查询词典 tales

Here Warren Scheer reads the very beginning of Geoffrey Chaucer's great poem,"The Canterbury Tales" as it was written in Middle English.

在这里沃伦scheer读取开始杰弗里乔叟的伟大的诗，&坎特伯雷故事&，因为这是在中东的书面英语。

By the close of the 14th century the dialect of London had emerged as the literary standard and Geoffrey Chaucer had written his immortal Canterbury Tales .

到结束的14世纪的伦敦方言已成为文学的标准和杰弗里乔叟写了他不朽的坎特伯雷故事集。

In The Canterbury Tales ,Chaucer created a comprehensive realistic picture of the English society and a whole gallery of vivid characters.

在《坎特博雷故事集》中，作者乔叟塑造了许多当时英国社会的栩栩如生的众生像。

"The Canterbury Tales", embracing all sorts of contradictions and conflicts, can be taken as a dialogue among various social classes, interest groups, old and new ideas, and people of different characters.

《坎特伯雷故事》包容复杂的矛盾和冲突，可以说是当时英国各社会阶层、各种政治力量、各种利益集团、各种新旧思想、各种性格的人物之间的对话。

Six hundred years ago, Geoffrey Chaucer in The Canterbury Tales told the story of a knight who is sent on a quest to find the answer to that very mystery.

六百年以前，坎特伯里故事集里的杰弗里乔叟讲了一个骑士的故事，说他接受任务去探求一个特别神秘问题的答案。

He employed the heroic couplet with true ease and charm in his masterpiece, the Canterbury Tales.

在《坎特伯雷故事集》中他也轻松自如并富有神韵地使用了英雄偶句诗体。

His masterpiece is The Canterbury Tales.

乔叟的杰出代表作是《坎特伯雷故事集》。

The Canterbury Tales was written by Chaucer.

坎特伯雷故事集》是乔叟写的。

Four spine-tingling stories by Edgar Allan Poe are adapted for young readers who have a taste for terrifyingly good tales.

书中收集了恐怖小说大师埃德加·爱伦·坡四个令人毛骨悚然的故事，非常适合那些对恐怖故事感兴趣的小读者们欣赏。

At that time,Andersen was regarded as the Prince of Fairy Tales and

在当时，安徒生被誉为童话大王，也是他那个时代的最伟大的作家之一。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。