查询词典 the Grand Louvre

Here tourists can appreciate a wide variety of replicas of famous sights, such as the Arc of Triumph, the Eiffel Tower, the Glass Pyramid of Louvre, Versailles Palace and Notre Dame de Paris in France; London's Tower Bridge and Buckingham Palace in Britain; the Leaning Tower of Pisa, the Colosseum, Venice and St. Mark Square in Italy; the Alcazar Castle in Spain; the Cologne Cathedral in German; the idyllic sight of windmills and tulips of Holland; the Acropolis of Athens in Greece; the wall and clock towers of Kremlim in Russia; the Taj Mahal in India, the Grand Palace in Thailand; the Angkor Wat in Cambodia; Shwedagon Pagota in Burma; the Merlion in Singapore, the pyramids of Giza and the Abu Simbel Temple in Egypt; the Grand Canyon and the Stature of Liberty in the United States, Sydney Opera House in Australia; the Olmec Heads in Mexico; the statues of Easter Island in Chile; the Linear Drawings at Nasca in Peru; and the Great Wall and the Palace Museum in China, etc.

游客可以在这里观赏法国的凯旋门、埃菲尔铁塔、卢浮宫玻璃金字塔、凡尔赛宫和巴黎圣母院；英国伦敦的塔桥和白金汉宫；意大利的比萨斜塔、罗马大斗兽场、威尼斯水城和圣马克广场；西班牙的阿卡沙堡；德国的科隆大教堂；荷兰的风车和郁金香田园风光；希腊的雅典卫城；俄罗斯的克里姆林宫墙及钟楼；印度的泰姬陵、泰国的泰王宫；柬埔寨的吴哥窟；缅甸的仰光大金塔、新加坡的狮头鱼身像；埃及的吉萨金字塔群和阿布辛伯勒神庙；美国的大峡谷和自由女神像；澳大利亚的悉尼歌剧院；墨西哥的巨石头像；智利的复活节岛巨人石像；秘鲁的那斯卡线画；中国的长城和故宫等景物复制品。

Although the Grand Gallery housed the Louvre's most famous Italian art, many visitors felt the wing's most stunning offfering was actually its famous parquet floor.

虽然大画廊是 LOUVRE 摆放著名意大利作品的地放，但是很多游客觉的最漂亮的还是那木地板的图案。

There is more than history within the Grand Louvre ,represented perhaps most perfectly by Mona Lisa .

在大罗浮宫内有着更多的历史成就，大概最为完美的是以蒙娜丽莎为代表了。

This is the Great Court of the British Museum. The stain and glass canopy reminds me of the glass pyramid of the Louvre and the Grand Palais which has been used as the Channel show place. It appears that the European designers have shown quite some interest in such style for some time.

这是大不列颠博物馆的大厅，这种钢结构玻璃华盖的造型让我起了巴黎的卢浮宫玻璃金字塔和作为香奈儿秀场的巴黎大皇宫的玻璃屋顶，似乎欧洲的建筑设计师在一段时间内都对这种设计情有独钟。

His most recent works include the Museum of Modern Art in Athens, the Miho Museum of Shiga, Japan, the Rock and Roll Hall of Fame and Museum in Cleveland, the Grand Louvre in Paris, the Morton H. Meyerson Symphony Center in Dallas. Among Mr.

他最近的作品包括纽约现代艺术博物馆在雅典，美穗博物馆的日本滋贺县，摇滚名人堂与博物馆在克利夫兰，大罗浮宫巴黎，每小时莫顿米尔森交响乐团中心，在达拉斯进行。

In the view of most architectural commentators, three of the projects best represent thetaste of this "democratic emperor": the Grand Louvre project, the La Defense Arch and the French National Library. On October 15, 1998, after Mitterrand passed away, a new Paris Metro Line 14 subway station was formally opened at the French National Library, the station being designated as the "MitterandLibrary" station.

依照一般建筑评论者的观点，大建设计画中的三件作品：大罗浮宫计画、拉德芳斯新凯旋门和国家图书馆（在密特朗去世之后，1998年10月15日巴黎捷运十四号线国家图书馆站正式启用，这个捷运站被命名为：「密特朗图书馆」站），最能代表密特朗这位「民主皇帝」的品味。

Take, for example, the Grand Louvre project. Though Parisiens could not easilyhave accepted such a radically new direction in architectural thinking, Mitterrand summarily commissioned Chinese-American architect I.M. Pei to take responsibility for the project without going through any design competition or public bidding process.

以大罗浮宫计画为例，巴黎原非如此接受新事物和新构想，而密特朗就在未经过任何公开竞图、招标的程序下，邀请华裔美国建筑师贝聿铭负责此项计画，自然惹来极大的非议，这争议来自於：工程如此浩大，何以未经招标？

What these three edifices manifest is "concrete-form imagery": The most eye-catching feature of the Grand Louvre expansion project is I.M. Pei's glass pyramid, employing modern-day materials to manifest anew the dream of the ancient Egyptians, to transcend mundane existence and to enter into a heavenlyparadise beyond the influence of events in time and space and not subject to natural deterioration; the four-sided La Defense Arch symbolizes a window "opened to the world and welcoming the future"; and the French National Library's four L-shaped glass-walled towers concretely represent opened books standingon end, giving the viewer the immediate impression of "book."

这三件建筑作品呈现的都是「具支配之世外桃源的古老梦想；拉德芳斯凯旋门象徵「一扇开向世界、迎向未来」像的意象」：大罗浮宫计画中最受注目的，是贝聿铭的玻璃帷幕金字塔，使用现代材料重现埃及民族渴望超脱其生存的现世，进入一个不受时间与自然毁坏法则的窗子；国家图书馆则以四座L型玻璃帷幕高塔，具体表现出四本打开立放的书，直接传递「书」的立即印象。

In F. Chaslin's well-known book "Fracois Mitterrand's Paris," the author stabbingly rebukes the large-scale public edifices of Mitterrand's "le Grand Louvre" as being "a glaring sign of stubbornly persisting anachronistic aristocratic power and prestige in France's republican polity;" and the so-called

在夏斯兰的名著《密特朗的巴黎》书中，一针见血的指出密特朗的「大建设计画」里的巨大公共建筑，是「法国共和体制里，顽强残存的君主权威性格的重要标记之一。

From the Place de la Concorde representing ethnic harmony to the Arc de Triomph erected in the Napoleonic era, it seems that the rulers of everyage are all eager display themselves, to leave a solid, substantive memorial to themselves on this Victory Boulevard. Mitterrand's behavior was undeniably a classic expression of this mentality of "projecting one's regal power, flaunting one's strength." The opera house standing on Bastille Square andthe "Grand Louvre" expansion project (in particular the newly added glass pyramid structure in the Louvre's front courtyard) are both modern-day announcements of this feudalistic vein of thinking.

的罗浮宫，从象徵民族和睦的协和广场到拿破仑时代建立的凯旋门，似乎每一代的掌权者都希望能在这条胜利大道上有所表现，留下一点「坚实的」纪念，密特朗的作为无疑就是这种「展示王权，夸耀力量」心态的典型表现：巴士底广场上的歌剧院、大罗浮宫计画（特别是罗浮宫前庭的玻璃帷幕金字塔），都是这种封建思想的现代宣告。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。