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The finals and tones reduplicates, the initial of the latter syllable sticks to /l/ whose loudness is the highest, the sound-divided-words gets its syllabic characteristic that the latter syllable of a sound-divided-word always takes the primary stress.

从词汇衍生的模式上说，它是汉语词汇双音化的一种表现形式，其形成可能与上古汉语的复辅音声母有关，由复辅音声母演变而来的那部分分音词提供了一条双音化的途径。

"Dactyl:a metrical foot consisting of one accented syllable followed by two unaccented or of one long syllable followed by two short, as in flattery ."

&扬抑抑格：诗韵的韵脚，由一个重音节紧接两个非重音节或一个长音节接两个短音节组成，如在flattery中。&

"Dactyl:a metrical foot consisting of one accented syllable followed by two un accented or of one long syllable followed by two short, as in flattery."

&扬抑抑格：诗韵的韵脚，由一个重音节紧接两个非重音节或一个长音节接两个短音节组成，如在flattery中。&

The first chapter describes the phonetic system, and arranges the words in the same syllable, at the same time introduces some characteristic vocabularies(mostly the single-syllable vocabularies)as far as possible, then analizes the phonetic changes in initials, finials and tones; the second chapter divides the often-used words into three parts by investigations, then analizes the cause of the change; the third chapter makes a complement to the grammar which other researchers haven"t spoken of; in the end, the paper talks about the author" elementary idea on the relationship between dialect"s research and Putonghua"s use. With the development of our society, this question will be put on more eyes.

论文首先介绍徐州市区方言的语音部分，描写了音系及其特点，在同音字汇部分整理并排列了徐州方言的同音字，同时也尽量搜罗有特色的方言词列入相应的音节内，然后从声母、韵母、声调三个方面分析徐州市区方言的语音变化；其次是词汇部分，通过调查对徐州市区方言常用词的变化情况作了区分，并分析其变化原因；接着在语法部分对前人尚未涉及的语法现象作了补充；最后结合方言研究与普通话使用的关系谈了自己初步的认识，随着社会的不断发展，这个问题将日益引起人们的重视。

Most two-syllable words in English are stressed on the first syllable.

英语中的很多单词的重音都是在第一个音节。

When followed by a first or second or fourth tone, or a syllable in the neutral tone, the syllable of the third tone changes into a half-third tone.

第三声音节在第一、二、四声及轻声音节前，读成半三声，即只读第三声的前一半降调。

Iε/(21)/tiε/"elder sister" has neutral tone on the second syllable and the underlying third tone on the first syllable does not change to the second tone(35)which indicates that the tone is not copied along with the segments.

以亲属名词为例：&姐姐&这个重叠词的第二个音节的声调是轻声，而且第一个音节它的底层是三声但是重叠后并没有变成二声。

The left column of Table 4-4 is the tone category of the initial syllable, and the final syllable tone categories are across the top, with the middle of the table showing sandhi tones and example words.

表4-4的表左是前字调类，表端是后字调类，表中是连读调和例词。

Tangxi dialect trisyllabic phonological tone change rules are: On the first syllable, IA [24], IB [11] and IIIA [52] all change to [33], IIIB [341], IIB and IVB [113] all change to [11], and IIA [535] and IVA [55] all change to [52], the same as mainstream initial syllable tone change in disyllabic sandhi.

汤溪方言三字组语音变调的规律为：第一个音节，阴平[24]、阳平[11]、阴去［52〕一律变［33，阳去［341、阳上〔113、阳入［113］一律变[11]，阴上【535、阴入【55」一律变〔52，跟两字组前字的主流变调相同；第二、三两个音节，基本上跟两字组的连调模式相同。

Qingyuan only has tone change when the initial syllable is IA or IIIB. Pucheng only has a little tone change when the initial syllable is IA or IB.

庆元只有阴平、阳去作前字时发生变调，浦城只有阴平、阳平作前字时发生少量的变调。

Although translator has turned from being a crystal ball by which the original culture can unrestrainedly penetrate to another crystal ball by which the target culture can freely traverse, the translator's personal embodiment, in the process of cognitive act, are still absent in translation studies. Translators are still subjects without body or simply disembodied subjects.

译者虽然由原语文化可以自由穿透的玻璃球变成了译语文化可以自由穿越的玻璃球，但译者认知过程中的个体体验在翻译研究中依然缺席，译者依然仅仅是一个没有躯体体验的主体。

Chillingly, he claimed our technology is 'not nearly as sophisticated' as theirs and "had they been hostile", he warned 'we would be been gone by now'.

令人毛骨悚然的，他声称我们的技术是'并不那么复杂，像他们一样，和"如果他们敌意"，他警告说，'我们将现在已经过去了。