查询词典 teardrop

Later models had a cut-down fuselage behind the pilot which allowed the fitting of a "teardrop" canopy, which greatly improved visibility to the rear.

后来模型进行了削减机身背后的试点，使拟合的&泪滴&天篷，这大大提高知名度的后方。

Later models had a cut-down fuselage behind the pilot which allowed the fitting of a "teardrop" canopy, which greatly improved visibility to the rear.

这种飞机的后期型号削低了飞行员身后的机身以加装水滴形的座舱罩，这极大地增强了飞行员的视野范围。

The fuselage of the helicopter is teardrop-shaped, which features a round, glassed-in cockpit and landing skids.

直升飞机的机身是水滴形，一个圆形、围玻璃的驾驶员座舱和登陆橇。

The central ring appears to represent the narrow waist of an hourglass-shaped puff of gas, and the larger rings are the edges of two teardrop-shaped lobes, evidently created by the star a few tens of thousands of years before it exploded.

中央的环看来是沙漏状云气的细腰，而较大的圈圈则明显是在爆炸前数万年，该恒星就已经喷出的两片泪珠状云瓣的边缘。

But if you try to close your eyes ,love turms into a teardrop and remains in your heart forever after.

但是如果你试图闭上眼睛，爱情会化作⒈滴泪水，永远留在你的心中。

Love tums into a teardrop and remains in your heart forever after.

爱便会化作一滴泪水，永远留在你的心中。

The early racquets had a long handle and a small, teardrop-shaped head.

早期的球拍有着长长的手柄和很小，像泪珠形状的拍头。

Virtually every component on this new cruiser has been designed to appear as if it is flowing with the wind, whether it's the flared fenders, teardrop fuel tank, swept-back handlebar holders or the pointed swingarm.

几乎每一个组成部分对这一新的巡洋舰在设计上已出现好像它是流动与风，不管它是该爆发护舷，泪滴油箱，掠回到车把持有人，或指出

To young people the moon of thirty years ago should be a reddish-yellow wet stain the size of a copper coin, like a teardrop on letter paper by To-yun Hsuan, worn and blurred.

年轻的人想著三十年前的月亮该是铜钱大的一个红黄的湿晕，像朵云轩信笺上落了一滴泪珠，陈旧而迷糊。

It has a teardrop crosssection.

它的抛面像内肌。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。