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tapestry painting相关的网络例句

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与 tapestry painting 相关的网络例句 [注:此内容来源于网络,仅供参考]

In Degas creative life time he keeps on searching new concept in painting, most ...更多important faith for him in painting is lines. He uses multi-layered approach to drawing, which at times resembles the preparation, underpainting and glazing of a traditional oil-painting.

创作中德加还不断的探索更新的绘画技术和技巧,一向重视线条的他不满足于铅笔的黑白线条,他在后期作品中使用大量的色粉笔为画材,如同油画一样反复的色彩线条相交创造出深浅调子和轮廓轻重粗细的层次变化。

Cang Xin's painting《Communication》is developed from his previous painting of behaviors:《Experience of the Tongue》. In the painting in 1997, he imitated "Shen Nong Shi", who tasted over a hundred plants in the ancient time, to use his tongue to lap all kinds of daily necessities、plants and even insects which can be found easily, using sense of taste to experience the original taste of the various uneatable objects in order to seek new cognitive style of the external things .

苍鑫的作品《交流》脱胎于以前的的行为作品《舌头的体验》,1996年的那次行为中,他曾仿效神农氏尝百草的劲头,用舌头一一舔舐随手找到的各种现成生活用品、植物甚至昆虫,用味觉来体验各种非食物的物品的本来味道,以寻求对外在事物新的认知方式。

Y: I myself am analyzing it while we are talking. Now I would like to bring forward a question of image painting. I personally think, the academic direction of image painting applies itself to the vague limit between image and painting. What's the definition of image?

杨:实际上我们在谈,我自己在慢慢分析,我现在提出一个问题关于影像绘画的问题,我认为影像绘画的学术方向就是要模糊影像和绘画之间的界限,影像的概念是什么呢?

To work consciously with concepts ultimately makes one proactive in one's approach of rhetoric. In another word, when painting becomes a problem, everything about painting will not be taken for granted. Many factors, including material, size, painting strokes, visuality, icon, image, narrative, taste, style, etc, should be examined under a new light in their new identities as rhetorical means.

观念的自觉必然会带来修辞的自觉,换句话说,绘画成为了一个问题,那么关于绘画的一切都不再是理所当然,包括材料、尺寸、笔触、视觉、图像、形象、叙事、趣味、风格等诸多的因素就必然要被重新审视,并进而被视为各种修辞手段。

Except for wood engraving, all of the three other painting techniques were in a real sense created in foreign countries, where oil painting is authentic, just like ink painting is authentic in china.

除木版之外的其他三版,从真正意义上讲,都是外国的发明。

It is also related to my understanding of painting. For me, painting is a word, a memory. My thoughts and actions, or a certain purpose born out of it, or a certain reason are what I consider in painting. This assembly of things could appear to be rather absurd at times.

再有我对绘画的认识,绘画于我来说是一个词,一个记忆,由它生发的以后的想和做,或某种目的性,某种理由,我都把它们理解成绘画,这种综合有时展示出来是比较荒唐的。1

The design realm in the province of Jilin, use more software is the bridge Doctor system, bridge master, system of ASBEST, procedure of QJX and province highway of Jilins survey to design the hospital to by oneself develop of the T beam plank beam painting procedure, the cover beam calculation painting procedure, a pillar calculation procedure, the upper part procedure compute a procedure mostly, even some procedures can paint, but the province painting of basic and dissatisfied foot Jilin of born diagram paper style, the diagram paper the modification quantity compare greatly, the procedure that the lower part procedure adopts to by oneself

在吉林省内设计领域,使用较多的软件是桥梁博士系统、桥梁大师、ASBEST系统、QJX程序及吉林省公路勘测设计院自行研发的T梁板梁绘图程序,盖梁计算绘图程序,桩柱计算程序,上部程序多是计算型程序,即使有些程序能够绘图,但生成图纸基本不满足吉林省绘图风格,图纸修改量较大,下部程序多采用自行编制的程序,但大多数程序是DOS系统的程序,使用不方便,同时与现行规范多有不符。

Based on his profound mastery of traditional culture and unique insight, and inspired by the structure of points and strokes in both calligraphy and painting, Huang defines the breaking point of \'drawing calligraphy into painting\', and lays the epigraphical foundation of painting and calligraphy.

黄宾虹以深厚的国学底蕴和对书法的独到洞见,从书法与绘画的点画结构中寻找到了&引书入画&的切入点,并从金石学中洗发出篆籒笔法来作为书法、绘画的笔法基础,以笔法正轨校正了以往绘画应用上的用笔舛误。

This article select the topic, in order to study the influence of the painting schema existed playing on the painter's art activity in his painting career, through the analysis to some problems concerning painting and schema. Then inquire how the painter particularly for the contemporary painter treat and make use of the forepassed schema from the angle of the development of art.

本文选此题目,通过对绘画、图式及有关问题的剖析,研究画家在其绘画生涯里,已经存在的绘画图式对其艺术行为的影响,并从发展的角度探讨画家,尤其是当代画家该如何对待图式,并如何运用图式。

First,daubing a board with lacquer and dope as bottom layer and making the surface of this bottom layer smooth by grinding ,hen,drawing all sorts of ve-ins you liked by using colorful lacquer on the surface,by lacquering different thickness,bring changeful light andsh-ade surface with strong stereo,in the process of painting,in order to represe-nt the obgect more reality.we usually use some material such as precious st-one,eggshell,gold,silver,stannum,by enchasing process to make the printi-ng more rich and colorful,at last,grind-ing the surface and hooding it with tre-nsparent lacquer,just about thegrinding is embodiment of FUZHOU's painting skill,so we call it lacquer painting.

先以漆和瓦灰按脱胎工艺技法在木板上上漆打底、磨制光滑,然后用调好的色漆在底板上层层描绘出各种纹样,利用上漆的厚薄不均使画面产生富于变化的明暗调子,从而具有立体感。在作画的过程中,为了更好的表现物体,还根据画面内容的需要,采用宝石、螺钿、蛋壳、金、银、锡等材料进行镶嵌,使画面层次更加丰富。最后经打磨并罩上透明漆用细瓦灰与生油推光,正因为&磨&体现了福州漆画的独特工艺故称为&磨漆画&。

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