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A curved mark used to indicate a short or unstressed syllable of verse .

表示诗行中的短音节或非重读音节的弧形符号。

A curved mark used to indicate a short or unstressed syllable of verse.

一种短的沉重弯曲的单刃剑；主要被水手使用的。

In the tune "the old city" represents Beijing, the music take the Peking opera as the source material, will divide the slow movement and the musical beat two parts, the slow movement sub-system will be persuasive the exquisite Peking opera melody to further process, causes it music, has displayed the urheen timbre delightful gentle performance special skill, will listen both to express feelings, the Beijing style to be full exquisitely, and will not lose the sonorous powerful place, music mood fluctuation repeat swings, the change will be careful, musical beat partial melodies sprightly smooth, by the urheen continuously the fast figure and the clear bright timbre, will entrust with this section of musics fresh and the active characteristic, but long will draw out a syllable appearance, also will then cause it alone lyricism, this music from differentThe angle expresses thinks of the ancient exquisite feeling, takes to the people infinite province to think with recalls.

曲中&古城&意指北京城，乐曲以京剧为素材，分慢板与流水板两部分，慢板部分系将婉转优美的京剧唱腔进一步加工，使之更加音乐化，发挥了二胡音色甜美柔和的演奏特长，听来既抒情优美、京味十足，又不失铿锵有力之处，音乐情绪起伏迭荡，变化细致，流水板部分旋律明快流畅，以二胡的连续快速音型和清脆明亮的音色，赋予本段音乐清新而活跃的特色，而长拖腔的出现，则又使之独具抒情性，本乐曲从不同角度抒发思古幽情，带给人们无限的省思与回忆。

I swear to you by him who died for us that naught shall induce me to breathe one syllable to my jailers; but I conjure you do not abandon me. If you do, I swear to you, for I have got to the end of my strength, that I will dash my brains out against the wall, and you will have my death to reproach yourself with.""

我以基督的名义向你发誓，我情愿让他们杀了我也不会向刽子手们吐露一点实情的，看在上帝的份上，别离开，别不和我说话，不然我向你发誓因为我已忍耐到了极限，我会把头在墙上撞碎的，会懊悔的。&&

In the first sentence,"present" is a noun accented the first syllable.

在第一个句子里，& present &是名词，重音落在第一个音节。

I am used to blurting out English sentences and English explanations from the Collins dictionary , accenting each syllable of the words. It's the best way to make your dialogues articulate,If you like You can imitate my method!

我已习惯于脱口而出来自于柯林斯字典上的英语句子和英文解释，并且强调每一个单词音节的发音，这是最好的一种方式，可以使你讲话的时候语句清晰，如果你喜欢你可以模仿我的方式。

I used to blurted out English sentences and English explanations from the Collins dictionary every day, accenting each syllable of the words. It's the best way to make your dialogues articulate , If you like You can imitate my method!

我每天已经习惯于脱口而出来自于柯林斯字典上的英语句子和英文解释，并且强调每一个单词音节的发音，这是最好的一种方式，可以使你讲话的时候语句清晰，如果你喜欢你可以模仿我的方式。

On the other hand, H1 - A1 and H1- A2 at the 95% time point of the syllable immediately preceding target syllables increased as the prosodic boundaries became stronger, i.e., the voice quality became breathier at the final of prosodic domains when the prosodic domain was larger.

另一方面，就音质而言，HZM与ZZJ在目标音节前一个音节长度95%上的H1- A1与H1- A2会随著韵律强度增强而增加，也就是说，音质在韵律单位末端会随著韵律强度增强而变得更为气化。

Four aspects are studied in this paper: the study of non-linear syllable theory of the analysis ofdengyunxue of the syllabic structure of Chinese character, the study of the distinctive feature theory of the four types of the articulation of initials, the study of the markedness theory of the devoicing of the fully voiced initials and the study of the feature geometry theory of the correlates between the devoicing of the fully voiced initials and tonal change. Through our studies, conclusions can be drawn as follows:(1) Contemporary phonological theories can be used to elucidate the principle of Chinese dengyunxue;(2) Contemporary phonological theories can be used to explain the historical phonetic change of Chinese;(3) Different theories and methods of contemporary phonology should be applied to deal with different problems of Chinese phonology;(4) The application of contemporary phonological theories to the study of the historical phonetic change of Chinese is helpful to test and verify the universalizability of these theoretical hypotheses

通过对等韵字音结构分析的非线性音节理论研究、声纽四等的区别特征理论研究、全浊声母清化的标记理论研究和浊音清化与声调演变相互关系的特征架构理论研究等四项初探，揭示了：（1）当代音系理论可以阐明汉语等韵学学理；（2）当代音系理论可以解释汉语历史音变现象；（3）不同的汉语音韵问题，应该用不同的当代音系理论方法来研究；（4）当代音系理论在汉语历史音变研究中的运用，有助于验证其理论假设的普适性

Collateralized mortgage obligations' is an intimidating 11-syllable mouthful that sounds like something a debt-collection agency might try extracting from you while an ex-wrestler named Bruno dislocates your thumbs.

&抵押贷款担保证券&是个让人生畏的由11个音节组成的拗口名字，听起来像是一边有追债公司在向你催账，而另一边，一个名叫布鲁诺的前摔跤手让你的拇指脱了位。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。