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the theme song相关的网络例句

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3" And "Pictures Etudes,""Corelli Variations on a Theme." The third part of the "Paganini Rhapsody theme of creative background and style features were analyzed and discussed, In particular, is the melody of the song features, and sound features, the intensity of change, Musical Structure of the four aspects of a more in-depth analysis

第三部分对《帕格尼尼主题狂想曲》的创作背景和风格特点进行了分析和论述,尤其是对该曲的旋律特点、和声特点、力度变化、曲式结构等四个方面作了较为深入的剖析

Stand under gentle sunlight in spring , yearn for that there is the sea in distance , distance , have a mountain to have forest: Distance bill my sincere dream,...But, on the platform standing in eighteen-year-old, I understand that: Season in dreaminess, even if being still satisfying emotion, theme also, being only minor interlude music or song in a film or play in life long river, but being able to not become life!

站在春天柔和的阳光下,向往远方,远方有海,有山有林:远方票据着我真诚的梦……但是,站在十八岁的站台上,我懂得:在多梦的季节,即使是再美的情感,也只是生命长河中的小插曲,而不能成为生命的主旋律!

Bob Sinclar's theme had quickly become my signature tune because everyone understood that the song had a lot of rhythm, and spread joy all around, in a contagious way.

Bob Sinclar的旋律很快成为了我的标志性旋律,因为每个人都知道这首歌有很多韵律,用一种传染性的方式向各处散播快乐。

The main theme of this song is"now I understand, what you tried to said to me…"

这首歌的主旋律是这样唱的:"现在我知道了,你试着想对我说什么……"

"To love the name of eternal love song" theme activities are an important part of creative competition.

"以爱之名,颂爱永恒"主题活动是创意大赛的重要组成部分。

Japanese folk melody usually have two categories is quiet simple, like "cherry" and "Four Seasons", a simple melody to the extreme, the range is limited to one octave, with a flat in the United States and sad ; The other is just the opposite of melody turbulent ups and downs, a large range span, shallow Diyin to sing in the climax of the potential for sudden, the sound is the heart Dang Shen Yao, the highest Chang Dao, often an issue of the Songran Vibrato, the movie "Station" theme song is a case in point,"Beiguozhichun" has the taste of this, the singers sang songs of this kind from time to time to stir up the audience fanatical passion.

日本民歌的旋律通常有两类,一类是宁静单纯的,像《樱花》、《四季》那样,旋律简单到了极点,音域只限于一个八度,平淡中带着一股伤感的美;另一类刚好相反,旋律动荡起伏,音域跨度很大,浅唱低吟中潜伏着突发的高潮,听来令人心荡神摇,唱到最高处,往往会发出一种令人悚然的颤音,电影《车站》的主题歌就是典型的例子,《北国之春》也有这种味道,歌手在演唱这一类歌曲时常能煽起听众狂热的激情。

Since the school Sangzhi Chinese folk songs to be included in the intangible cultural heritage, folk songs as they Sangzhi love of the motherland, love of home education materials,"Sangzhi sing the school song" as its theme, carried out a series of activities has been made Good results, Sangzhi to allow students to sing folk songs, Sangzhi love to sing folk songs, from an early age by Sangzhi the influence of culture, so that Sangzhi sing folk songs in the minds of students.

该校自张家界 http://www.zjjxinxi.com 。桑植民歌被列入中国非物质文化遗产以来,就把桑植民歌作为热爱祖国、热爱家乡的教育题材,以&桑植民歌唱响校园&为主题,开展了一系列活动,取得了良好效果,让学生会唱桑植民歌、爱唱桑植民歌,从小就受到桑植文化的熏陶,让桑植民歌在学生心中唱响。

The author thinks : On thought content, Su Shun has a strong sense of calling and suffering consciousness to admire poems, Embody very strong reality show loving care for spirit, promote Song show loving care for spirit and patriotism spiritual the formings of theme s by poem reality; At the artistic style, Su poem plentiful high and steep gas ambition, have distinct era characteristic and individual character makings, Have opened up the road of main air of the poem of Song.

作者认为:思想内容上,苏舜钦诗具有强烈的使命感和忧患意识,体现了很强的现实关怀精神,促进了宋诗现实关怀精神和爱国主义精神主题的形成;艺术风格上,苏诗志气充盈、气体嵯峨,具有鲜明的时代特色和个性气质,开拓了宋诗主气的道路。

It is the morning after the day before , setting the theme of the song's lyric " That's what you get for waking up in Vegas".

这是继前一天上午,设置了这首歌的歌词:&这就是你醒来了在拉斯维加斯获得&为主题。

In classical music I always admired Mussorgsky's unorthodoxy, unpredictability and disrespect of rules, and a few other Russian composers such as Shostakovich (the second tempo of his 8th String Quartet and Chamber Symphony op.110/110a electrocuted my imagination at least as much as the beginning of his 5th Symphony must have remained stuck in Morrissey's mind, when he sampled it for 11 minutes on the opening song of his "Southpaw Grammar" album), Prokofiev (whose exceptional melodic ingeniousness influenced me, but must have pleased Sting too, as he borrowed the theme of Prokofiev's "Lieutenant Kijé" for his hit "Russians") and Mosolov (whose mid-1920s piece "Iron Foundry" is pure Prog-Rock à la Magma, Art Zoyd, Univers Zero).

古典音乐家里面我一直十分欣赏Mussorgsky的叛逆、不可预测以及他对常规的无视,还有少数俄罗斯作曲家,比如Shostakovich,(他的C小调第八弦乐四重奏作品第110号/110a的第二部分 [1]强烈激发了我的想象力,这种激发不亚于他的第五交响曲[2]的开始部分对于Morrissey[3]的影响,那段旋律令他印象如此深刻以至于他将11分钟的采样放在了他的专辑《Southpaw Grammar》中。)Prokofiev(他格外出色天才一般的旋律影响了我,但是Sting肯定也获益匪浅,因为他也在自己的热门单曲&Russians&俄罗斯人中借用了Prokofiev 的&Lieutenant Kijé&三驾马车[4]),和Mosolov[5](他创作于1920年中期的作品&Iron Foundry&是纯粹的前卫摇滚à la Magma,Art Zoyd,Univers Zero)。

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The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应,而且减少跟风的可能性。

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