查询词典 there-in-after

There is also a type of dance is the performance of Kazakh people's life, production, labor, there are "rolling carpet Dance,""milking Dance,""Dance shearing,""texture花毯Dance" and so on, the performance is a busy and cheerful scene of labor.

还有一类舞蹈是表现哈萨克族人民的生活、生产、劳动的，主要有《擀毡舞》、《挤奶舞》、《剪羊毛舞》、《织花毯舞》等，表现的是一种忙碌而欢快的劳动场面。

There are some songs, like 'Caruso', when I just stand there and think,'Oh, God, this is so wonderful'.

有很多首歌，如『Caruso』，当我只是站在舞台上，会心想：『天啊！这一切都太美妙了！

There were treatises on catallactics which dealt only incidentally and cursorily with monetary matters, and there were books on currency and banking which did not even attempt to integrate their subject into the structure of a catallactic system.

那时的一些关於交换问题的论著，只是偶尔草率地讨论到货币，有些讨论通货和银行的书，甚至於不把这两个主题纳之於交换理论的体系中。

Sure there's a time for daring,and there's a time for caution .

有大胆挑战的时候，也有谨慎的时候。

But there is one caveat: A different person may actually be there.

但有一个前提：不同的人可能会在那里。

One caveat: I am not saying that there are no real costs to inflation—there certainly are.

一个提醒：我没有说通货膨胀没有成本----肯定是有的。

Are they coming from a celestial body or is there some terrestrial service there as well?

它们来自一个天体或者也有一些地球上的服务工作？

There is a brighter prospect still out there: cellulosic ethanol.

另外有一个更加光明的前景：纤维质乙醇。

The night was not quiet as there was overnight construction, and there was sound of cement mixer.

夜并不静，附近通宵施工，似乎在搅拌混凝土。

I'm a person who just throws myself out there and does wild stuff and she's like the center of the wheel. She's the type of person that can sit there and allow things to come to her.

当然我们两个人是很不同的，我的表演方式是完全放开缰绳无所顾忌地演，而她就像是轮子的轴心，牵住我，以免我表演得太过了。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。