查询词典 the contemporary era

As one of the most celebrated Chinese contemporary artists, Liu Xiaodong's artwork takes on the topic of realism and his pain towards the transition of the era is so sensitive that he casted away the formal vanity and grand narration, jointing tightly the individual trueness and time absudity. Every common figure in his artwork all more or less stares at their inward lives, which is a perfect discription of Chinese contemporary society.

他对于时代的变迁阵痛如此敏感，抛却形式的浮华与宏大的叙事之外，将个体的真实与时代的荒谬紧密衔接，每一个普通人物在他的作品中都不同程度地形成对生命的深意凝视，是对中国当下社会的完美注解。

Era in the development of contemporary China's urban white-collar class, from their own values and identity of the identity, sense of belonging to their respective groups, as well as possession of social resources of example, has become relatively mature and the number of large special groups, and in the consumer level, a bodiless society of the elite class: the middle class or white-collar class.

时代的发展，当代中国的城市白领阶层，从自己的价值观念和身份的认同，对香港的归属感，以各自的群体，以及拥有的社会资源的例子，已经成为比较成熟的和一些大型的特殊群体，在消费者层面，一个无形的社会的精英阶层：中产阶层或白领阶层。

Whereas, in 21st century of "Information Era", in which all of human practices and mixed realities started to mingle from one to the others, this notion of consilience became more a new navigation system for contemporary human kind.

而在21世纪的"信息时代"，所有的人类实践和纷繁的现实相互交织在一起，这个统一的概念更成为当今人类新的指导体系。

Grant Gaskin: Our hotel is very elegant and sophisticated, but not hip or trendy. In her we can see both the remnant of the old concession era and contemporary spirit.

盖世霆：我认为上海兴国宾馆就像一个优雅成熟的都会女郎，集旧殖民地遗韵和当代风尚于一身，但又不会过于时髦。

Activities focusing on learning about different artistic forms, ranging from the pre-Hispanic era to contemporary Mexico

活动之重点在学习不同的艺术构造，范围从早期的西班牙时期到当代的墨西哥

Here, conceptual art is the symbols of contemporary culture instead of the simple visual phenomenon. Facing post-industrialization of catabolized time and human spirit and dangerous situation, it is the response in the era of information, network and long-distance telecommunications.

在这儿，观念艺术不是单纯的视觉现象，已沉积为当代文化的符号，它是在信息、网络和远程电讯的时代，在人类面临后工业化的异化时代，面对人的精神与处境危机所作出的反应。

His artistic practice is legitimatized by the theory that an image has its own "grammar" logic, while contemporary men are used to imagery reading, the ways of thinking from book-reading era are being changed.

这源于一个简单的原理，图像自身也有一种&语法&逻辑，当代人已经习惯于图像阅读，并改变着读书时代的思考方式。

The subjects of this thesis are to understand a part of design ideas spotlighted in the contemporary architecture, examine how the application of digital design tools at the concept development stage to influence design thinking and process, and finally introduce the design modes which can well reflect the design ideas and the characteristics of tools on the digital era so as to explore new forms and spaces of architecture.

本论文的主题在於了解部分当代建筑所关注的设计观念，以及探讨运用数位化设计工具於概念发展阶段对於设计思考与操作过程的影响，进而提出反映数位时代的设计观念与工具特性的设计模式，以试探新的建筑形态与空间。

China contemporary art eventually returns to a real "Individual Era", during those flourishing years, some independent artist who keeps individual style was corned to the other side of market. No one really cares the inners feelings and personal experiences from the bottom of artist's heart; and everyone was pursuing and chasing the "china contemporary art" which can be obviously recognized at sight; while finally, there is little real collection to be kept in euro-American state galleries during those 30 years.

中国当代艺术终于开始真正回归到&个人时代&了，在最火的那些年里，一些长期独立保持个人风格的艺术家们常常被市场推到了一边，没有人关心那些真正来源于艺术家内心的感受和自身的经验，大家都去追捧那些一眼就能辨识出来的&中国当代艺术&，而三十年的风光却并没有在欧美国家级的美术馆中留存几件像样的终极收藏也就说明了那种虚假繁荣的水份和浮夸。

Cults are as old as recorded history, but contemporary interest in cults became amplified during the late 1960s and early 1970s as numbers of educated middle class youths abandoned traditional religions and embraced beliefs and practices that were either culturally unprecedented or seemed to be throwbacks to an earlier era.

邪教一样古老，有记载的历史，但现代的兴趣，成为邪教的扩增，在上世纪60年代末和70年代初，因为有多少受过教育的中产阶级青年放弃传统宗教和信奉信仰和习俗都是在文化上空前，或似乎是throwbacks较早前的一项时代。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。