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tableaux相关的网络例句

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与 tableaux 相关的网络例句 [注:此内容来源于网络,仅供参考]

Though we are seduced by the tableaux the artist creates, gazing upon which we admire, love and worship his beauty and social position, we remain conscious of the farce.

虽然我们的诱惑创造舞台造型艺术家,凝视着我们赖以钦佩,崇拜他的爱与美的和社会地位,我们仍然是闹剧意识。

Haohao is very serious and always loses himself, not willing to put down the camera. And the boldness of his tableaux attracts us greatly.

他在摄影活动中的态度极其专注,他常常不肯放下相机,画面的大胆程度经常会让人眼前一亮。

Strangely, the sign of Hope was also reversed, and the horrific aspect of Death, ever present, lay above the entire tableaux.

不过奇怪的,美好的希望突然从占星图上消失了,突然出现的魔鬼和死亡的标志被指向了这里。

But it was no use, he could not remember: nothing remained of his childhood except a series of bright-lit tableaux occurring against no background and mostly unintelligible

除去一系列光亮的画面,看不到背景,弄不清细节,他的童年什么也没留下来。

Each piece presents a pianistic problem, in the tradition of etude. In addition ,the most important is"tableaux".

不仅是单纯的训练技巧,更是蕴含着丰富的音画特性,每首练习曲都旨在描绘某种景象或表现某种情感。

And PLC is in progress to 5 tableaux motion by the software program under the control of, have overcome an automation running middle various problem that can come across , have ensured that canvas works according to demanding correctly.

PLC靠软件程序对5幅画面的运动进行控制,并克服了自动运行中会遇到的各种问题,保证画布按要求正确运行。

She said,"my inspiration comes from classical Dutch portraiture: Vermeer's mysteriously cinematic domestic scenes and Rembrandt's expressive tableaux vivants."

她说,"我的灵感来自于荷兰的古典肖像画:维梅尔神秘的电影般的室内景观画以及伦勃朗富于表现力的活人静态画。"

The combination of shelter and garden space, created as microcosms of real or imagined environments (like the Japanese concept of "borrowed scenery"), which produce symbolic tableaux of other situations

遮蔽和庭园空间的结合,创造似真似幻的小宇宙环境,如日本思想的「借景」,制造徵戏剧的情景。

However, Barry is not bound by rules; he turned history and myths into a series of tableaux that were at once oddly expressionistic and deeply personal.

但是,规矩很难束缚住Barry,他将历史和神话转变成了一系列具有舞台造型加以表现,后来立刻演变成了稀奇古怪的表现派,并形成了深深的个人主义派。

Barry found it hard to be bound by rules, and he turned history and myth into a series of ★tableaux[6] that were at once But oddly expressionistic and deeply personal.

但是历史画受制于过多约束让巴里感到难以接受,遂将史实与神话融为一体,并用一系列舞台造型加以表现,随即成为与主流格格不入的表现派,并打上了深深的个人主义烙印。

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