查询词典 tenth Muse

Plato sang high praise of Sappho and he once said that she was the Tenth Muse.

柏拉图曾经赞美说："漫不经心的人称缪斯只是第九个人，须知道莱斯伯岛的萨福是第十位文艺女神"。

Be thou the tenth Muse, ten times more in worth Than those old nine which rhymers invocate, And he that calls on thee, let him bring forth Eternal numbers to outlive long date.

做第十位艺神吧，你要比凡夫所祈求的古代九位高明得多：有谁向你呼吁，就让他献出一些可以传久远的不朽诗歌。

Be thou the tenth Muse, ten times more in worthThan those old nine which rhymers invocate;And he that calls on thee, let him bring forthEternal numbers to outlive long date.

做第十位艺神吧，你要比凡夫所祈求的古代九位高明得多；有谁向你呼吁，就让他献出一些可以传久远的不朽诗歌。

It's said that Sappho, the Greek female poet who was phraised as"the tenth muse", was good at playing lute, singing and dancing, and was loved by people in her road show on the Balkan Peninsula. Was she frequently dancing trippingly on the beach? Her fine feet stepped on the white silver sand, with blue thin veins appearing underneath her pale skin; and with the cerulean Aegean Sea behind her, waves beating the shore, coming forward and waning backward, helping her to keep time; her tender body looked more delicate on the magnificence background , and then her movements were frozen in the sky.

传说被誉为"第十位缪斯"的希腊女诗人萨福擅长演奏诗琴，且能歌善舞，在巴尔干半岛巡回演出时极受人们喜爱，不禁神往：她是否常翩翩起舞于沙滩之上，纤美的双足踏着洁白的细沙，甚至可以看到那从苍白皮肤下透出的蓝色的细小血管；身后就是蔚蓝的爱琴海，海浪拍打着沙滩，漫过来又退下去，为她打着拍子；她娇小的身体在宏大壮美的背景上更显秀丽，最后永远定格在天空之中。

Plato sang high praise of Sappho and he once said that she was the Tenth Muse.

柏拉图曾经赞美说：&漫不经心的人称缪斯只是第九个人，须知道莱斯伯岛的萨福是第十位文艺女神&。

It's said that Sappho, the Greek female poet who was phraised as"the tenth muse", was good at playing lute, singing and dancing, and was loved by people in her road show on the Balkan Peninsula. Was she frequently dancing trippingly on the beach? Her fine feet stepped on the white silver sand, with blue thin veins appearing underneath her pale skin; and with the cerulean Aegean Sea behind her, waves beating the shore, coming forward and waning backward, helping her to keep time; her tender body looked more delicate on the magnificence background , and then her movements were frozen in the sky.

传说被誉为&第十位缪斯&的希腊女诗人萨福擅长演奏诗琴，且能歌善舞，在巴尔干半岛巡回演出时极受人们喜爱，不禁神往：她是否常翩翩起舞于沙滩之上，纤美的双足踏着洁白的细沙，甚至可以看到那从苍白皮肤下透出的蓝色的细小血管；身后就是蔚蓝的爱琴海，海浪拍打着沙滩，漫过来又退下去，为她打着拍子；她娇小的身体在宏大壮美的背景上更显秀丽，最后永远定格在天空之中。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。