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Thus, candles are symbols of both life and death,as well as both hope and fear.

因此，蜡烛既是生命和死亡的象征，也是希望和恐惧

Thus, candles are symbols of both life and death,as well as both hope and fear.

因此，蜡烛既是生命和死亡的象征，也是希望和恐惧的象征。

Here, conceptual art is the symbols of contemporary culture instead of the simple visual phenomenon. Facing post-industrialization of catabolized time and human spirit and dangerous situation, it is the response in the era of information, network and long-distance telecommunications.

在这儿，观念艺术不是单纯的视觉现象，已沉积为当代文化的符号，它是在信息、网络和远程电讯的时代，在人类面临后工业化的异化时代，面对人的精神与处境危机所作出的反应。

New operators may not be created by concatenating other legal symbols.

通过连接其他合法符号可以创建新的操作符。

Renjian's works represent a spiritual tendency, a search in the abstract and the concretized, for relationship between the cultural origins. It is no longer an improvement purely on the means or the pattern, but rather, a peaceful intervention into the contemporary cultural context. Although it still adopts traditional cultural symbols, an improvement in the spiritual realm is achieved by delivering a visual effect that is both open and tranquil in his art works.

任剑的作品体现的是一种精神倾向，在抽象与具象间寻找文化渊源的关系，而不再是一个纯粹形式上或者样式上的完善，而以很平静的方式介入了当代文化的语境，虽然借助了传统的文化符号，却提升到了一个精神的目的，作品的精神性是靠作品本身的空旷和静宁的视觉效果来感悟。

There are a lot of color words in ancient Chinese, which connoted and conveyed some particular information of history and culture. They are vivid symbols of the ancient color-favoring culture, and will be of particular significance to understanding and studying of the traditional etiquette culture.

古代汉语的色彩词十分丰富，它们蕴含并传达着特定的历史文化信息，是古代尚色文化的生动记录，对于了解和研究传统礼仪文化具有特殊的意义。

It should not be taught that these three chapters do not contain true narrations of facts, but only fables derived from the mythologies and cosmogonies of earlier peoples, purged of the polytheistic errors and accommodated to monotheism; or allegories and symbols, with no objective reality, set forth in the guise of history to inculcate religious and philosophical truths; or, finally, legends partly historical and partly fictitious put together for instruction and edification.

它不应该告诉我们，这三个章节不包含真正述的事实，但只有寓言源自神话和cosmogonies早先人民，清除错误的多神教和安置到一神教；或寓言和象徵，没有任何客观现实，中所列的幌子历史灌输宗教和哲学的真理；或最后，传说是虚构的历史和部分提出的指导和启发。

But the man of our time who daubs the walls with erotic symbols to satisfy an inner urge is a criminal or a degenerate.

但是我们今天如果有一个人由于内部冲动而在墙上画性的象征，那么，他不是罪犯就是堕落者。

Chapter two presents the colonial mapping of Irish patriarchal literary tradition from bardic poetry to nationalist poetic works, which dehumanizes womanhood into national symbols or into literary muses.

第二章则是阐述爱尔兰父权文学传统，从吟唱文学历史到民族主义文学传统，将女性诗人的意象物化以及扭曲为象徵国家、文学缪思或装饰诗的符号，沦为殖民霸权，绘制了一个排除女性诗人的文学殖民版图。

How far these sacred diagrams were used as symbols in their liturgy, we do not know.

有多远这些神圣的图表被用作符号的礼仪，我们不知道。

In the negative and interrogative forms, of course, this is identical to the non-emphatic forms.

。但是，在否定句或疑问句里，这种带有"do"的方法表达的效果却没有什么强调的意思。

Go down on one's knees;kneel down

屈膝跪下。。。下跪祈祷