查询词典 the Lincoln

I had spent many hours in front of a computer and in libraries doing research for the Lincoln Bicentennial Speech Contest.

为了这次林肯200周年纪念演讲比赛，我在电脑前和图书馆里花了无数个小时搜寻资料。

In return for supporting company interests, he got political favors and patronage from Hammer and his successor, Ray Irani who was a major DNC contributor and got to sleep in the Lincoln bedroom as a bonus reward.

作为回报，为支持公司的利益，他的政治主张，并从乘客锤子和他的继任者，射线irani世卫组织是一个重大的DNC贡献者，也睡在林肯卧室作为奖金奖励。

So Kissinger and I were in the Lincoln Sitting Room...

所以基辛格和我在林肯纪念堂

He's been transferred to the Lincoln Service Center,''.

他已被调到林肯服务中心，''。

Which bus goes to the Lincoln Center?

哪路公车到林肯中心呢？

As per measurements, though, the Lincoln Mark IV came out to be longer and wider.

作为每测量，虽然，林肯Mark四出来的时间更长和更广泛的。

Have you ever been to the Lincoln Memorial?

你去过林肯纪念馆吗？

Some are verifiable, others theoretical, few wholly compatible with the Lincoln of sainted memory.

一些是可验证的，其他的理论，少数完全与神圣的记忆的林肯相符合。

Could you tell me how to get to the Lincoln Park ?

请问，我该怎样去林肯公园？

In 1982 Chen was invited to conduct the Asben Festival Orchestra in America and was hailed as a success. In 1984, Chen was appointed President of Shanghai Symphony Orchestra, and two years later was appointed Music Director, the first music director of any performing groups in Chinese history. Since 1985, Chen has appeared in nations and regions including the former USSR, Japan, Italy, the USA, the Great Britain, Switzerland, Korea, the DPRK, Thailand, Singapore, Australia, Germany, Denmark, Austria, France, Spain, Russia, Hong Kong, Macau and Taiwan, conducting native orchestras. In 1998, 1999, and 2000 he led the Central Chinese National Orchestra on its tours to many cities in Austria, Germany, Denmark. His concerts at the Grosser Saal Musikverein of Vienna and the Lincoln Center of New York have won enormous successes. In August, 2000, he led again the Central Chinese National Orchestra to perform in the "Chinese Culture in America" Festival, appearing in musical centers including the Lincoln Center.

上海音乐学院毕业后，曾任上海芭蕾舞团管弦乐队常任指挥。1982年他应邀在美国阿思本音乐节指挥音乐节乐团，大获成功。1984年出任上海交响乐团团长，1986年被任命为上海交响乐团音乐总监，成为中国文化发展史上第一位文艺院团的总监。1985年以来，陈燮阳先后赴苏联、日本、意大利、美国、英国、瑞士、韩国、朝鲜、泰国、新加坡、澳大利亚、德国、丹麦、奥地利、法国、西班牙、俄罗斯等国家和港、澳、台地区，指挥本团或当地著名乐团举办音乐会，均受盛赞。1998年1月和1999年2月，陈燮阳率中央民族乐团赴奥地利、德国、丹麦，在世界著名的维也纳金色大厅和柏林爱乐大厅，以及其他城市音乐厅举办中国新年音乐会。2000年8月，他又率中央民族乐团赴美国参加&中华文化美国行&的巡回演出，其中包括在纽约著名的林肯艺术中心举办音乐会。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。