查询词典 syllabic

Four aspects are studied in this paper: the study of non-linear syllable theory of the analysis ofdengyunxue of the syllabic structure of Chinese character, the study of the distinctive feature theory of the four types of the articulation of initials, the study of the markedness theory of the devoicing of the fully voiced initials and the study of the feature geometry theory of the correlates between the devoicing of the fully voiced initials and tonal change. Through our studies, conclusions can be drawn as follows:(1) Contemporary phonological theories can be used to elucidate the principle of Chinese dengyunxue;(2) Contemporary phonological theories can be used to explain the historical phonetic change of Chinese;(3) Different theories and methods of contemporary phonology should be applied to deal with different problems of Chinese phonology;(4) The application of contemporary phonological theories to the study of the historical phonetic change of Chinese is helpful to test and verify the universalizability of these theoretical hypotheses

通过对等韵字音结构分析的非线性音节理论研究、声纽四等的区别特征理论研究、全浊声母清化的标记理论研究和浊音清化与声调演变相互关系的特征架构理论研究等四项初探，揭示了：（1）当代音系理论可以阐明汉语等韵学学理；（2）当代音系理论可以解释汉语历史音变现象；（3）不同的汉语音韵问题，应该用不同的当代音系理论方法来研究；（4）当代音系理论在汉语历史音变研究中的运用，有助于验证其理论假设的普适性

By comparing the syllabic features of reduplicated verbs in different genres of writing and by finding and counting the pragmatic reality of different genres of writing,we conclude that reduplicated verbs are applicable to the genre of Baihua.

动词重叠有自己的音节特征，从音节特征入手，通过对不同文体音节特征的对比和对不同文体作品语用实际的调查统计，确定白话体作品是动词重叠的适用范

The finals and tones reduplicates, the initial of the latter syllable sticks to /l/ whose loudness is the highest, the sound-divided-words gets its syllabic characteristic that the latter syllable of a sound-divided-word always takes the primary stress.

从词汇衍生的模式上说，它是汉语词汇双音化的一种表现形式，其形成可能与上古汉语的复辅音声母有关，由复辅音声母演变而来的那部分分音词提供了一条双音化的途径。

Here we have studied more than 130 groups of multi-syllabic synonymies of nouns, verbs and adjectives, in order to find the characteristics of Middle Chinese, and discussed some methods and theories.

本文以《魏书》的复音同义词为研究对象，选取名词性、动词性、形容词性复音同义词共一百三十多组，进行微观研究，以了解中古汉语复音词、复音同义词的一些特点，并在此基础上探讨一些复音同义词研究的方法和原则。

This statement summarizes the fact that /l/is syllabic not only after stops and fricatives,but also after nasals .the only problem with this rule is what happens after /r/.

这项声明总结了一个事实，即/升/不仅是音节后站及fricatives ，而且后鼻音。唯一的问题是这一规则后会发生什么/俄/。

Even the basic worldwide division among writing systems —— the sign-syllabic systems that probably originated in the Fertile Crescent of the Middle East and spread over the Western world and the word-ideographic systems that originated in eastern Asia and spread through China, Japan, and other Asian countries —— seems to reflect cultural differences, or at least we can speculate that it does.

即使全世界文字体系的划分，如大概源出于中东肥沃的新月地带和传播到西方世界的符号—音节体系，以及源出于亚洲东部井在中国、日本和其它一些亚洲国家传播的单字一表意字，似乎也反映了文化上的差异，至少我们能猜测是如此。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。