查询词典 the next morning

He said he would split open a raw Irish potato and stick the quarter in between and keep it there all night, and next morning you couldn't see no brass, and it wouldn't feel greasy no more, and so anybody in town would take it in a minute, let alone a hair-ball.

他说他可以把一块爱尔兰土豆掰开，把伪币夹在当中间，这样放一个晚上，第二天早上，你就看不见铜的影子了，也不会滑腻腻的了。镇上的人谁都会一眼就收下它，不只是毛球会收。

He awoke next morning from rosy scenes of dream to a steamy atmosphere that smelled of soapsuds and dirty clothes, and that was vibrant with the jar and jangle of tormented life.

中文第二天早上他从玫瑰色的梦境中醒来，屋子已是水气蒙蒙，带着肥皂泡和脏衣服的气味，全属都在艰苦生活的碰撞和嘈杂里震颤着。

He awoke next morning from rosy scenes of dream to a steamy atmosphere that smelled of soapsuds and dirty clothes, and that was vibrant with the jar and jangle of torment ed life

第二天早上他从玫瑰色的梦境中醒来，屋子已是水气蒙蒙，带着肥皂泡和脏衣服的气味，全属都在艰苦生活的碰撞和嘈杂里震颤着。

Next morning when I awakened I found Jem and Dill in the back yard deep in conversation.

第二天早晨醒来时，我发现杰姆和迪尔在后院谈得正起劲儿。

They stood on the jetty next morning.

第二天早晨，他们站在防波堤上。

He undertook to deliver us at the magistrate's court at ten next morning.

他担保第二天上午十点把我们送到地方法院。

The early next morning he went out to look for work, murmuring

第二天一大早他就出去找工作

PIERRE, on returning to Gorky from seeing Prince Andrey, gave directions to his postillion to have horses ready and to call him early next morning, and promptly fell fast asleep in the corner behind a screen which Boris had put at his disposal.

皮埃尔从安德烈公爵那儿回到戈尔基，命令马夫把马备好，明天一早叫醒他，然后就在鲍里斯让给他的间壁的一个角落里睡着了。

Next morning I was the first to rise.

第二天我是第一个起床的。

An airtight excuse.Next morning, a beautiful woman in a skintight exercise suit knocked on the man's door.

第二天早晨，一位身穿紧身运动服的漂亮女人敲响了胖男人的房门。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。