查询词典 the right hand

All with the help of God's All-powerful right hand

在上帝的全能的右手的帮助下的所有

Then Joab took Amasa by the beard with his right hand to kiss him.

就用右手抓住亚玛撒的胡子，要与他亲嘴。

I found she had no words ,which made me think she consent with me , so I clasped her with my right hand as the same as I kissed her left ear amorously.

我没有找到她有词，使我认为她同意与我，因此我扣紧她与我的右手当同一样我好淫亲吻她的左耳朵。

During the anchoring process, I was constantly practicing it with my right hand and it works wonderfully.

在这个过程中，我一直用右手操作，它运作的很好。

Among them, stand in right hand side of abstruse Ba Ma locally the presiding apparitor that is Google Eric Shimite .

其中，站在奥巴马右手边位置上的是Google的首席执行官埃里克·施密特。

F, architectural style is to Cao Wei during the period of architectural styles on the basis, thus making a name / f,""汉风.contiouos the door of a large Brown Wall carving is members of the three Kingdoms period liubei and thought" Dongfang hero of the historical allusions," in the lobby of the right side is named " hero Pavilion " themselves mainly to providing customers with buffet breakfast, utencils, bars and other services, which could accommodate 60---90 people left and right; the left hand side is named " are the youyan tanghang isogenous sctudy diningcn," can accommodate more than 100 people at the same time, mainly to provide you with these dishes, Cantonese, peasant cuisine in a variety of cuisine, mainly as a zero.the first floor and procudtion 30per epidifferentiability between the different styles of gatherings, you can provide you with the wrong way of tea, catering, services, and 汉风/ f, there are various specifications of the Conference room, there are a number of accommodating more than 200 people of muiti, there are dozens of people can fit in, you can meet your different meetings and hospitality requirements.

汉风楼的建筑风格是以曹魏时期的建筑风格为基础，故起名&汉风楼&。迎门的大型古铜色的壁雕就是大家所熟知的三国时期刘备与曹操&青梅煮酒论英雄&的历史典故，大厅右侧是命名为&英雄阁&的西餐厅，主要为顾客提供自助早餐、西餐、酒吧等服务，可容纳60---90人左右；左手边是命名为&许都宴堂&的中餐厅，可容纳100多人同时就餐，主要为您提供湘菜、粤菜、农家菜等多种菜系，主要为散客提供零点服务。一楼和二楼有30余间风格不同的贵宾厅房，可以为您提供餐饮、茶艺、棋牌等服务，而且汉风楼还有各种规格的会议室多间，有同时容纳200多人的多功能厅，还有可以容纳几十人的中、小型会议室，可以满足您不同的会议及接待需求。

With the left thumb to push its loose end to the right, although the right to continue to push its loose end of the middle finger along the left hand between the thumb and index finger ...

用左手拇指，以推动其向正确的松散结束，虽然右手中指继续推动其松散结束一路之间的左手拇指和食指。。。

Well here it is first u have to roll at a moderate speed than you take the back foot off your board and just like the boneless u have to start lifting your board up and when you reach about your knee level u have to put your left ora right hand you start power lifting your body up to the air and before u do that u have to lift up your needs to your chest and then from there you have to push your legs out and stay there as much and you can and try to put as much pressure on your arms as you can and extend your body before you come down and if u have to bail then this is the right time and make sure when you bail that you roll.

以适速前进然后后脚下来像boneless一样，用前手把板抬起到膝盖高度时用你惯用的那只手撑地有力地把你的身体撑起到空中，在这之前你已经把膝盖靠到胸部了，然后伸膝保持时间尽可能长，并把主要的压力放到手上，在下来前伸展身体，如果要摔时，在这个时候最好，身体缩成团滚开。

With your right hand at the bac k of the fabric, insert the needle in the lower right corner of the Aida square, directly below the top of the half stitch.

随着你在织物回右手，插入在阿依达广场右下角针，直接低于半针的顶部。

With y our right hand at the back of the fabric, insert the needle in the lower right corner of the Aida square, directl y below the top of the half stitch.

随着你在织物回右手，插入在阿依达广场右下角针，直接低于半针的顶部。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。