查询词典 sunburnt

As the coach rolls swiftly past the fields and orchards which skirt the road, groups of women and children, piling the fruit in sieves, or gathering the scattered ears of corn, pause for an instant from their labour, and shading the sunburnt face with a still browner hand, gaze upon the passengers with curious eyes, while some stout urchin, too small to work but too mischievous to be left at home, scrambles over the side of the basket in which he has been deposited for security, and kicks and screams with delight.

马车摇晃着，轻快地经过路边的田野与果园，一群群的妇女和孩子们，有的正将水果往筛子上堆，有的则在捡散落的玉米穗子，他们稍停了会儿手中的活，用深褐色的手遮在晒黑的脸上，以好奇的眼神望着乘客，一些结实的小顽童，太小还不能上学，但又不能把他们留在家中胡闹，原先被安置在篮子里是出于安全的考虑，这时也爬过了篮边，高兴得又踢又叫。

The colour mantled in her delicate sunburnt cheeks.

她那被太阳晒黑了的娇嫩的双颊泛起了红晕。

My nose shed its skin because of a bad cold and I sniveled too much. And, drooping eyelids and black circles by midnight and sunburnt skin on my face.

还有流鼻涕过多的脱了皮的鼻子，还有肿着的深夜的眼睑和被太阳晒暴了皮的晒黄的脸。

How easy it was, thought Winston, if you did not look about you, to believe that the physical type set up by the Party as an ideal-tall muscular youths and deep-bosomed maidens, blond-haired, vital, sunburnt, carefree -- existed and even predominated.

要是闭上眼睛不看身边，任谁也会相信，党树立的典型体格——小伙子人高马大，大姑娘胸脯高耸，头发金黄，肤色健康，生气勃勃，无忧无虑——这样体格的人儿到处都是，多得数不过来。

He was cast in the coarsest mould; a stout but sluggish body, yet gracefully carried, with a thick sunburnt neck, dark bushy hair, and dull sleepy blue eyes, which were occasionally lit up with expression.

他是从最粗糙的模型里做出来的，一个大而呆板的身体，态度却非常文雅，一个晒焦了的大脖子，一头浓密的黑头发，一双无神欲睡的蓝眼睛，有时却闪烁出表情，变得明亮。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。