查询词典 the Summer Palace

In the afternoon, arrived the alizarin red alizarin red princess's summer palace - beautiful spring palace.

下午，来到了茜茜公主的夏宫—美泉宫。

This article takes the Summer Palace and the North Sea as examples, has analyzed and discussed the question of axis and symmetry in the Chinese Imperial Garden space, and how to process the space occupied and shape of construction to strengthen the relations under the premise of not destroying natural.

本文以颐和园和北海为例，分析和探讨了中国皇家园林空间中的轴线和对称问题，以及如何处理建筑的体量和形态，在不破坏自然的前提下来强化这种关系。

The Summer Palace is the largest, the most well preserved and the last piece of the feudalism royal garden among imperial gardens in the type of China's architectures.

颐和园表现出了中国传统造园艺术的特点，集合了北方私人园林的精华，继承了历代皇家园林特有的风格。

Other various scenery are also many by the topic volume, the antithetical couplet, the prefatory remarks and so on each kind of form cast the Confucianist thought to among; But the nearly 30 scenic spots have directly manifested Taoism"s natural boundary or the deity boundary pursue; Chinese tradition esthetics manifested and the imperial authority unification and the formula development in Old Summer Palace; Old Summer Palace makes the scenery mostly is the famous poem celebrated work description ideal condition and the famous painter"s landscape painting reappearance; In Old Summer Palace enables the north and south culture to south botanical garden imitation and the anomalous form design to achieve the fusion and so on manifests the Old Summer Palace landscape all the profound cultural connotation, unfolds the Old Summer Palace landscape is the Qing Dynasty culture carrier characteristic.

其他各景也多以题额、对联、题记等各种形式熔铸儒家思想于其中；而近30处景点直接体现了道家的自然境界或神仙境界的追求；中国传统美学在圆明园中体现出了与皇权的统一和程式化的发展；圆明园造景大多是名诗名作描写的意境和著名画家的山水画的再现；圆明园中对南方园林的模仿和变体设计则使南北文化达到融合等等无不体现出圆明园景观的深刻文化内涵，展现圆明园景观是清代文化载体的特色。

Activities the same day, in Beijing Netcom 114 and mango network associated personnel, accompanied by students in the morning to visit the Temple of Heaven Park Qi Niandian, whispering gallery, toured the picturesque at the Summer Palace, the whole trip easy and enjoyable.

活动当天，在北京网通114和芒果网相关人员的陪同下，学生们上午在天坛公园参观祈年殿、回音壁，下午游览了风景如画的颐和园，整个行程既轻松又愉快。

The first is to the West Willow community Sihuan Xishan board along the fast, is very strong academic atmosphere of the region, both the transmission to the Summer Palace, Yuanmingyuan represented rhyme at the end of the millennium culture, but also compatible with the Beijing University, Qinghua humanistic spirit of the times ; Yizhuang The second is that the new industrial base, forming a kind of leisure real estate development mode, both the industrial layout, economic development, living environment, space, etc. all have the typical atmosphere of the post-industrial era residential cultural identity, a unique regional cultural competitiveness, also contributed to the Yizhuang real estate in recent years has remained very active, the vitality of this culture will continue; third CBD based commercial real estate for the center, forming a very modern color international business culture; article Four Olympic plate, surrounding the new concept of real estate are the Olympic Games, closely focusing on sports, culture and contemporary spirit of sport psychology to build a living space.

首先是西方柳树社会西山局四环沿线的速度快，是非常强大的学术氛围的区域，无论是传输到颐和园，圆明园代表韵结束时的千年文化，而且也符合北京工业大学，清华大学人文精神的时代；亦庄第二个问题是，新的工业基地，形成了一种休闲房地产的发展模式，无论是产业布局，经济发展，生活环境，空间等都有典型的气氛后工业时代住宅文化认同，一个独特的区域文化竞争力，也有助于亦庄房地产在最近几年一直是非常积极的，富有活力的这种文化将继续；第三次生物多样性公约的商业房地产为中心，形成了非常现代色彩的国际商业文化；第四条奥林匹克板，周围的新概念房地产是奥运会，紧紧围绕体育，文化和当代精神的运动心理学建立一个生活空间。

