查询词典 that person

It huts to love someone and not be loved in return,but what is more painful is to love someone and never find the courage to let that person know how you feel.

爱一个人却得不到爱的回报是另人伤心的。更痛苦的是，爱上一个人却没有勇气让这个人知道你的感受。

Providing first instils a sense of obligation in that person to help in return.

先给予的做法可以灌输一种责任感给那个人，使其回过头来帮助对方。

What makes Deron Williams such an aberration is not only did he transform into that person who commands attention, but he intuited how to do it himself.

让德隆-威廉姆斯不引人注意的原因不仅仅是因为他没用转型成那种引人注目的人，而且还是因为他本能地知道如何去做自己。

Basically, this time indicates misdirected affections and misunderstood feelings of that person.

基本上，这时候表明此人会有错误的爱慕和误解的情感。

If a DEATH NOTE owner accidentally misspells a name four times, that person will be free from being killed by the DEATH NOTE.

若死亡笔记持有人在笔记写错某人的名字四次，不论是故意还是无意，那人将不能再被那本笔记杀死。

If a DEATH NOTE owner accidentally misspells a name four times, that person will be free from being killed by the DEATH NOTE.

如果笔记拥有者不小心拼错名字4次，那个受害者将获救。

If one mistreats a cow and does not take care of her properly then by her anger that person becomes destroyed.

人若虐待母牛或是没有好好地照顾它们，由此而引起了母牛的忿恨，那么这个人就会失去他所有的幸运了。

But what is more painful is to love someone and never find the courage to let that person

只有付出的爱是痛苦的，但比这更痛苦是爱一个人却没有勇气让那人知道你的感情。

But what is more painful is to love someone and never find the courage to let that person know how

只有付出的爱是痛苦的，但比这更痛苦是爱一个人却没有勇气让那人知道你的感情。

But what is more painful is to love someone and never find the courage to let that person know.

只有付出，没有得到的爱是痛苦的，但比这更痛苦的是爱一个人却没有勇气让那人知道你的感情。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。