查询词典 tang

Born in Shanghai, China, Donald Tang came to America as a teenager to pursue the dream of love, and inadvertently embarked on a remarkable career in this land of opportunity, which now finds him one of the most prominent Asian-Americans on Wall Street.

出生在上海，中国，唐纳德唐来美国作为一个少年追求梦想的爱情，无意中开始了一个了不起的职业生涯在这片土地的机会，现在发现他的一个最突出的亚裔美国人在华尔街。

Beijing-Shenyang Railway main artery running through the entire intersection into a network of three highways, west Beijing, Tianjin Second City, the east of Qin and Tang both Hong Kong and are咫chi zhi yao .

京沈铁路大动脉贯穿全境，三条高速公路交汇成网，西达京、津二市，东接秦、唐两港，均咫尺之遥。

This dissertation is from multi-layer respects such as literature , historiography , philosophy and art studying , folklore , anthropology ,etc., the research approach to draw support from many kinds of relevant disciplines , not merely get deeply to the music characteristic of string instrument development in Tang Dynasty, and mostly carry on profound exposition of the close relation between the literature and music of Tang Dynasty .

本文从文学、史学、哲学和艺术学、民俗学、人类学等多层方面，借助多种相关学科的研究方法，不仅深入到唐代拨弦乐器发展的音乐特点，而且更多的是将唐代文学与音乐之间的密切关系进行深入的阐述、研究。

The third part"Treatment acts rely on Medical skills and drugs", through the research on the status of the professional doctors comes to the conclusion that those who see professional doctors mainly confined to the upper society in the Tang Dynasty, but common people can also have the Therapy such as"self-treatment"or"experienced treatment"rely on Prescription and drugs because of the promotion of government and some scholar-officials of Tang Dynasty.

虽然唐代官方的医疗机构根本无法满足民众的医疗需求，但是唐政府对民众医疗救助服务的关注以及对于相关事务的管理，都是前所未有的。第三部分&依靠医术、药物的求医行为&，主要通过对唐代民间专业医生状况的论述，得出了求治于专业医生的治疗主要限于唐代上流社会。

Paitan, double-headed Village, Han Village, geese touting the village and sent Tancun, high Village, Tsuen Wai yuan, Liu Village, yellow sand Taipa Village, car Tung Village, Tai Po village, Lee difference Village, Wong Tung Village, omnipotent Village, points up the village, threatened Bay Village, the small difference Village, Pan-Fen Village, Tang Village, the new Ko Po Tsuen, Tang Road, threatened the village, Daejeon the village, the old Ko Po Tsuen, Jia Tong Village, drag Luocun, jade pillow Village, seven Habitat Village, a two-Liaocun, Asia mouth, Lane Village, such as Asia, Lane Village, Tsuen-cheung, high-Village, on 9 Yi village, threatened the village of Yung Shue, of Taishi, Beiyin Village, East Village hole

派潭社区，双头村，汉湖村，鹅兜村，派潭村，高村，围元村，刘家村，黄沙凼村，车洞村，大埔村，利迳村，黄洞村，万能村，水口弄村，湾吓村，小迳村，湴汾村，邓村，新高埔村，邓路吓村，大田围村，旧高埔村，佳桐岭村，拖罗村，玉枕村，七境村，双合寮村，亚口弄村，亚如弄村，樟洞坑村，高滩村，上九陂村，榕树吓村，密石村，背阴村，东洞村

Chen Tianqiao thought of only, he should let Tang Jun be held in the palm royal, cannot think of, royal more held Tang Jun in the palm.

2004年，陈天桥只想到了，他要让唐骏托一下盛大，没想到，盛大更托了一下唐骏。

These research results Deepen people's understanding of the works of Tang Xianzu,Nevertheless,The most of the research are pase the Focus on the literature and the opera of the hia works.the research which in-depth study the works of Tang Xianzu From the level of thinking was very few.

首先，本文根据&意识取决于一定物质条件&的哲学原理，详细闸述了汤显祖所处的时代环境和个人成长经历对其思想形成的影响，其次，在总结了前人研究的基础上，分析了汤显祖&至情&思想产生的思想根源，再次，本文深入的研究了汤显祖作品中所渗透的&情&的思想及其从&一点情痴&到&生死为情&的升华，并重点阐述了汤显祖关于&情&与&理&的关系的观点，得出如下结论：汤显祖虽然&主情&，但并不是单纯的要以&情&代&理&，而是驳斥虚理、张扬实情，基于真情、维护合理，统一理欲于真情。

