查询词典 tape-recorded

The magnetic head of a tape recorder .

录音机的插头没插上。

The magnetic head of a tape recorder.

缠绕着线圈的铁心叫做电枢。

In recording, an electronic mechanical device to record information on magnetic tape for instant playback

在记录技术中，一种机电设备，它把信息记录在磁带上，以后可即时重放。

A relatively narrow magnetic tape used to record sound for subsequent playback.

录音磁带一种相对狭长的磁带，用于录下声音以便日后重放

Or you can hear some short composition more to record sound, magnetic tape, can become so your language feels, you study to also there will be the what happens without extra effort felling.

或者你可以多听一些短文录音，磁带，那样可以形成你的语感，你读书也会有水到渠成的感觉哦。

Rather than using index cards, they store customer data on disk or magnetic tape, one record per subscriber.

发行人把订户的数据存在磁盘或磁带上，为每个订户准备了一个记录，而不是使用索引卡片。

In magnetic record in g, a device which removes the magnetic tape from contact with the head on fast w in d or rew in d

在磁记录技术中使用的一种机构，在快速进带或倒带时能把磁带移开，以免和磁头接触。

In multi-channel digital magnetic record/playback heads, the angle between the parallel lines measuring gap scatter and the nominal direction of tape motion over the head assembly.

在多道数字记录／读出磁头中，测量间隙变化的平行线与磁带在磁头组合件上运动的标定方向之间的夹角。

In 1939 at American New York 世博会, magnetic tape recorder,television, nylon, plastic product and so on budding

1939年美国纽约世博会上，磁带录音机、电视机、尼龙、塑料制品等崭露头角

Of interest to Electroacoustic Music Studies is the relationship between the working methods associated with equipment such as the magnetic tape recorder, voltage-controlled synthesizer, mixing desk, and the aesthetics of the music produced by such means.

对于电子声学音乐而言，其兴趣在于研究两件事物之间的关系：一个是使用诸如磁带录音机、电压控制的合成器、调音台这一类设备进行创作的工作习惯；另一个是这种工作习惯所带来的，来自音乐美学方面的对于作品的思考。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。