查询词典 syllable

Used of a syllable in accentual prosody.

重音的：重读的或加重音的。

The measured arrangement of words in poetry,as by accentual rhythm,syllabic quantity,or the number of syllable s in a line.

韵律诗歌中字词的有格律的排列，如重音的韵律，音节的数量或一行内音节的总数

When followed by a first or second or fourth tone, or a syllable in the neutral tone, the syllable of the third tone changes into a half-third tone.

第三声音节在第一、二、四声及轻声音节前，读成半三声，即只读第三声的前一半降调。

Iε/(21)/tiε/"elder sister" has neutral tone on the second syllable and the underlying third tone on the first syllable does not change to the second tone(35)which indicates that the tone is not copied along with the segments.

以亲属名词为例：&姐姐&这个重叠词的第二个音节的声调是轻声，而且第一个音节它的底层是三声但是重叠后并没有变成二声。

The left column of Table 4-4 is the tone category of the initial syllable, and the final syllable tone categories are across the top, with the middle of the table showing sandhi tones and example words.

表4-4的表左是前字调类，表端是后字调类，表中是连读调和例词。

Tangxi dialect trisyllabic phonological tone change rules are: On the first syllable, IA [24], IB [11] and IIIA [52] all change to [33], IIIB [341], IIB and IVB [113] all change to [11], and IIA [535] and IVA [55] all change to [52], the same as mainstream initial syllable tone change in disyllabic sandhi.

汤溪方言三字组语音变调的规律为：第一个音节，阴平[24]、阳平[11]、阴去［52〕一律变［33，阳去［341、阳上〔113、阳入［113］一律变[11]，阴上【535、阴入【55」一律变〔52，跟两字组前字的主流变调相同；第二、三两个音节，基本上跟两字组的连调模式相同。

Qingyuan only has tone change when the initial syllable is IA or IIIB. Pucheng only has a little tone change when the initial syllable is IA or IB.

庆元只有阴平、阳去作前字时发生变调，浦城只有阴平、阳平作前字时发生少量的变调。

Based on the language materials collected, the third chapter analyses the understanding restriction conditions of "VP+NP_1+DE+NP_2" ambiguity structure from the NP_2"s life and the VP"s mobility. The author comes to the following conclusions: the NP_2"s life rank with the "VP+NP_1+DE+NP_2" structural ambiguity in understanding becomes the correlation dependence, the monosyllable verb which expresses the hands" and the foot"s movement, easily combining with the tense auxiliary, enter the "VP+NP_1+DE+NP_2" structure to form the latent ambiguity structure; the double syllable verb which has the causes feature is easy to enter the"VP+NP_1+DE+NP_2" structure to form latent ambiguity structure; the double syllable "noun-verb", with the influence of the behind noun NP_1, both can be understood as the valency combination, and the non-valency combination, thus causes the "VP+NP_1+DE+NP_2structure to appear ambiguity.

在第三章中，我们将在语料分析的基础上分别从NP_2的生命度和VP的动性这两方面探讨这一歧义结构在理解上的制约条件：NP_2的生命度等级与&VP+NP_1+的+NP_2&歧义结构理解为偏正结构的几率成正相关关系：表示手、脚等的单音节动词容易与时态助词结合，进入&VP+NP_1+的+NP_2&结构形成潜在的歧义结构；带有致使特征的双音节动词容易进入&VP+NP_1+的+NP_2&结构形成潜在的歧义结构；双音节的&名动词&由于受其后所跟的名词NP_1的影响，既能理解为配价组合，又能理解为非价组合，从而使得&VP+NP_1+的+NP_2&结构出现歧义。

A certain group of verbs stress the second syllable while their corresponding noun forms are stressed on the first syllable.

有些单词的动词形式的重音在第二个音节，而名词形式的重音则在第一个音节。

A Shakespearean sonnet consists of 14 lines, each line contains ten syllables, and each line is written in iambic pentameter in which a pattern of a non-emphasized syllable followed by an emphasized syllable is repeated five times.

另一种类型称为&莎士比亚体&或&伊丽莎白体&，由三节四行诗和两行对句组成，每行10个音节，韵式为ABAB，CDCD，EFEF，GG。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。