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So we're really still looking at that to see how balanced it is and it gives the Ultralisk a little more teeth and it makes it feel a little less gimped against tier 1 units which is kind of nice and a bit of a fun thing that is not huge strategy thing yet, just because the Ultralisk has a lot of trouble getting into the middle of enemy forces right now.

我们一直在想如何平衡一下使雷兽感觉比第一等级生物看起来牙齿多一些装饰少一些，使之成为一种不止是巨大而且有趣的战略性生物，现在由于雷兽冲进敌军中会造成巨大的麻烦。

We borrow money against portfolios of interest-bearing receivables whose risk characteristics we understand. We did this in 2001 when we guaranteed $5.6 billion of bank debt to take over, in partnership with Leucadia, a bankrupt Finova (which held a broad range of receivables). All of that debt has been repaid. More recently, we have borrowed to finance a widely-diversified, predictably-performing portfolio of manufactured-home receivables managed by Clayton. Alternatively, we could "securitize" that is, sell these receivables, but retain the servicing of them. If we followed this procedure, which is common in the industry, we would not show the debt that we do on our balance sheet, and we would also accelerate the earnings we report. In the end, however, we would earn less money. Were market variables to change so as to favor securitization, we could sell part of our portfolio and eliminate the related debt. Until then, we prefer better profits to better cosmetics.

2我们也会举债用来买进有利息收入且我们了解其风险属性的应收帐款，像我们在2001年就与 Leucadia 合作联合对当时破产的融资公司 Finova给予56亿美元的债务担保，目前该笔借款业已清偿完毕，而最近，我们也借钱给子公司 Clayton 房屋以协助其买进风险相当分散且容易预估绩效的房屋贷款债权，当然我们大可以像其它同业一样将这些债权证券化卖掉，只保留后续的服务部份，如此我们帐上不但可以降低负债比例，而且可以达到美化帐面的目的，但如此一来，我们却必须牺牲部份利润，除非市场真的转变，使得证券化较有利，我们才可能出售部份应收帐款以降低负债，在这之前，我们宁要里子不要面子。

This makes a point that Riza clearly spoke of, and that is both soul and form can become so paired down that it is unable to evolve.

这让Riza曾清晰表达的观点很意义，这就是灵魂和形体都能变得如此削弱，以至于它们无法提升。

The first example is that of the Italian Commedia dell'arte, in which upon a canovaccio, that is, a summary of the basic story, every performance, depending on the mood and fantasy of the actors, was different from every other so that we cannot identify any single work by a single author called Arlecchino servo di due padroni and can only record an uninterrupted series of performances, most of them definitely lost and all certainly different one from another.

第一个例子是意大利的职业艺术喜剧（译注： Commedia dell ' arte ，一种即兴戏剧形式，始自16世纪之意大利，流行至18世纪，今日仍有演出。

Of course, one has to recall that the Swarovski's field is so narrow that critical areas of the field were excluded from the very beginning, and it is likely that the optical design did not require anything more than ordinary 3-lens-element reverse Kellner oculars.

当然，联想起Swarovski的视场是如此的狭窄，视场的临界面积从一开始就被排除掉了，并且看起来它的设计只需要3片普通镜片的 Kellner目镜。

With the re-exposure of a certain layer-such as a painting that is not visible but can in fact be extremely well conserved underneath several layers of lime - a critical question must always be addressed: what is the goal of the restoration of a monument that, as so often is the case, is composed of very different historical layers which are all part of the monument and are all evidence of its history with its various traces of age.

至於像重现某一时代的壁画层这件事—往往一幅隐藏在表面下看不出来的壁画，实际上在好几层石灰下获得极佳的维护—我们得面对一个极重要的问题，那就是：修复古迹的目的是什麼？因为古迹本身往往是由不同的历史层所组成，整个古迹就是不同历史阶段证据的总和。

I remember there was a little story let me ponder for long: five fingers to fight because they are the length of missing, one has to compete against, so they thought of a way, that is, brought a small ball, who should pick up the ball Who is the winner, when the brothers worked hard, want to first pick up the ball, but the days of the later, no one can pick up the ball, the brothers who are very dull of mind, the weakness of their own , complaining, criticism, feel that they are no use, nothing to do anything, the brothers who no sleep a night and, after the anti then, the next morning, the sun out of the ground plane of that moment, brothers say in unison:"We test with the next bar."

记得曾经有一个小故事让我深思良久：五只手指头打架，因为它们长短不齐，却要一争高下，于是它们想到了一个办法，就是拿来一个小球，谁先拿起小球谁就是赢家，那时几个兄弟奋力拼搏，都想先拿起小球，可是日子一天天的过去了，谁也没能拿起小球，兄弟们的心情都十分沉闷，对自己的软弱无能，抱怨，批评，觉得自己很没有用，做什么都一事无成，兄弟们一晚都没睡好，辗转反则，第二天清晨，在太阳跳出地平面的那一瞬，兄弟们异口同声的说：&我们一起试下吧&。

But if we are trying so simulate "blueish light from the sky", then a point that is exposed to a lot of the sky will receive more light, than a point that is behind a bunch of other objects that are blocking (i.e."occluding") the skylight.

但是实际情况下，如果我们试图模拟&天空中的微蓝色光线&，那么一个位置更加暴露在天空下的点会接受到更多的光线，而一个隐藏在一堆别的物体下的点，（也就是说&被遮挡住&的点），会完全接受不到光线。

That is faithful to the natural realism that, the painting analogy, that is, regular script; in nature to be raised based on the combination of romantic, and romantic, than for running hand; In addition, the abstract, image, deformation, may not seem so comparable for cursive,篆书, but whether regular script, running hand, cursive,篆书, the United States does not have representation on the nature of the United States should have.

忠实于自然的即谓写实主义，比喻之书画，即是楷书；在自然的基础上加以升华结合浪漫的，为浪漫主义，可比作行书；此外，抽象、意象、变形、似与不似等均可比作草书、篆书，但不管是楷书、行书、草书、篆书，不具有表象美，就应具有本质美。

The thought that this film would be nominated for and would win so many major awards, including being the front runner for any Oscar whatsoever -- would not have even crossed my mind, and it is mindboggling to me now that that is the case.

认为这部电影会被提名，甚至会赢得如此多的重要奖项，而领先任何奥斯卡前面----从不曾出现过在我的脑海里。直到现在也如此。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。