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Williams claimed to have collected ancient knowledge in a "Gorsedd of Bards of the Isles of Britain" he had organized, but in the 1970s, draft manuscripts of the texts were discovered among Williams' papers, exposing the texts as his own compositions.

威廉斯声称在他组织的&英国爱尔兰吟游诗人吟游诗集会&已经收藏有古代知识,但在上世纪七十年代,文献的草拟手稿被发现在威廉斯的论文里,暴露了手稿是他自己的杰作。

The results are as follows:1. The indexes such as reading speed, reading efficiency, the number of fixation and multiple-line regression of 1/16 format texts are significantly better than those of 1/32 format texts.

本研究结果显示:1大开本(1/16开本)设计材料在阅读速度、阅读效率、注视次数和行间回视次数等指标上均显著优于小开本(1/32开本)材料。

The fixation frequency, fixation duration, saccade length and multiple-line regression of three-column texts are all inferior to one- and two-column texts.

三栏设计材料的注视频率、注视点持续时间、眼跳距离、行间回视次数等眼动指标都不如一栏、二栏材料。

The focus of the present study is on ecofeminist interpretations of Willa Cather's major works as subversive texts, critical texts, and subtexts.

本文在对凯瑟的神话批评、浪漫主义批评、和女性主义批评的文献回顾基础上,将从生态女性主义视角解读和阐释凯瑟的主要作品。

However,the texts of the war novels aren\'t in a static state,but a mixture state of production, circulation,acceptance,and feedback,including reversions,adaptations(in the form of folk art, drama,opera,painting,music,comics books,film,etc.),and other variations.This evolutionary process of texts is termed as "the phenomenon of textual genetics" in this dissertation,which focuses on the phenomenon.

但是,长篇战争小说文本诞生以后并不是凝固的静止状态,而是一种由生产、流通、接受、反馈组合而成的包括版本修改、艺术(包括曲艺、话剧、戏曲、绘画、音乐、连环画、影视等)改编及传播推广的运动变异的状态,笔者把这种文本演变发展的动态流变过程称为&文本发生学现象&,而本文就是对这种现象进行研究。

Firstly, from the angle of demonstration, this paper confirms Yuji's primary identity in traditional culture context by differentiating and analyzing all parlances of the death of Yuji. Secondly, by selecting and reading classical texts, and combining gender narration theory, it describes how the texts produced female gender, in the other word, how the social identity of Yuji was constructed. Finally, it analyzes the essential reasons of the identity construction of Yuji as the representative of confucian women and her self-identity by the intertextuality of text and history-culture context.

本文首先从文本实证的角度,对&霸王别姬&故事中&虞姬之死&的种种说法进行辨析,确定其在文化语境中的主流社会身份为儒家女性;然后选取经典文本,结合性别叙事理论进行文本细读,描述虞姬的社会身份建构史;最后通过对文本与历史-文化的互文指涉来分析虞姬身份建构及身份自我认同的根本原因。

A volunteer must endeavour to propagate the teachings by printing Sutras, Shastra texts, and Vinaya texts when the translations are certified as being correct.

志愿者必须致力於佛法的弘扬,致力於广印佛经以传佛法(当翻译本被印证为正确的之后)。

through text analysis,this paper examines the syntactic and morphological means typically employed in introducing topics into chinese and english texts and their relations to discourse anaphora.we find that in both chinese and english the most important means for introducing the most important and accessible topics into discourse are the indefinite nps used as objects in existential-presentative sentences,and that the indefinite demonstrative adjective zheme and this can be used as an additional means to emphasize the importance of the entity introduced.however,the two languages differ in that,in english texts,apart from the above-mentioned linguistic devices,definite nps functioning as indirect objects and names functioning as subjects also tend to be used to introduce relatively important topics,and the emphatic one,in contrast to the indefinite article "a",can be used as another linguistic means to give additional emphasis on the relative importance of the topic introduced.

摘 要:本文以民间故事为语料,分析和研究了英汉篇章中话题引入的句法和形态手段及其与篇章回指的关系。我们发现,两种语言的主要相似之处为:1用作存现宾语的无定名词短语是引入篇章中最为重要和最为可及话题的主要手段;2英汉无定指示形容词this和&这么&可用于进一步强调所引入话题的重要性。两种语言最主要的差别是:1在汉语中,存现结构中的无定名词短语似乎是引入重要篇章话题的唯一形态句法手段;而在英语中,除此之外,用作间接宾语的有定名词短语和用作主语的专有名词也可以用于引入一个相对重要的篇章话题。2在英语篇章中,另有一个标示重要话题的附加手段,即以one代替a,以便进一步强调所引入话题的重要性。

Other important work, such as Roland Barthes' influential S/Z, draws upon the assumption held by many structuralists and semioticians that texts, including literary texts, rely upon already encoded meanings for their expression_r.

其他重要作品,比如罗兰·巴特颇具影响的《S/Z》,利用诸多结构主义者和符号学家以下的设想:包括文学文本在内的许多文本,都依靠业已解码的意义来进行表达。

Scepticism of new media is a tradition with deep roots, going back at least as far as socrates' objections to written texts, outlined in plato's phaedrus. socrates worried that relying on written texts, rather than the oral tradition, would "create forgetfulness in the learners' souls, because they will not use their memories; they will trust to the external written characters and not remember of themselves."

新媒体怀疑论(即对新生传媒方式持异议)是一种根深蒂固的老传统,能够至少追溯到socrates对文字记录的反对,这在plato的phaedrus中是有所记载的。socrates担心靠文字记载而不是传统的口头传述,&会使学生产生遗忘,因为他们不再使用自身的记忆力,而是迷信于文字记载的长久生命力冷落了人本身的记忆。&

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However, as the name(read-only memory)implies, CD disks cannot be written onorchanged in any way.

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