His major works and commissions include: ' Three Temperaments , for Big Choir ' (1986), ' Counterpoint of Times , for woodwind septet ' (1989), ' Wild Children , for mixed Chamber Ensemble ' (1993), ' Overture , for solo Chinese bass drum and Chinese winds and percussion band ' (1994), ' Intonation , for chamber orchestra ' (1990-1994), ' Flavour of Bashu , for two violins, piano and percussion ' (1995), ' Pole , for solo Chinese Yun-luo, Chinese pai-gu and Chinese bass drum with six percussionists ' (1996),commissioned by Japan Asian Percussion Ensemble, ' Symphonic Prelude --- Bashu Capriccio' (1996), 'The Song Without Words , for solo percussion ' (1997), commissioned by the Ministry of Culture of Japan, Japanese Contemporary Music Association, and Japanese Embassy in China,'Illusions of the Symphonic Stage of Tang Dynast y , for orchestra of Tang Dynasty, percussion, voices and a big choir '(1999), commissioned by Japanese No Music Guanshiliu Green Spring Association, Chinese Music Research Center in Japan, Japanese Asian Percussion Ensemble and Japanese-Chinese Cultural Exchange Association,'The Prospect of Colored Desert , for violin, cello, sheng, pipa and percussion '(2000),commissioned by Yo-Yo Ma, Silk Road Project Inc. of the U.S., Sony Record,'Three Movements of Autumn , for small Chinese instruments ensembl e'(2000) and ' Sound Games , for 5 Chinese Percussion Instruments Players ' (2000-01), commissioned by La Cité de la Musique, Paris "2000 Chinese Classical Music Series", ' Fusion I , for Mixed Chamber Ensemble ' (2002), commissioned by Holland New Ensemble and Atlas Ensemble, ' Fusion II , Concerto for Solo Chinese Percussion and Orch.' (2002), commissioned by Japanese–Chinese Committee of Friendship and Public Music Performance, and ' Fusion III , for Irish flute, accordion, bodhran, Chinese sheng, zheng, Percussion and 13 Strings with Chamber Choir.' (2003-04), commissioned by China-Ireland Exchange Program, ' The Three Images from Washing Painting , for chamber ensemble of 17 players '(2005) commissioned by the New Juilliard Ensemble for the special concert of the Juilliard Centennial and sponsored by Asian Cultural Council and the Guggenheim Partnership and 'The Butterfly Dream', new 7 scenes Opera inspired by KUN QU' (2007) commissioned by the Contemporary Legend Theatre, Taiwan etc.

主要作品及委约包括：《三种气质，无伴奏合唱》(1986)、《时间的对位，木管七重奏》（1989）、《野娃子，混合室内乐队与童声》(1993)、《对话，男声独唱，女高音，童声合唱团，混声合唱团与混合乐队》(1993-94)、《序鼓，独奏中国大鼓、排鼓、云锣与中国民间吹打乐队》（1994）、《吟，室内交响乐》（1990-1994）、《蜀韵，两支小提琴、钢琴与打击乐》（1995）、《极，独奏中国云锣、大鼓、排鼓与六位打击乐演奏家》（1996）、《巴蜀随想，交响序曲》（1996）、《无词歌，打击乐独奏》（1997）（日本国文化厅、日本现代音乐协会、日本国驻中国领事馆等联合委约）、《梦的交响舞台，唐代乐队，打击乐，人声与合唱团》（1999）（日本能乐观世流绿泉会、日本中国音乐勉强会、日本亚洲打击乐团、日中文化交流协会等联合委约）、《舞蹈组曲，大型管弦乐队》(1999)、《漠墨图，小提琴、大提琴、笙、琵琶与打击乐》（2000）（马友友、美国丝绸之路文化发展公司、日本Sony唱片等联合委约）、《秋三阕，9位中国乐器演奏家》（2000）、《响趣，5位中国打击乐器演奏家》（2000）（法国巴黎音乐城&2000中国古典音乐系列音乐会&委约）、《融I ，混合室内乐团》（2002）（荷兰 New Ensemble， Atlas Ensemble联合委约）、《融II ，打击乐协奏曲》（2002）（日本日中友好音乐公演委员会委约）、《融III ，爱尔兰笛子、手风琴、巴朗鼓，中国笙、筝，打击乐，13件弦乐器以及室内合唱团》（2003-04）（爱尔兰国家文化委员会、爱中2004文化交流年组委会委约）、《水墨画意三则，为17位演奏家的室内乐团》（2005）（美国朱丽亚音乐学院新室内乐团委约，美国亚洲文化基金会和美国古根海姆基金支助）及《梦蝶，七场新昆剧》（2007）等。

Tang Jun expressed 2009:"This is me a year of the challenge, everybody still can see high-key the Tang Jun that be an upright person, but I am OK so say, had done the business low-keyly, this ability is my target."

2009年唐骏表示：&这是我挑战的一年，大家还是可以看到高调做人的唐骏，但是我可以这么说，低调地把事情做好，这才是我的目标。&

Matsuyama is located in the summit of the high ten-storey main building, where the first floor of the hotel lobby, Tang Yuan Restaurant dragon and phoenix hall, the situation Garden restaurant and multi-functional business center; the second floor of the Tang Yuan Restaurant deluxe VIP rooms and tea room; on the third floor is the Qin House nightclub; the fourth floor is the Palace sauna; 5 to the ninth floor is the various types of deluxe rooms; 10 floor hotel administrative center.

位于松山之巅的主楼高十层，其中一楼是酒店大堂、唐苑酒家龙凤大厅、情苑餐厅和多功能商务中心；二楼是唐苑酒家豪华贵宾房和茗茶厅；三楼是秦楼夜总会；四楼是汉宫桑拿；五至九楼是各类豪华客房；十楼是酒店行政中心。

However, as the name（read－only memory）implies, CD disks cannot be written onorchanged in any way.

然而，正如其名字所指出的那样，CD盘不能写，也不能用任何方式改变其内容。

Galvanizes steel pallet is mainly export which suits standard packing of European Union, the North America. galvanizes steel pallet is suitable to heavy rack. Pallet surface can design plate type, corrugated and the gap form, satisfies the different requirements.

镀锌钢托盘多用于出口，替代木托盘，免薰蒸，符合欧盟、北美各国对出口货物包装材料的法令要求；喷涂钢托盘适用于重载上货架之用，托盘表面根据需要制作成平板状、波纹状及间隔形式，满足不同的使用要求。