查询词典 ten to one

They found that the marine atmosphere and the coastal ocean actually exchange buoyance and momentum within the meso-scale spatial and temporal domains of both fluids, spanning two to two thousand kilometers and ten minutes to ten hours on the atmospheric side and one to one thousand kilometers and seconds to two weeks on the ocean side.

他们在长期的研究中发现，在大陆沿海和近海区域的大气和海洋之间的相互作用实际上是在多种中尺度范围(空间尺度：对大气，2-2000km；对海洋，1-1000km；时间尺度：对大气，10分钟到10小时的量级；对海洋，几秒到两个星期)内的热量和动量的相互交换。

Ryan Kisor, one of the best jazz trumpeters in the world, was born April 12th, 1973 in Sioux City, Iowa. He began playing in a local dance band by the age of ten, began classical lessons at 12, met and was inspired by Clark Terry at 15 (while attending the latter's summer jazz camp) and played with various high school all-star bands. In November of 1990 he won the Thelonius Monk Institute's trumpet competition at the age of just 17, beating out the likes of Nicholas Payton and Marcus Printup. After graduating from high school in 1991, he went to the Manhattan School of Music and later studied with Lew Soloff among others. He has recorded fairly extensively both as a leader and sideman and with small and large groups. Among the highlights; the Mingus Big Band (which still plays every Thursday night at "The Fez" under Time Cafe in NYC's east village), the Michel Camilo Big Band (which although only existed for the purpose of recording the album,"One More Once," was arguably one of the best latin big bands recorded in recent memory), the Lincoln Center Jazz Orchestra, Gerry Mulligan, Wynton Marsalis, Wycliffe Gordon, Horace Silver, and Walter Blanding.

Ryan Kisor，美国著名爵士小号演奏家，1973年4月3日生于美国爱荷华州，10岁开始学习小号演奏，1990年在美国竞争最为激烈的爵士乐比赛——Monk国际爵士乐大赛（International Thelonious Monk Jazz Competition）中击败像Nicholas Payton和Marcus Printup这样的高手获得优胜，当时年仅17岁。1991年中学毕业后，被著名学府曼哈顿音乐学院录取师从Lew Soloff先生学习小号，在学期间加入Mingus大乐队，年纪轻轻便以惊人的深厚实力成为独当一面的独奏小号手。19岁时以首张专辑《One For Miles》正式出道，而后自1994年至今一直为世界著名爵士小号演奏大师Wynton Marsalis领衔的林肯中心爵士乐团的常任小号演奏家，同时Kisor先生还受聘加入卡内基音乐厅爵士乐团以及David Matthews率领的曼哈顿爵士乐团，杰出的演奏技巧及艺术水准受到世界乐坛之瞩目，曾受邀多次出访全球各国，每次均毫无保留的展现了其精湛的演奏实力，让世界各地的广大乐迷感受到其小号的魅力。

You might as well try the following methods:When the senior is out,invite a testifier,of course,you can't find it to the eye,this must be intentionally.For example,carry it out at the presence of miss secretary,your intention is to let someone know the cause and effect of the hole things,make workmates know the fact.One passes on message to ten,ten passes message to one hundred.

不妨试试以下方法：上司不在时，请来一个见证者，当然不是公然地找，而是有意无意，例如在秘书小姐面前进行，目的是要有人知晓整件事情的来龙去脉，使公司里人晓得真相。

Inquiries were instituted, and on consulting the tariff of commissions posted in the convict's parlor, it was learned that the fifty sous could be analyzed as follows: three commissions; one to the Pantheon, ten sous; one to Val-de-Grace, fifteen sous; and one to the Barriere de Grenelle, twenty-five sous.

经过调查，并参照张贴在犯人会客室里那张办事计费表加以研究之后，终于知道了那五十个苏是这样分配的：三件事，一件是在先贤祠办的，十个苏；一件是在军医学院办的，十五个苏；一件在格勒内尔便门办的，二十五个苏。

Inquiries were instituted, on consulting the tariff of commissions posted in the convict's parlor, it was learned that the fifty sous could be analyzed as follows: three commissions; one to the Pantheon, ten sous; one to Val-de-Grace, fifteen sous; one to the Barriere de Grenelle, twenty-five sous.

经过 ssbbww 调查，并参照张贴在犯人会客室里那张办事计费表加以研究之后，终于知道了那五十个苏是这样分配的：三件事，一件是在先贤祠办的，十个苏；一件是在军医学院办的，十五个苏；一件在格勒内尔便门办的，二十五个苏。

Since those days were, when one came to an heap of twenty measures, there were but ten: when one came to the pressfat for to draw out fifty vessels out of the press, there were but twenty.

