind if it was only the wretched place, but there'll be life lost; there'll be life lost," sobbed the girl, distractedly."

如果只是这肮脏破烂的地方遭灾，我倒并不怎么在意，可还会有人丧命的；还会有人丧命的，"这姑娘心烦意乱，呜呜咽咽地说道。"

Although there is no more appealing organizational paradigm, there is also none that is more diversely defined.

虽然没有吸引力的组织模式，但也没有明确表示更多元化。

Now where there are no parts, there can be neither extension nor form nor divisibility.

没有部分者，既没有延展，也没有形式，也不可分。

There are a large number of foreign companies into China's water market, all of a sudden there are a lot of projects out at this time do not enter the market will be a few years later divvy up others.

现在有大量的外资公司涌入中国水务市场，突然一下子有好多项目出来，此时不进入，晚几年市场就会被别人瓜分殆尽。

And therefore the flash exposure compensation will most likely be around zero. There are no easy answers. Anyone who tells you there is one magical do-all setting for flash, is lying to you.

补偿量的大小需视情况而定，没有一个固定的值，如果有人告诉你有这么一个值，那么他一定是在骗你。

Once again I want to stress a particular point - there are no specific or fixed settings. There are just too many variables for anyone to give specific 'do-all' settings.

再次强调，没有一个固定的值可以适合各种情况，因为影响补偿值的因素太多，不可能有一个一劳永逸的设置。

There are mothers and fathers who willmortgage, or pay their doctor's bills, or save enough for college. There is new

这些士兵的父母会在孩子熟睡后仍难以入眠，他们担忧的是如何偿还月供，如何支付医药费，如何存够今后孩子的大学费用。

Where there is the doctrine, there is my teacher.

无"是"无论"的意思。"

Be careful when you buy things at the market, there's a lot of dodgy stuff on sale there.

你在市场买东西得小心，那里有很多骗人的商品。

Be careful when you buy things at the market, there's a lot of dodgy stuff on scale there.

你在市场买东西得小心，那里有很多可疑商品。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。