查询词典 syllable

How to correctly use synonymous verbs which contain single or double syllable synonymy is always a difficulty for foreign students in the learning Chinese.

含同一语素的单双音节同义动词的使用一直是对外汉语教学过程中的难点之一。

His emotions mostly emerged in these tanka, or 31-syllable poems.

他的情感大都表达在这些短歌里。

Hisemotions mostly emerged in these tanka, or 31-syllable poems.

他的情感大都表达在这些短歌里。

They're suckling at the teats of my every syllable.

以往的那些演讲人都吃屎去吧

Grief is a Mouse -- And chooses Wainscot in the Breast For His Shy House -- And baffles quest -- Grief is a Thief -- quick startled -- Pricks His Ear -- report to hear Of that Vast Dark -- That swept His Being -- back -- Grief is a Juggler -- boldest at the Play -- Lest if He flinch -- the eye that way Pounce on His Bruises -- One -- say -- or Three -- Grief is a Gourmand -- spare His luxury -- Best Grief is Tongueless -- before He'll tell -- Burn Him in the Public Square -- His Ashes -- will Possibly -- if they refuse -- How then know -- Since a Rack couldn't coax a syllable -- now.

格瑞夫是一个鼠标-壁板和选择的乳腺癌他害羞房子-挡板和追求-格瑞夫是一个贼-快速一惊-扎伤他的耳朵-听取报告辽阔的黑暗-席卷他是-返回-格瑞夫是Juggler -大胆的发挥-否则，如果他退缩-眼睛这样突袭对他的伤痕-一个-说-或3-格瑞夫是一个美食-备用他的豪华-最佳格瑞夫是Tongueless -之前，他会告诉-烧伤了他的公共广场-他的骨灰-将也许-如果他们拒绝-那么，怎么知道-由于机架不能哄音节-现在

"Utopia"(Latin: topiā) is derived from the Greek words ou,"not", and topos,"place", with the suffix -iā that is typical of toponyms; hence Outopía (Οτοπα; Latinized as topia, with stress on the second syllable),"no-place-land".

乌托邦》是托马斯·摩尔以拉丁语写成的一部书，该书全名为《关於最完美的国家制度和乌托邦新岛的既有益又有趣的全书》，约於1516年出版。

The nine-syllable line, on the otherhand, being a kind of threefold trisyllable, has either never been highly thought of or has dropped out of use because it was found boring.

另一方面，9音节诗作为三音节诗的三次重复样式，没有获得人们的高度认可，并且因为乏味而被逐渐废弃。

Don't say a syllable about the Infernal Twoness.

说一点天上的一元论，千万别谈地狱的二元论。

A metrical foot having two short or unaccented syllable s.

二短音步一种有节奏的步伐，上有两个短或无重音的音节

Music or poetry ending on an unaccented beat or syllable.

以非重音结尾的。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。