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Eight letters. Three syllables. Say them and I'm yours.

八个字母，三个字，说出它们，我就是你的。

Core features are generally thought to include the repetition of sounds, syllables and single-syllable words; the vocalized and nonvocalized sound prolongation, and complete stoppages due to tense pauses, hard contacts and silent blocks.

核心症状通常被认为包括：语音、音节和单音节词的重复；出声或不出声的语音拖长；以及因为紧张性停顿、硬性过渡和无声性卡壳而造成的完全的语言阻塞。

Likewise, CBA goes from three syllables to 10 in Chinese, a much wordier 'China men's basketball professional league.

同样，CBA也从三个字节的缩略词变为冗长的10个中文字，&中国男子职业篮球联赛&。

Ballad meter is usually iambic. The number of unstressed syllables in each line may vary. The second and fourth lines rhyme.

民谣的韵脚往往采用抑扬格的形式，每一行中非重度音节的数目不等，二、四行押韵。

Ballad stanza: A type of four-line stanza. The first and third lines have four stressed words or syllables; the second and fourth lines have three stresses.

民谣体诗节：一种四行诗节，第一、三行由四个重读单词或音节组成，二、四行由三个重音组成。

Anapest: It's made up of two unstressed and one stressed syllables, with the two unstressed ones in front.

抑抑扬格：抑抑扬格由两个非重度音节和一个重读音节组成，两个非重度音节在前。

In particular、the emergence of vocal percussion and use of different syllables opened many avenues for arrangers.

最特别的是人声打击乐和使用不同的口技，拓展了编曲的可能性。

Another component of a verse's meter are the caesurae, which are pauses or other breaks inserted between certain syllables of the verse.

另一个组成部分诗句的米是caesurae ，这是暂停或其他符号之间插入某些音节的诗句。

On this topic it must first be realised that our predecessors used lines of varying lengths in their canzoni, as do our contemporaries; but I have not yet found any case in which the number of syllables in a single line exceeds eleven or falls short of three.

对这个话题我们必须首先认识到我们的祖先用在在歌曲中的每一行的长度是变化的，正如我们今天的人所为；但我没有发现在一个单行中出现音节数量超过11个或者少于3个的情况。

The first and second feet are dactyls; their first syllables,"Ar" and "rum" respectively, contain short vowels, but count as long because the vowels are both followed by two consonants.

第一和第二脚dactyls ；第一音节，&氩气&和&酒&分别载有短元音，但只要伯爵因为元音都是其次是两个辅音。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。