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His subject matter is not that kind of direct description of the society, and his picture is no willful publicizing of symbols, but rather like a picture of something immersed rising slowly from the bottom of a pool and finally emerging from the surface——slow, vague and drifty……, which corresponds to a certain of emotional struggle in the dim recess of human mind——variable, conscious and subconscious …….

从表面上看彭建忠的画与他的性格一样是内向而腼腆的，他的题材不是那种对社会t性的直接描述，他的画面也不是对符号性的肆意张扬，他的画更像是沉浸于池底而后慢慢浮现出来的那种样子——缓慢的，而隐约的，而飘移的……，对应的也是某种人们内心深处的情绪挣扎——多变的，而有意识的，而潜意识的……。

All of these factors shaped the thinking of him. In his early works, there were themes and symbols he had put into use continuously, such as the weird figure with an official hat, then big beard Marx who also symbolized academic authority in the duration of his study and pretty woman dressed erotically, and so on.

在早期作品中出现的戴官帽的怪物，以及之后长着大胡子的马克思（同时也是他学艺期间学术权威的形象象征），以及色情装扮的美女，等等，在他很多作品中都作为重复运用的主题和符号而出现。

In his early works, there were themes and symbols he had put into use continuously, such as the weird figure with an official hat, then big beard Marx who also symbolized academic authority in the duration of his study and pretty woman dressed erotically, and so on.

另外如破碎的酒瓶；豹皮和太阳镜；燃烧的火堆，风景中的暴力案件；倾倒的马和人体等等，这些情节和道具对应了作品中的诸多元素：权力、欲望、暴力、个人意志……这些元素呈现出不同的表达谱系，产生了多样的视觉刺激，在一个被颠覆的系统中呈现着各自的面貌。

On the other hand, the influence of Absurd drama manifested mainly in the perspective of observing the world in later plays. Absurd drama reveals the uncertainty of the world by the skill of"simile way". Contemporary playwrights draw extensively and broadened the use of"simile way", and create the new simile symbols: anti-classic simile, anti-system simile and anti-meaning simile. At the same time they use a comprehensive simile to create a kind of sensual drama.Absurd drama also destroys the language function of traditional drama by rupture and desegregation, also tends to use "the language of no meaning," to reflect the world's essence. The contemporary generation create a physical theatre to expulse of the role of language. Another extreme is to strengthen language function thus creating a language game.

另一方面，荒诞派戏剧的影响力主要体现在后世剧作对客观世界的认知上：荒诞派通过&直喻&的手法来表现世界不确定性的本质，被后世剧作家广泛借鉴并且拓宽了直喻手法的使用，出现了反经典、反系统和反深度的直喻符号，同时另一个极端则是用剧场性的全面直喻创造了具有震撼力的感官戏剧；荒诞派通过破裂与解体的方法化解了传统戏剧的语言功能，更倾向于用&无义的语言&表达来体现世界的无义，后世剧作家在此基础上索性彻底驱逐了语言的作用从而创造了肢体戏剧，另一个极端则是强化语言功能创造了&语言游戏&。

Great comic artists assume that truth may bear all lights, and thus they seek to accentuate contradictions in social action, not gloss over or transcend them by appeals to extrasocial symbols of divine ends, cosmic purpose, or laws of nature.

伟大的幽默艺术家认为真理拥有了所有的光芒，因此他们希望着重关注社会行为的矛盾，不是通过研究预测的结局，宇宙的目的，或者自然的法则等这些超过社会的象征而得到的一种假象或者对现实的超越。

Great comic artists assume that truth may bear all lights, and thus they seek to accentuate contradictions in social action, not gloss over or transcend them by appeals to extrasocial symbols of divine ends, cosmic purpose, or laws of nature.

此外，一些黑人小说的风格，像Jean Toomer的Cane，就接近于表现主义或者超现实主义，这种巧合是否给流行描述黑人主人公与命运对抗的主题提供了一个反衬点，或者经常被更加自然的表达模式所传达的主题？

Great comic artists assumes that truth may bear all lights, and thus they seek to accentuate contradictions in social action, not gloss over or trnascend them by appeals to extrasocial symbols of divine ends, cosmic purpose, or laws of nature.

Great comic artists认为真理总有根据，因此寻求强调社会行为中的矛盾，而不是掩盖或者超越这些矛盾；而掩盖超越使用的是超社会神的终结，宇宙的目的和自然的法则。

Great comic artists assume that truth may bear all lights, and thus they seek to accentuate contradictions in social action, not gloss over or transcend them by appeals to extrasocial symbols of divine ends, cosmic purpose, or laws of nature.

大喜剧家们认为真理需要各种启示，因此他们开始强调社会活动中的各种矛盾，而不是掩饰或者通过非社会象征的神圣结局和喜剧目的、自然规律来超越它。

Great comic artists assume that truth may bear all lights, and thus they seek to accentuate contradictions in social action, not gloss over or transcend them by appeals to extrasocial symbols of divine ends, cosmic purpose, or laws of nature.

这样，对于数学家们来说是非常惊诧的，例如，薛定谔方程式并不是氢原子的准确描述，而只是某种程度上的近似值。它近似于另外一种描述磁性偶极子相对效果的方程，而这个方程本身又是一套不定量子场论方程的近似值。

Great comic artists assume that truth may bear all lights, and thus they seek to accentuate contradictions in social action, not gloss over or transcend them by appeals to extrasocial symbols of divine ends, cosmic purpose, or laws of nature.

尽管这些分子能够透过可见光，阳光的大部分热量？都集中在这个波段，但是它们吸收长波，从地表来的红外辐射，或者将有些辐射折射回空中。

Breath, muscle contraction of the buttocks; arch body, as far as possible to hold his head, right leg straight towards the ceiling (peg-leg knee in order to avoid muscle tension).

呼气，收缩臀部肌肉；拱起身体，尽量抬起头来，右腿伸直朝向天花板（膝微屈，以避免肌肉紧张）。

The cost of moving grain food products was unchanged from May, but year over year are up 8%.

粮食产品的运输费用与5月份相比没有变化，但却比去年同期高8％。