This "importation" of the individual consciousness of the creator must however remain controlled. This is of the utmost importance, without constraints or measures we would fall either into the aesthetics of popular taste or into an escalation of elitist vocabulary that would weaken the language. If I myself no longer dare to use oil paints, to revisit or augment, it is due to its intrinsic overabundance of culture; having barely touched the palate, there is an immediate return to the domain of noble art. I would be too scared of creating some useless work while loosing the intensity afforded to a more direct language. Fluctuations in our cultural structure have resulted in vernacular embodying the new norm while I, in the domain of artistic language, have opted for the mode and techniques of traditional embroidery. A long while ago, during the time of the Yuan Ming Yuan artist village, I was convinced that I would run into problems if I applied myself to oil paint. I had produced next to nothing up until the day when, by coincidence, I noticed the many works of embroidery being sold at the entrance to the Summer Palace. I felt like I had finally found my mode of expression, my own personal artistic language. Due to the fact that embroidery belongs to the pre-industrial age, there is a "folkie" quality to it, rural and natural. This ill-defined modern world in which we live must also respond to the demands of "common people", the "lowly" and the "nouveau riche". In some sense, the re-appropriation of this folkloric technique was a necessity, much as it was during the time of the shift from "prose to spoken language" [1], an unavoidable consequence of social upheaval. It was not limited to a mere question of the stylistic signification of the semantic form. What embroidery embodies is a structural modification of society at its most basic level.

虽然它注入了艺术家的个人意识，但关键就是分寸感的把握，不然，或者伦为真的大众趣味，或者切入过多的经英语词汇，而使语言虚弱，就我而言，我不敢重操油画，或是改造扩充，就是由于它本身太文化了，一出手就高雅了，怕弄个不伦不类而失掉语言直接性的强度，文化结构的改变，艺术的俗语是一种趋势，从艺术语言上，我是用传统刺绣方式和手法的，早在圆明园画家村时，我几乎没有画出什么东西，油画肯定觉得使用起来有问题，在当时偶然在颐和园门前，看到很多刺绣的艺术品，一下子感到找到了方法，因为刺绣这种手段属于工业文明之前的东西，它有种土色和平民的感觉，这种也对应了时下的&平常人&、&小人物&、&暴发户&对现代化的消费趣味的追求，那种不伦不类的现代性，正好我的家乡唐山有一个很有名的刺绣厂，找师傅做作品可能更方便，有了这个想法之后，也得到朋友的鼓励，刺绣这一传统民间资源的再利用，在某种意义上说就像&白话文&始于当时社会巨大的转型出现的必然，它不单单是语言风格样式上的意义，它体现的是深层的社会文化结构改变的宣示。

As for their wonders, the Chinese have some tough choices to make. If players want to go an economic strategy, they can build the Porcelain Tower, which generates the player's choice of food, wood, coin, or a small trickle of all resources, including experience and export points. For the more military-minded, there's the Confucian Academy and the Summer Palace.

至于他们的奇观，中国文明拥一些有强大的奇迹供你选择建造，如果玩家是走经济型路线的，你的农民就可以建造一种可以产生食物，木头，黄金和一些其他稀少的资源的瓷塔（之中包括经验和附加点数），可供玩家选择。

The Northern Government dignitaries, including some of the Yuanmingyuan ruins bear the responsibility to protect those who are relying on power, have moved away from the Summer Palace in stone, Taihu Dan, in order to repair the garden house.

北洋政府的权贵们包括某些对圆明园遗址负有保护责任者，都倚仗权势，纷纷从圆明园内运走石雕、太湖石等，以修其园宅。

Join Mr. Pablo Alvarez, the owner of Vega-Sicilia, legendary flagship winery of Ribera del Duero, in an exceptional wine dinner hosted in the Aman at the Summer Palace, outside the 250-year-old World Heritage site.

贝加西西里亚酒庄庄主Pablo Alvarez将在北京颐和园脚下的&皇家四合院&颐和安缦酒店为您带来李贝拉德尔杜厄罗地区最经典杰出的贝加西西里亚美酒。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。