2：16 在那一切日子，有人来到谷堆，想得二十斗，只得了十斗。有人来到酒池，想得五十桶，只得了二十桶。

Group Exhibitions: in 2006, Process and Expression, The Scale of Picture Determines Attitude: the 1st 5x7 Photo Biennale, Direction, Mixture of Clear and Obscure: Chinese Contemporary Arts Exhibition; in 2005, Fan Shou Wei Yun Fu Shou Wei Yu: the 1st Exhibition of Beijing TS1 Contemporary Art Center, Skin of City—Research on the Possibility of Contemporary City Image (Tap Seac Gallery of Macao, Shenzhen Art Museum), Transparent Box, Untitled—Self-Project:'05 China Pingyao International Photograph Exhibition, Ten Points and Ten Colors (Soka Contemporary Space, Beijing), Tian An Men (Amsterdam Photo Museum, Holland), The 2nd Chengdu Biennale, Tomorrow without Glancing Back: Chinese Contemporary Art Exhibition (Kuandu Museum of Fine Arts, Taipei); in 2004, Meet by Chance, One to One: Their Sight (Chambers Fine Arts, New York, USA), Chinese Photo and Image Fine Arts, Times of Imitating Images; in 2003, Distance—Contemporary Art Invitational Exhibition of Guangdong Museum of Art (Guangdong Museum of Art, Guangdong), Left Hand and Right Hand: China and Germany Contemporary Art United Exhibition (Beijing 798 Space), Expression and Condition, Chinese Photo and Image Fine Arts (Art Museum of Beijing Normal University), Blue Sky without Defense; in 2002, Speak to Oneself, Chinese New Photo and Image Exhibition, Bridge: Contemporary Art Invitational Exhibition, Legend-Fabrication-Copy, Phenomenon, Chuang Ku Exhibition (Shanghai Dongdaming Chuang Ku Exhibition); in 2001, Knowledge is Power; in 1999, Contemporary Chinese Art Exhibition; in 1998, Surprise to Existence, In the City: Opening Oneself; in 1997, Chinese Art General Exhibition: Contemporary Oil Painting Exhibition.

联 展：2006年Process And Expression。&画幅决定态度&首届5x7照相双年展方向、虚虚实实—中国当代艺术展；2005年&翻手为云，覆手为雨&—北京 TS1当代艺术中心第一回展、城市的皮肤—当代都市影像的可能性研究（澳门塔石艺文馆、深圳美术馆）、透明的盒子北京SOHOU现代城）无题—自我投射2005中国平遥国际摄影大展、士点十色、天安门（荷兰阿姆斯特丹摄影博物馆）、第二届成都双年展、明日，不回眸—中国当代艺术展；2004年邂逅、&一对一&他们的目光、中国影像绘画、拟像时代；2003年&左手与右手&中、德当代艺术联展、表情与状态、中国影像绘画展、距离·广东美术馆当代艺术邀请展、蓝天不设防；2002年自言自语、中国新影像展、桥·当代艺术邀请展、演义·捏造·复制、现象、创库展；2001年知识就是力量；1999年当代中国艺术展；1998年对于存在的惊奇、在城市中—开放的自我；1997年中国艺术大展·当代油画艺术展·当代油画艺术展。

Then let not winter's ragged hand deface, In thee thy summer ere thou be distilled: Make sweet some vial; treasure thou some place, With beauty's treasure ere it be self-killed: That use is not forbidden usury, Which happies those that pay the willing loan; That's for thy self to breed another thee, Or ten times happier be it ten for one, Ten times thy self were happier than thou art, If ten of thine ten times refigured thee: Then what could death do if thou shouldst depart, Leaving thee living in posterity?

那么，别认冬天嶙峋的手抹掉你的夏天，在你未经提炼之前：熏香一些瓶子；把你美的财宝藏在宝库里，趁它还未及消散。这样的借贷并不是违禁取利，既然它使那乐意纳息的高兴；这是说你该为你另生一个你，或者，一个生十，就十倍地幸运；十倍你自己比你现在更快乐，如果你有十个儿子来重现你：这样，即使你长辞，死将奈你何，既然你继续活在你的后裔里？

Germ warfare is an attractive terrorist option. After all, it is hard to prove or disprove what the terrorist claims to be able to do. Because germ agents are unseen, a tiny amount of agent has the potential to terrorize and disrupt the lives of millions. Imagine the terrorist who telephones a national newspaper to say that ten phials of nerve agents or hazardous viruses will be added to one of the thousands of distribution points of our domestic water supply. Over 30 million adults would be boiling all drinking water for weeks-especially if one or two had died already.

细菌战是对恐怖主义分子很有吸引力的一项，毕竟，难以证实或否定恐怖分子所宣称的，因为细菌战是看不到，措不着的，一点点剂量就对数百万人造成潜在威胁和打乱他们正常生活，试想一下：恐怖分子给国家主办的新闻报纸打电话，声称他们已经把数十瓶神经药剂和危险的病菌洒入了当地居民的水源供应地的数千个取水点，那么3000万成年居民数周内都要把水煮沸才敢饮用---尤其是有1-2人已死亡的情况下。

One genus and ten to twenty species: tropical and subtropical America; one species in China.

一属和10 -20 种：分布于热带和亚热带美洲；中国有1种。

In the negative and interrogative forms, of course, this is identical to the non-emphatic forms.

。但是，在否定句或疑问句里，这种带有"do"的方法表达的效果却没有什么强调的意思。

Go down on one's knees;kneel down

屈膝跪下。。。下跪祈祷