查询词典 the sky and the sun

It is just like that we come to a untraversed beach in a dusk and face the boundless sea, suddenly it is rain with the sun on the sky, and after that a rainbow is drawn on the sky, and the forthcoming gloaming makes the unmanned beach become mysterious and cold.

就像在一个黄昏，我们来到一片人迹罕至的海滩，面对着空旷无垠的海面，忽然一阵太阳雨过后，一道彩虹被画在天边，而即将到来的暮色又使得那片无人的海滩显现出一种神秘与深冷。

The Master heard of this and said, With the sky and the earth for my coffin; the sun and moon and stars for my burial regalia

大师得知这个消息后说："天地将是我的灵柩，日月星辰会是我埋葬的记号。"

And if have the Wonderland technology of Sun company and product, the son of JoeHartley can be among fictitious world, of saltant Egypt pyramid in the sky, see the complete picture of Egypt pyramid, and the framework that can inspect pyramid with close quarters and the component inside.

而如果有Sun公司的Wonderland技术和产品的话，JoeHartley的儿子就可以在虚拟的世界当中，飞跃埃及金字塔的上空，看到埃及金字塔的全貌，而且可以近距离考察金字塔的架构和里面的部件。

The lavender makes Provence purple, the sky and the sea are bleu, the sun in Provece is golden, and the sunflowers make it orange, also the green of the olive and the pink of the Rose wine are unforgotten.

薰衣草让普罗旺斯成了紫色，普罗旺斯的天还有海水是蓝色的，这里的太阳是金色的，向日葵是黄色的，橄榄的绿色，还有玫瑰酒是粉色的。

And first he will see the shadows best, next the reflections of men and other objects in the water, and then the objects themselves; then he will gaze upon the light of the moon and the stars and the spangled heaven; and he will see the sky and the stars by night better than the sun or the light of the sun by day?

首先是看阴影是最容易，其次是看人和其他东西在水中的倒影容易，再次是看东西本身；经过这些之后他在夜里就能凝视月亮和星星的光芒以及闪烁的夜空。他会觉得在夜里观察天空比白天直视太阳的光芒要容易，你说是吧？

Faisal - The first thing is, it's a dam. It impounds the river and it creates an open body of water which is an artificial reservoir or a lake and that itself, being exposed to the sky and the sun, creates a huge source for moisture in the air.

Faisal -首先，它是一座坝，它可以拦截河流，然后形成一大片的水域即人造湖泊，大片的水面暴露在天空和太阳之下，在空气中形成很大湿气源。

A few clouds of startling white dotted the blue of the sky, and the sun shone down from among them, revivifying and rejuvenating, reflected in dancing facets from the imperial blue of the sea.

碧空点缀着朵云白得惊人，阳光从云层中直洒下来，充满了新生和活力，宝蓝色的海面上闪现出粼粼波光。

Faerie contains many things besides elves and fays, and besides dwarfs, witches, trolls, giants, or dragons: it holds the seas, the sun, the moon, the sky; and the earth, and all things that are in it: tree and bird, water and stone, wine and bread, and ourselves, mortal men, when we are enchanted.

仙境除了精灵和仙人，除了矮人、巫师、食人妖、巨人和龙之外，还含有许多东西：有海洋，有太阳，有月亮，有天空。有大地，以及大地上的一切物产：树木和鸟儿，水和石头，美酒和面包，还有我们自己，被仙境迷住的凡人。

I normally use quite a lot of light sources; I place them so I can highlight details of the scene. In this image I have used 13 lights: 4 omni lights as ambient lighting, 2 to highlight the form of the engine, 3 spotlights to highlight the back of the engine, 3 highlight to stress the specular and the greasy effect on the shell, a spotlight behind the snail neck for the sub surface scattering, in addition to the sun with area shade and the sky with a HDRI with an atmosphere similar to the photograph of the road for the global lighting I have used a surface with an asphalt texture for the floor and the yellow lines only to be reflected on the engine and to add some radiosity to the snail body and shine.

通常我使用很多的光源，我到处放置它们，这样我才能照到足够多的细节，在这幅图里我使用了13盏灯，4 盏点光源作为环境光，2盏来照亮引擎的形状，三盏聚光灯用来照亮引擎的背面，三盏来强调蜗牛壳的高光及油腻的感觉，有一盏蜗牛脖子背后的灯光来表现3S半透明效果，另外还有一盏太阳光来获得各个区域的阴影，以及一个赋予了HDRI贴图的sky，来作为全局光，我使用了一种沥青材质作为地面材质，并让引擎能反射地面上的黄色带子，并为蜗牛身体与光射线增加了一些radiosity，以取得得与背景类似的灯光环境。

Lighting灯光I normally use quite a lot of light sources; I place them so I can highlight details of the scene. In this image I have used 13 lights: 4 omni lights as ambient lighting, 2 to highlight the form of the engine, 3 spotlights to highlight the back of the engine, 3 highlight to stress the specular and the greasy effect on the shell, a spotlight behind the snail neck for the sub surface scattering, in addition to the sun with area shade and the sky with a HDRI with an atmosphere similar to the photograph of the road for the global lighting I have used a surface with an asphalt texture for the floor and the yellow lines only to be reflected on the engine and to add some radiosity to the snail body and shine.

通常我使用很多的光源，我到处放置它们，这样我才能照到足够多的细节，在这幅图里我使用了13盏灯，4 盏点光源作为环境光，2盏来照亮引擎的形状，三盏聚光灯用来照亮引擎的背面，三盏来强调蜗牛壳的高光及油腻的感觉，有一盏蜗牛脖子背后的灯光来表现3S半透明效果，另外还有一盏太阳光来获得各个区域的阴影，以及一个赋予了HDRI贴图的sky，来作为全局光，我使用了一种沥青材质作为地面材质，并让引擎能反射地面上的黄色带子，并为蜗牛身体与光射线增加了一些radiosity，以取得得与背景类似的灯光环境。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。