查询词典 the right hand

Such design, can make full use of on one hand the clew of traditional page number and turn quickly jump function; Also be on the other hand " foolish catalog " the expression that respects user experience -- the user is OK still according to oneself be fond of and habit select right kind turning over a page, ensure won't affect an user to be opposite " foolish catalog " use.

这样的设计，一方面可以充分利用传统页码的提示和快速转跳功能；另一方面也是"傻目录"尊重用户体验的表现——用户仍然可以根据自己喜好和习惯选择合适的翻页方式，确保不会影响用户对"傻目录"的使用。

He would cease pulling his bow across the erhu's strings and jump lithely up out of his chair. Holding the bow in his right hand and the erhu in his left, he would reach for your hand quickly and grasp it between them.

他会停下手中的弓子，从椅子上一跃而起，右手端着锡碗，左手拿着二胡，迅速向你伸出手来，用双手握住你的手。

He would ceasepulling his bow across the erhu's strings and jump lithely up outof his chair. Holding the bow in his right hand and the erhu in hisleft, he would reach for your hand quickly and grasp it betweenthem.

他会停下手中的弓子，从椅子上一跃而起，右手端着锡碗，左手拿着二胡，迅速向你伸出手来，用双手握住你的手。

With regard to the harms due to the above-mentioned problems , this thesis points out:(1) on one hand , it would passivate students writing expectation , make their writing enthusiasm die out; on the other hand , it is unfavorable for the students to form their own right attitude toward evaluation .

关于作文评语教学问题的危害，本文认为：(1)一方面会钝化学生的写作期待，湮灭学生的写作热情；另一方面不利于学生形成正确的评价观。

Only two strings of the erhu playing is highly rich in the left hand there Vibrato, harmonics, vibrato, portamento, pizzicato, wheel means; right hand, even the bow, sub-bow, Dayton bow, jumping bow, trembling bow, flying bow, broken bow and so on.

只有两根琴弦的二胡的演奏手法十分丰富，左手有揉弦、泛音、颤音、滑音、拨弦、轮指；右手有连弓、分弓、顿弓、跳弓、颤弓、飞弓、碎弓等。

Right-and-interests self-determination and norms for power are, on one hand, the reification of the relation between the individual and society and on the other hand, the essence and focus of such relation.

个人与社会的关系问题是现代社会一切问题的根源，是社会学的基本问题。

Therefore, on one hand, they view the ruler as "a knave", on the other hand, they advise that citizens should have the sense of loyalty; still, they uphold "liberty under the law" for citizens, meanwhile, they are quite cautious about "the right to revote" and political innovation.

他们既不鼓吹"威权国家"，也不倾心于"最小国家"，而是主张一种"有限国家"与"法治国家"；既强调"权利原则"，又不否认"实利原则"；既将统治者看做是"无赖"，又规劝公民要有忠诚感；既积极伸张公民"法律下的自由"，同时又对"反抗权"与政治革新甚为谨慎。

Therefore,this traditional morality can play its role in practical life on one hand,namely,the gains-pursuing and perceptual desire are kept on the right track;but on the other hand,it is characterized by "cheating strangers","heteronomy"," non-purity ",favors "talents' foresight" and has lost its intrinsic characters: rational consciousness,emotional willingness and saintliness.

在对这些问题的回答上，显现出两种不同的思路，并由此形成了人类伦理文化长河中的两大传统：重功利的功利主义伦理传统与重道义的道义论伦理传统，它们反映了人类的两种价值选择倾向。前者我们称其为功利主义伦理传统，后者我们称其为道义论伦理传统。数千年来，这两大传统相互砥砺契合，共同融铸了人类的伦理道德精

Therefore, this traditional morality can play its role in practical life on one hand, namely, the gains-pursuing and perceptual desire are kept on the right track; but on the other hand, it is characterized by "cheating strangers","heteronomy","non-purity", favors "talents' foresight" and has lost its intrinsic characters: rational consciousness, emotional willingness and saintliness.

道义论遮蔽下的功利主义道德传统，一方面使道义论的道德要求能够在现实生活中得到践履和发挥作用，另一方面使现实生活中的功利追求、感性欲望被控制在道义、理性的轨道上。但是，道义论遮蔽下的功利主义道德传统带有某种"欺生性"、"他律性"、"非纯洁性"的特点，成为"聪明人的远虑"，失去了道德固有的理性自觉、情感自愿的特质。

The paper seriatim researches these books,which mailnly treats of how to distinguish between the first-hand historical materials and the second-hand ones,and how to judge of their historical values ,intents to acquire a right cognition about the basal historical materials of Kumoxi.

如何鉴别这些史书中的第一手与第二手史料，并评价它们的史料价值，本文对诸家史书的相关记载一一予以考辨，力求对库莫奚的基本史料获得一个正确公允的认识。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。