查询词典 the twentieth century

The development of Chinese architecture of modern times reached its climax from 1900 to 1937.During this period, especially the earlier stage, the main trend of architectural development is western revivalism and eclecticism. The eclecticism of western architectural history happened in earlier nineteenth century till the beginning of twentieth century. But the impact of west architecture over Chinese architecture sometimes is delayed, this is common culture spreads time spacing.

中国近代建筑的发展，在1900年—1937年是一个高潮，在此期间特别是中前期，建筑发展的主流趋势是西方复古主义和折衷主义，西方建筑史上的折衷主义发生在十九世纪上半叶至二十世纪初，但是西方建筑对中国建筑的影响往往是滞后的，这是常见的文化传播时间差。

It tells how the civilisation that gave us Marx, Freud and Einstein, Süsskind von Trimburg and Franz Kafka, Moses Mendelssohn and Heinrich Heine, Isaac Babel, Boris Pasternak and Alfred Schnittke, found in eastern Europe a Goldene Medine, a Golden Land—until the invention of the ethnic nation state in the nineteenth century made it impossible for two civilisations to share the same territory.And finally, it recounts how mass emigration to the USA at the close of the nineteenth century and the opening of the twentieth carried many of its beliefs, values and traditions to the other side of the Atlantic, where they served among the contributors, through film, music, literature and the arts, not to speak of commerce and enterprise, to what we think of as the American way of life—and therefore, in this era of globalisation, to the way of the entire world.

依地文明：一个被遗忘的国家的兴衰》讲述了一个哺育出马克思、弗洛伊德、爱因斯坦、海涅的文明国都如何在东欧建立起那个金色国都----这种状况一直持续到19世纪，那时出现了群体民族国家的概念，从那以后两种不同的文明就可以共同分享同一个领地了。

A century ago, Teddy Roosevelt called together leaders from business and government to develop a plan for twentieth-century infrastructure.

一个世纪前，西奥多·罗斯福把企业和政府的领导者们召集在一起，制定了一项20世纪基础设施建设规划。

The Most Important Change of the 20th Century There were a great many changes in the twentieth century.

世纪最重要的改变 20 世纪有很多重要的变革。

It is no accident that the twentieth century should be the century of highly centralized governments and totalitarian dictatorships

20世纪应当是高度集权的政府的世纪，是集权主义专政的世纪，这决非偶然的事情

By the mid-twentieth century, a consensus had emerged among scholars that the historicity of Laozi was doubtful or unprovable and that the Daodejing was a compilation of Taoist sayings by many hands originating in the 4th century BC.

到二十世纪中叶，已经出现一致意见，学者之间的历史性老子是怀疑或unprovable而且Daodejing是汇编道教说法，许多双手原产于公元前4世纪。

Each advance in microscopic technique has provided scientists with new perspectives on the function of living organisms and the nature of matter itself. The invention of the visible light microscope late in the sixteenth century introduced a previously unknown realm of single celled plants and animals. In the twentieth century, electron microscopes have provided direct views of viruses and minuscule surface structures.

显微技术显微镜技术的每一个进步都给科学家提供了看待生物体的功能和其性质的新观察方式。16世纪晚期可视光显微镜的发明引入了一个以前一无所知的单细胞植物和动物的领域。20世纪电子显微镜提供了对病毒和极微物体的表面结构的直接观察。

The realization of this civilizational pluralism has enabled modern historians to conceive of a world history which views the history of humankind as a whole and not, say, in the manner of the national histories fashionable in the nineteenth century or the history of Western civilization invented in the twentieth century.

认识到这种文明的多样性，使得现代历史学家能构想出一个将人类视为一个整体的世界史，而不是将世界史视为国家的历史（此看法流行于19世纪）或者是西方文明的历史（此看法诞生于20世纪）。

In 2000 Gate of the Century: 1979——1999 the Exhibition of Chinese Art, Chengdu Modern Art Museum, Chengdu, China; Man+SPACE, Kwangju Biennial 2000, Kwangju, Korea; Messagers of the Hearth, Center of Contemporary Art of the LycEe Xavier Bernard in RouillE; Transcending Boundaries, Montclair State University, USA; Portrait de Chine Contemporaine, Espace Culturel Francois Mitterand, Perigueux; Les Passe —— Murailles, Contemporary Art of China, Picardie Museum Amiens, France; The First Collection Exhibition of China Contemporary Art, Shanghai Art Museum, China; China, Art in the Twentieth Century, Touring Show in Beijing and Shanghai, China; Asia Contemporary Art Exhibition, Japan.

参加在法国班里哥弗郎索瓦·密特郎国际文化中心举办的&当代中国肖像&；参加在法国阿密庇加底国家美术馆举办的&中国当代艺术邀请展&；参加在中国上海上海美术馆举办的&首届中国当代艺术收藏展&；参加在中国美术馆，上海美术馆举办的&20世纪中国油画展&参加在日本宇都宫美术馆，新汤县民会馆举办的&亚洲当代艺术邀请展&。2001年作品分别在上海美术馆，四川省美术馆，广东美术馆展出；参加在法国巴黎法兰西画廊举办的&是我，是我们&展；参加在中国上海艺博画廊举办的&学院与非学院&展；参加在中国上海艺博画廊举办的&最初的形象——当代纸上作品展&

Virginia Woolf realizes that the women writers in the nineteenth century often express their personal grievance in the novels. However, after entering the twentieth century, the women writers begin to "use writing as an art, not as a method of self-expression", and pay more and more attention to the essence of the art-"freedom and fullness of expression". Secondly, she discusses the relationship between men and women, and she believes that they should be equal in society, and indicates the final goal of feminist struggle is to "deconstruct the death-dealing binary opposition of masculinity and femininity".

她意识到19世纪的女作家经常在作品中表达个人愤怒：20世纪以后，女作家们开始将写作当成一门艺术，而不是一种自我表现的方法，并且越来越关注艺术的真谛；二、积极探讨男女两性之间的关系，寻求男女平等，指出&女权主义斗争的最终目的是解构男女之间的二元对立&，并通过分析拉姆齐先生和拉姆齐夫人的性格特征展示两性之间的关系；三、正因为男女之间存在诸多不平等，女性在男性的压制下，逐渐丧失了话语权。

Although translator has turned from being a crystal ball by which the original culture can unrestrainedly penetrate to another crystal ball by which the target culture can freely traverse, the translator's personal embodiment, in the process of cognitive act, are still absent in translation studies. Translators are still subjects without body or simply disembodied subjects.

译者虽然由原语文化可以自由穿透的玻璃球变成了译语文化可以自由穿越的玻璃球，但译者认知过程中的个体体验在翻译研究中依然缺席，译者依然仅仅是一个没有躯体体验的主体。

Chillingly, he claimed our technology is 'not nearly as sophisticated' as theirs and "had they been hostile", he warned 'we would be been gone by now'.

令人毛骨悚然的，他声称我们的技术是'并不那么复杂，像他们一样，和"如果他们敌意"，他警告说，'我们将现在已经过去了。