查询词典 the contemporary era

Different educational theories based on different philosophy of science will have great effect on the scientific education and the formation of the students' views of natural science. Since over one century, especially in the latest 50 years, philosophy of science has developed continuously, from the logical positivism in the past to the constructivism, the main trend in the contemporary era.

哲学是关于自然界、社会和人类思维及其发展的最一般规律的学问，科学哲学是站在哲学的角度考察科学的一门学科，建立在不同科学哲学基础上的不同教育理论，对科学教育、对学生科学观的形成都会产生巨大影响。

Since over one century, especially in the latest 50 years, philosophy of science has developed continuously, from the logical positivism in the past to the constructivism, the main trend in the contemporary era. The connotation of the science essence has also experienced a great change.

一个多世纪以来，特别是近五十年来，科学哲学得到了不断发展，已由过去的逻辑实证主义转向为当代主流的建构主义，科学本质的内涵发生了巨大改变。

The Marxist view of practice is of great importance to the all-round development of people in the contemporary era.

在坚持和发展马克思主义的前提下，党的十七大报告中提出了以人为本、全面协调可持续发展的科学发展观。

The subheading of the exhibition is "In the name of Ink-and-wash", which contains two aims: first, we hope the artists who don't use ink-and-wash as their vehicle of artistic expression such as those engaged in installation art, video art and sculpture will absorb some elements from traditional Ink-and-wash and other traditional resources; the second is to promote conversion and continuation of Ink-and-wash as a type of painting, thus it can pursue a new possibility in the contemporary era.

展览的副标题叫"以水墨的名义"，这里面包含有两个目标：首先是希望从事水墨以外媒介创作的艺术家——比如说从事装置、影像、油画、雕塑的艺术家，能从传统水墨或其他传统资源里吸收元素；其次是促进水墨画这个画种自身的转换与延续，使它能够面对当代，去寻求一种新的可能性。

The author present a dissertation of new variety of exhibition space in the contemporary era including aberrance of conception, intenerate of space shape and space constructing logic, variation of the relationship between exhibition space and circulation, annotation exhibition theme to give us the outline of exhibition space in the new age .

包括概念的变异，空间形态的软化，空间构成方式的软化以及展示空间与流线组织、主题意义之间关系的变异与发展，从而使我们能够对当代展示空间设计的总体形象和趋势有一个轮廓性的认识。

Rather than posing as a critical unmasker, using her paintings to rip the scales from our eyes and show us the ugliness of the contemporary era in all its grotesque glory, instead Chen Hui offers a gentler sort of meditation.

陈卉并不是一个有批判性地剥去他人&面具&的艺术家，也不想用她的作品来扫除我们眼前的障碍，而使我们直面当代社会隐藏在辉煌之下奇形怪状的丑陋。她要做的只是提供了一种较和缓的思考。

The New Public Management is a new theory of public administration appearing since 1980s along with the West Public Administration Reform,which inflects the developmental trend of West Public Administration Reform in the contemporary era.

&新公共管理&是20世纪80年代以来伴随着西方公共行政改革而出现的一种新的公共行政理论思潮，反映了当代西方公共行政的发展趋势。

"Sustainable development " means a way of development that could meet the desires of the contemporary era ,without minifying our offspring's ablity of to meet their desires at the same time.

37，可持续发展是指既满足现代人的需求以不损害后代人满足需求的能力。换句话说，就是指经济、社会、资源和环境保护协调发展

This text is from the scholarship background, political group and stratum, political affairs , political person and steles to study the related problems of political culture in Tang Dynasty, to draw lessons from it for the development of political civilizations in the contemporary era.

本文从学术背景、政治集团阶层、政治事件、政治人物、唐墓志五个方面探讨了相关唐代政治文化的系列问题，旨在加深对传统政治文化的理解。

Through introducing the works of literature and art, including poetry, prose, fiction, music, movie, art and drama, especially the works of the contemporary era, we want to show the expansive world of literature and all human lives for students.

通过介绍文学艺术作品，尤其是现当代文学艺术作品，包括诗歌、散文、小说、音乐、电影、美术和戏剧，向学生展示广阔的文学艺术世界及芸芸众生，用美学的眼光去分析判断各种不同的人生观、世界观及价值观。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。