查询词典 the entrance to a village

The pure spring water in heart is very clear, my dream starts to catch the village land, plants, a few brick base, and radius of a few fields. Can't forget picking Atriplex on the tree, Can't forget the sludge playing around the small pond. Can't forget mother's long call when standing at the entrance of the village ...

心中的泉水很纯很清，梦又开始付诸乡村那片土地，一草一木，几垒青砖，一夜柴扉，方圆田地数里，忘不了上树摘榆钱，忘不了村后小河塘的嬉戏，忘不了母亲站在村口有长的呼唤。。。

A Xiangcheng is long in the village of a hill with out-of-the-way northwest, when not been born, father dies of illness because of left the world, 2 years old are less than after be born, the mother ran again, the grandfather grandma that remains him only feeds him, but good times don't last long, his grandfather grandma also dies in succession, such, because the condition in the home is bad in one's childhood, a Xiang is the give financial help to that relies on neighbor neighbour is grown, when reading elementary school, he classeses are over go putting a sheep, when reading high school, before one year when attend the university entrance exam, next collieries dig coal, such, recumbent oneself effort, one's deceased father attended college of northwest aricultural science and technology, make one's bow university campus, become them the village takes an examination of the person that has attended a college exclusively, but, because family circumstances is poor, a Xiang often meal of be on short commons, it is steamed bread Chinese cabbage passes every time, he thought a lot of method go earning money then, write love letter to had worked to classmate generation repeatedly, to mix full meal, learned webpage design again to later, begin to do a website to earn money with the family, also generated interest to Internet from now on.

阿祥成长在西北偏远的一个小山村里，还没出生的时候，父亲就因为一次病故离开了人世，出生后不到2岁，母亲又跑了，只剩下他的爷爷奶奶养活他，但是好景不长，他的爷爷奶奶也相继去世，这样，由于小时候家里条件不好，阿祥是靠街坊邻居的接济长大的，读小学的时候，他一放学就去放羊，读高中的时候，参加高考的前一年，下煤矿挖煤，就这样，靠着自己的努力，考上了西北农林科技大学，正式进入了大学校园，成为他们村唯一一个考上过大学的人，但是，由于家境贫困，阿祥经常吃不饱饭，每次都是馒头白菜过，他于是想了很多办法去挣钱，连给同学代写情书都干过，就为了混一顿饱饭，到后来又学会了网页设计，开始跟人家做网站挣钱，也从此对互联网产生了兴趣。

And then down, in a lot of stairs, the flight left, then down, down, under the circumstances in the end,累啊playing BOSS, not a break line, ah, is playing the first half of large tentacles, magic direct attacks around with the wind and pay attention to avoid the latter half of the time in the purple light danced around the attack, when the green light to escape, over BOSS, has been the third statue, back to the village, to find children pigsties, he said that a small pig is sick , to go to the mountains to find medicinal plants, and the small chapel at the entrance MM speak, she hid some of the ore in the village, it is necessary to find the protagonist, one in pigsties the above, we can see a little bit, one in the second floor of the chapel, from the jump to the right of the stairs, a female tree outside the house, the last counter in the left side of the hotel, this place has been blocked columns, go on line to determine the last point, when the village head, and can see the priest back After a chat Father left

然后再往下，在很多楼梯处，往左飞，再往下，下，下，下到底，累啊，打BOSS，休息一下行不行啊，前半段是打大触手，直接靠近用风魔法攻击，注意躲避，后半段在紫色光时靠近跳起攻击，绿色光时躲开，打完BOSS，得到第三个雕像，回村庄，到猪圈找小孩子，他说小猪猪生病了，要到山上找药草，和礼拜堂门口的小MM说话，她藏了一些矿石在村庄里，要主角去找，一个在猪圈的上面，可以看到一点点，一个在礼拜堂的二楼，从右边的楼梯跳上去，一个在女主角房子外的树下，最后一个在旅店的柜台左边，这个地方被柱子挡住了，走过去点确定就行了，到村长家，可以看到神父回来了，聊了一会后神父就走了

