查询词典 subjective

BACKGROUND: Alzheimer's disease pathology is common in patients with amnestic mild cognitive impairment without dementia, but the prevalence of AD pathology in patients with subjective cognitive impairment and non-amnestic mild cognitive impairment is unknown.

背景：阿尔茨海默病的病理改变在伴遗忘型轻度认知功能障碍的非痴呆患者较为常见；然而，伴主观性认知功能损害和非遗忘型轻度认知功能障碍患者AD病理改变情况仍不清楚。

We can see, there is certain intention includes in the analysis of meaning"s construction, and it embodies the subjective role and rational basis. This will valuable for us to understand the essence of Dummett"s theory of meaning and the general view of modern antirealism.

文章强调，对意义的构造分析包含着特定的意向内容，它集中地表现出意义形成的主体性维度和理性基准，分析意义的构造思想，对我们深入理解达米特的意义理论的实质以及当代反实在论的一般主张将具有重要的价值和意义。

Time is no longer continuous, linear and apodictic, and its contradiction, disjunction and multidirectionality enlarges the narrative capability, enriches the subjective art experiment, and make us think about the meaning of productions.

时间不再是连贯的、线性的和无可置疑的，它的矛盾、它的裂缝以及它的多向性扩展了叙事的容量，丰富了主体的艺术经验，引发了我们对作品意义的思考。

This inconsistency, which could probably be paralleled from the works of Oriental pessimists like Omar Khayyam and Abu al-'Ala of Ma'arrah, attracted attention, as has been stated, in early times; but the various attempts that have been made to bring the author into harmony with himself are too subjective to be convincing.

这种不一致，这可能是平行从工程东方悲观主义者一样，奥马尔海亚姆和Abu基地-'ala的ma'arrah ，引人注目的，正如已经指出，在早期的时代，但各种尝试已经取得，使作者为祥和与自己是过于主观，以有说服力。

It was subsequently refined and elaborated in terms of ideas such as self, subjective time, and autonoetic consciousness.

随后它根据想法来被提炼和详细阐述，例如自身、自己的时间和自主意识。

Episodic memory is a uniquely oriented past neurocognitive system, which consists of three central components—self, autonoetic awareness , and sense of subjective time, and which makes mental time travel possible.

情景记忆是由自我、自我觉知和主观时间组成的惟一指向过去的认知神经系统，它使心理时间旅行成为可能。

From the perspective of axiological epistemology,this paper discusses the relations between the multiplicity of translation criterion and the objectivity of evaluation,and criticizes the two extreme tendencies in translation criticism:absolute objectivism and subjective relativism.

本文从价值认识论的视角出发讨论了翻译标准多元性与评价客观性的关系，批评了在翻译批评活动中的两种极端的倾向：绝对客观主义与主观相对主义。

Nietzsche s "the will to power" is endowed with the non-subjective substantiality,the activity in the maintenance and increase of the self-power and axiological relativity,and it has two basic types: the original will to ...

权力意志论&的积极意义在于感性能动地理解世界，恢复了&价值创造在世界中的地位，否定了幸福主义意志论的被动性和理性主义意志论的抽象理智性；其根本局限在于无视客观世界的多样性，陷入了抽象的还原主义和唯意志论。

Of course, the breaking up of the balanceable relation between bureaucracy and democracy is directly related to the subjective requirement of modern society's development and bureaucracy's strong condition and democracy's weak condition.

本文述及了韦伯关于对官僚制进行制约与控制的理论设想，并指出，通过民主机制的制约、提高官僚机构的民主素质和管理水平、下放权力和解除规制以及设立专门机构等是消除官僚制过度扩张的主要途径。

The second is the analysis on music aesthetics. It summaries its esthetical characteristics in the following three ways:(1)The balance of subjective and objective;(2)The distance between the work style and his life vicissitudes;(3)The beauty of melancholy in adagio movement. The article explains unique musicle beauty that Mozart's sonata for two pianafortes KV448 includes, which exposes the value of this works deeply and it researches the composition's playing style from four aspects.(1)Musical balancement and sense of propriety;(2)The temperance of dynamic;(3)The appropriate measure of tempo;(4)Operetic elements in piano compositions.

更多(2)音乐作品风格与人生际遇的差异；(3)慢板乐章的惆帐美，从美学角度阐述《D大调双钢琴奏鸣曲KV448》蕴含的独特的音乐美，从更高层次揭示这部作品的价值所在，在此基础上在第二章演奏研究中从以下四个方面对作品的演奏风格进行研究：(1)音乐的均衡性与分寸感；(2)力度的节制感；(3)速度的适度性；(4)钢琴作品中的&歌剧因素&。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。