查询词典 the right hand

Back in the stern he turned so that his left hand held the strain of the line across his shoulders and drew his knife from its sheath with his right hand.

回到了船梢，他转身让左手攥住紧勒在肩上的钓索，用右手从刀鞘中拔出刀子。

Rack in the stern he turned so that his left hand held the strain of the line across his shoulders and drew his knife from its sheath with his right hand.

回到了船梢，他转身让左手攥住紧勒在肩上的钓索，用右手从刀鞘中拔出刀子。

A Stillage is a metal frame, which is used to dispatch Rapidwall. Creating a SPL is a logistical task, where on one hand the transport truck has to be loaded as good as possible and on the other hand panels have to be packed in the right order that setting up on site can be done easier.

创制SPL是一项逻辑性的任务，一方面运输卡车要尽可能地装载好，而另一方面墙板要按正确的顺序包装，这样现场的架设就能够作得更容易。

For example, if she wants to go to the bar or bathroom but doesn't know the way, you can use stealth tactility by placing your hand on her shoulder, drawing her in a little closer, swivelling both of your bodies round until you face in the right direction, then point past other people or obstacles with your other hand to where she needs to go.

比如，如果她想去柜台或者洗手间但又不知道路，你可以通过将手放在她的肩上，将她拉近，旋转你们的身体直到面对正确的方向来利用隐秘触感，然后用另一只手指出从旁经过的人或者是路途上的障碍物。

by analyzing internal and exterior factors working on the validity of professional sports service production institution, the paper concludes that on the one hand, with ectogenic, compellent, defective structure low maneuverability and human degree in the chinese professional sports production institutions, which result in low validity of professional sports production institution in china; on the other hand, for the whole nation systems and common property right dominated by china government, china economy systems' transition, confucian culture that pays more attention to academic knowledge, whereas despise on physical force, which greatly influence the efficiency of professional sports service production institution.

摘 要：通过分析影响竞技体育生产制度有效性的内在因素和外部因素，得出：一方面，中国竞技体育生产制度由于其外生与强制性、制度结构欠缺、可执行性程度低、人性化程度差等原因导致其制度有效性低，另一方面，中国政府主导的&举国体制&和竞技体育的公共产权、中国经济体制转轨、&重文轻体&的儒家文化极大地影响竞技体育生产制度效率的发挥。

The impulse to pursue God originates with God, but the outworking of that impulse is our following hard after Him; and all the time we are pursuing Him we are already in His hand: 'Thy right hand upholdeth me.

然而，在實行的時候（就是說神的工作先臨到人時人的反應），人必須追求認識神，既然神的吸引是為要造成与他合一的經歷，在我們方面就必須有積極的交互反應。

Obama made the historical address shortly after he held his right hand in the air and placed his left hand on Abraham Lincoln\'s inaugural Bible to take the oath of office and become the first black president of the United States.

奥巴马的历史作出处理后不久，他在他的右手在空气中，放在他的左手上亚伯拉罕林肯的就职采取圣经宣誓就职，成为第一位黑人美国总统。

Group Exhibitions: in 2006, Process and Expression, The Scale of Picture Determines Attitude: the 1st 5x7 Photo Biennale, Direction, Mixture of Clear and Obscure: Chinese Contemporary Arts Exhibition; in 2005, Fan Shou Wei Yun Fu Shou Wei Yu: the 1st Exhibition of Beijing TS1 Contemporary Art Center, Skin of City—Research on the Possibility of Contemporary City Image (Tap Seac Gallery of Macao, Shenzhen Art Museum), Transparent Box, Untitled—Self-Project:'05 China Pingyao International Photograph Exhibition, Ten Points and Ten Colors (Soka Contemporary Space, Beijing), Tian An Men (Amsterdam Photo Museum, Holland), The 2nd Chengdu Biennale, Tomorrow without Glancing Back: Chinese Contemporary Art Exhibition (Kuandu Museum of Fine Arts, Taipei); in 2004, Meet by Chance, One to One: Their Sight (Chambers Fine Arts, New York, USA), Chinese Photo and Image Fine Arts, Times of Imitating Images; in 2003, Distance—Contemporary Art Invitational Exhibition of Guangdong Museum of Art (Guangdong Museum of Art, Guangdong), Left Hand and Right Hand: China and Germany Contemporary Art United Exhibition (Beijing 798 Space), Expression and Condition, Chinese Photo and Image Fine Arts (Art Museum of Beijing Normal University), Blue Sky without Defense; in 2002, Speak to Oneself, Chinese New Photo and Image Exhibition, Bridge: Contemporary Art Invitational Exhibition, Legend-Fabrication-Copy, Phenomenon, Chuang Ku Exhibition (Shanghai Dongdaming Chuang Ku Exhibition); in 2001, Knowledge is Power; in 1999, Contemporary Chinese Art Exhibition; in 1998, Surprise to Existence, In the City: Opening Oneself; in 1997, Chinese Art General Exhibition: Contemporary Oil Painting Exhibition.

联 展：2006年Process And Expression。&画幅决定态度&首届5x7照相双年展方向、虚虚实实—中国当代艺术展；2005年&翻手为云，覆手为雨&—北京 TS1当代艺术中心第一回展、城市的皮肤—当代都市影像的可能性研究（澳门塔石艺文馆、深圳美术馆）、透明的盒子北京SOHOU现代城）无题—自我投射2005中国平遥国际摄影大展、士点十色、天安门（荷兰阿姆斯特丹摄影博物馆）、第二届成都双年展、明日，不回眸—中国当代艺术展；2004年邂逅、&一对一&他们的目光、中国影像绘画、拟像时代；2003年&左手与右手&中、德当代艺术联展、表情与状态、中国影像绘画展、距离·广东美术馆当代艺术邀请展、蓝天不设防；2002年自言自语、中国新影像展、桥·当代艺术邀请展、演义·捏造·复制、现象、创库展；2001年知识就是力量；1999年当代中国艺术展；1998年对于存在的惊奇、在城市中—开放的自我；1997年中国艺术大展·当代油画艺术展·当代油画艺术展。

Using this method, alignment between headstock and tailstock centers is not able to be adjusted, and is far from what would be considered "close tolerances." All leadscrews have 1/4-20 threads, with the cross slide and main lead screws being the appropriate left-hand lead, while the tailstock is a right-hand lead, so turning the handwheel always advances the slide away from the user.

使用这种方法，路线之间的 headstock和尾架中心，是无法加以调整，是远远没有到会被认为是&密切公差&的所有leadscrews有1/4-20线程，与两岸幻灯片和主要领导螺丝被适当的左莅带头作用，而尾架是一个右手边的铅，因此，把手始终进展幻灯片远离用户。

Participated the HECCRA. The result of this study reveled a variety of aspects as the fallowing: 1. The HECCRA of left hand, right hand and both hands progress when the age is growing and have same developing tendency.

实验资料经2×4独立样本二因子变异数分析，结果发现：左手、右手与双手手眼协调选择反应能力皆随年龄的成长而进步，且有相同的发展趋势、男学童在9-10岁之间的左手与右手、10-11岁之间的左、右与双手的发展皆达显著水准

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。