This "importation" of the individual consciousness of the creator must however remain controlled. This is of the utmost importance, without constraints or measures we would fall either into the aesthetics of popular taste or into an escalation of elitist vocabulary that would weaken the language. If I myself no longer dare to use oil paints, to revisit or augment, it is due to its intrinsic overabundance of culture; having barely touched the palate, there is an immediate return to the domain of noble art. I would be too scared of creating some useless work while loosing the intensity afforded to a more direct language. Fluctuations in our cultural structure have resulted in vernacular embodying the new norm while I, in the domain of artistic language, have opted for the mode and techniques of traditional embroidery. A long while ago, during the time of the Yuan Ming Yuan artist village, I was convinced that I would run into problems if I applied myself to oil paint. I had produced next to nothing up until the day when, by coincidence, I noticed the many works of embroidery being sold at the entrance to the Summer Palace. I felt like I had finally found my mode of expression, my own personal artistic language. Due to the fact that embroidery belongs to the pre-industrial age, there is a "folkie" quality to it, rural and natural. This ill-defined modern world in which we live must also respond to the demands of "common people", the "lowly" and the "nouveau riche". In some sense, the re-appropriation of this folkloric technique was a necessity, much as it was during the time of the shift from "prose to spoken language" [1], an unavoidable consequence of social upheaval. It was not limited to a mere question of the stylistic signification of the semantic form. What embroidery embodies is a structural modification of society at its most basic level.

虽然它注入了艺术家的个人意识，但关键就是分寸感的把握，不然，或者伦为真的大众趣味，或者切入过多的经英语词汇，而使语言虚弱，就我而言，我不敢重操油画，或是改造扩充，就是由于它本身太文化了，一出手就高雅了，怕弄个不伦不类而失掉语言直接性的强度，文化结构的改变，艺术的俗语是一种趋势，从艺术语言上，我是用传统刺绣方式和手法的，早在圆明园画家村时，我几乎没有画出什么东西，油画肯定觉得使用起来有问题，在当时偶然在颐和园门前，看到很多刺绣的艺术品，一下子感到找到了方法，因为刺绣这种手段属于工业文明之前的东西，它有种土色和平民的感觉，这种也对应了时下的&平常人&、&小人物&、&暴发户&对现代化的消费趣味的追求，那种不伦不类的现代性，正好我的家乡唐山有一个很有名的刺绣厂，找师傅做作品可能更方便，有了这个想法之后，也得到朋友的鼓励，刺绣这一传统民间资源的再利用，在某种意义上说就像&白话文&始于当时社会巨大的转型出现的必然，它不单单是语言风格样式上的意义，它体现的是深层的社会文化结构改变的宣示。

He said Mr Green, the lawyer, was out when he arrived at his house, and he had to wait two hours for his re-entrance; and then Mr Green told him he had a little business in the village that must be done; but he would be at Thrushcross Grange before morning.

他说当他到律师格林先生家的时候，格林先生不在家，他不得不等了两个钟头，律师才回来。然后格林先生告诉他说他在村里有点小事要办；但他在早晨以前一定可以赶到画眉田庄。

About Flower Street, Qunfeng Splendor, old wood scraping tree, holding the joy of my childhood, like a loving woman who waited at the entrance to the village, home of the plants and trees ah, all I am deeply moved heart sinking wanderer , raised his head and looking at the sky, white clouds lit, blue sky remains the same, home of the smoke out the burning straw, willowy taste of childhood feeling underlay the long, sniffing the warm feeling.

走进花街，群蜂蝶舞，老木刮树，牵着我的童年的欢乐，象一位慈爱的老妇人守在村口，故乡的一草一木呀，都撩拨着我那颗游子的心，抬起头仰望天空，白云片片，蓝天依旧，故乡的炊烟袅娜出烧谷草的味道，童年的感觉蕴蓄的太久，嗅之倍感亲切。

With their habitat shrinking, Hamdan leads 30 families who for the past year have set up a village they hope to call home in a clearing next to the entrance of the Kuala Koh National Park in the northeastern peninsular Malaysian state of Kelantan.

随著他们的栖息地急速流失缩小，哈姆丹去年带领著30户人家建立了一个村落，他们希望在位於马来半岛东北吉兰丹州吉岛国家公园入口附近一片空地安家落户。

I am accused of being overreligious," she said in her quiet, frank manner,"but that does not prevent me thinking the children very cruel who obstinately commit such suicide.""

客人们在卡罗利娜·埃凯家里，举止就文雅一些，因为卡罗利娜的母亲治家很严厉。

Designed by French fashion house Herm è s, this elegant uniform was manufactured in our home, Hong Kong, and was the first without a hat.

由著名品牌 Herm è s 设计，这件高贵的制服是香港本土制造，是我们第一套不配帽子的制服。