查询词典 tales

These rags in bales, of all hues and qualities, the lowest condition to which cotton and linen descend, the final result of dress —— of patterns which are now no longer cried up, unless it be in Milwaukee, as those splendid articles, English, French, or American prints,ginghams, muslins, etc., gathered from all quarters both of fashion and poverty, going to become paper of one color or a few shades only, on which, forsooth, will be written tales of real life, high and low, and founded on fact!

至于这一袋袋的破布，各种颜色，各种质料，真是棉织品和细麻布的最悲惨的下场，衣服的最后结局，——再没有人去称赞它们的图案了，除非是在密尔沃基市，这些光耀的衣服质料，英国、法国、美国的印花布，方格布，薄纱等等，——却是从富有的，贫贱的，各方面去搜集拢来的破布头，将要变成一色的，或仅有不同深浅的纸张，说不定在纸张上会写出一些真实生活的故事，上流社会下等社会的都有，都是根据事实写的！

I considered it a narrative of facts, and discovered in it a vein of interest deeper than what I found in fairy tales: for as to the elves, having sought them in vain among foxglove leaves and bells, under mushrooms and beneath the ground-ivy mantling old wall-nooks, I had at length made up my mind to the sad truth, that they were all gone out of England to some savage country where

至于那些小精灵们，我在毛地黄叶子与花冠之间，在蘑菇底下和爬满老墙角落的长春藤下遍寻无着之后，终于承认这悲哀的事实：他们都己逃离英国到某个原始的乡间去了，那儿树林更荒凉茂密，人口更为稀少。而我虔信，小人国和大人国都是地球表面实实在在的一部份。

Susan's tales about how she danced with Prince Charles, served tea and biscuits to members of the Royal Family, and saw the early frailness and vulnerability of Princess Di, make riveting after-supper entertainment.

苏珊讲的故事是晚饭之后饶有兴味的消遣。她讲她如何和查尔斯王子跳舞，如何为皇族成员上茶和饼干以及如何看出黛安娜王妃早先的、意志薄弱和脆弱的。

And she could see far away the lights of the lighthouses so picturesque she would have loved to do with a box of paints because it was easier than to make a man and soon the lamplighter would be going his rounds past the presbyterian church grounds and along by shady Tritonville avenue where the couples walked and lighting the lamp near her window where Reggy Wylie used to turn his freewheel like she read in that book The Lamplighter by Miss Cummins, author of Mabel Vaughan and other tales.

她能看见远处灯塔的光，美丽如画。她巴不得自己带着一匣颜料，因为写生比画人物素描要容易。灯夫很快就会沿路点起街灯了。他将走过长老会教堂场地，沿着特里顿维尔大树的树荫下踱来。人们成双成对地在这里漫步。他还点燃她那扇窗户附近的一盏灯，雷吉。怀利常在这里骑车表演空轮，就像卡明女士那本《点灯夫》中所描述的那样。她也是《梅布尔。

The story of a galleon that sank at the start of her maiden voyage in1628 must be one of the strangest tales of the sea.

在1628年，有一艘大帆船在处女航开始时就沉没了，这个沉船故事一定是最神奇的海上轶事之一。

From the seventeenth-century empire of Sweden, the story of a galleon that sank at the start of her maiden voyage in 1628 must be one of the strangest tales of the sea.

在十七世纪的瑞典帝国，一条大帆船在其1628年处女航中沉没可能是最奇怪的事情了。

Obviously this primitive rite was not of late origin, as is alleged by modern critics, but was a concession rather to ancient Semitic practise, and its great popularity is shown by the men of rank accompanying it, by the cries with which the crowd followed it, and by tales of a miraculous character related in the Mishnah and the Gemara (Yoma 66a, 67a, 68b).

显然，这原始的成年礼，是不是太晚出身，因为据称是由现代批评，但被特许权，而不是向古代闪族执业的能力和其强大的人气已经呈现出来，男青年官兵的陪同，由呼声与哪些人群其次，它，并通过童话的神奇的性格有关，在mishnah和gemara （ yoma 66 A条，第67A ， 68 B条）。

If these tales have brought your imagination back to life and you want to discover more ghostly and gruesome stories of times past.

如果这些故事带来了你的想象力回到生活，你想要发现过去的时代和可怕的鬼故事。

Jamie Goode's unfussy approach to wine opens a mysterious world up to a whole new audience and his tales of travels in search of the best bottles are amusing and informative.

Jamie Goode 对酒的过分接近为为新观众开辟了一个神秘的世界，他寻找最好瓶子旅途中的故事非常有趣、也很让人长见识。

My parents and grandparent told us tales of our people in China, because we don't have any photo to see at the time, it remains convinced in our head.

我的父母和祖父母告诉我们在中国有我们的苗族人。因为那时我们没有一张照片，它只能在我们的脑海里想像。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。