查询词典 subjective

And also, Eco excluded author's subjective experience from fictioneering, went in for impersonalization of novel art, which resulted in ignoring the truth of novels.

本文尤其注意将艾柯的小说论置于西方文学理论史的纵向传统中加以对照，注重对其理论流脉的梳理，探讨艾柯对文论传统的思考与再利用。

In the ontology of novels, Eco asserted that the truth of novels would be presented in a possible world which is authentic, through the imagination and the writing skill of the author. And also, Eco excluded author\'s subjective experience from fictioneering, went in for impersonalization of novel art, which resulted in ignoring the truth of novels.

在小说本体论中，艾柯认为小说的真实性乃是通过艺术家的想象力与艺术技巧的运用，施之于文本建立起一个具有可信性的可能世界；同时，艾柯将创作者的主体经验从小说创作中清除出局，追求对小说艺术的非人格化理解，这导致了艾柯对小说真理性的搁置。

Active person teachs edition teaching material " Chinese recent contemporary history " go up the 22nd page have such stating " says from subjective side, the regulation that allocates Gui Shengku of all of land and production, means of subsistence on average is ideal, essential impracticability ".

现行人教版教材《中国近代现代史》上册第22页有这样的表述"从主观方面说，平均分配土地和生产、生活资料统归圣库的规定都是空想，根本无法实施"。

My view, subjective and imprecise, points to a period between 2045 and 2067 as the most likely outcome.

以我主观且不精确的估计，这个节点的到来最大可能会是在2045-2067年之间。

It is recognized that human assessment of qualitative attributes is always subjective and imprecise.

人们认识到，人类的质量因素的评估总是主观的和不确切的。

The language of uncertainty has three main categories:(1) words such as probably, possibly, surely, which denote a single subjective probability and are potentially quantifiable;(2) words like many, often, soon, which are also quantifiable but denote not so much a condition of uncertainty as a quantity imprecisely known;(3) words like fat, rich, drunk, which can not be reduced to any accepted number because they are given different values by different people.

模糊语言有三大类：（1）"很可能"、"有可能"、"肯定会"之类的词。这类词表示个人主观认为的可能性，这些词在发言人的心目中是有一定的潜在的数量的；（2）"很多"、"经常"、"很快"之类的词表示的是模糊的状况倒不如说表达的是知道得不够确切的数量；（3）"肥胖"、"富有"、"酒醉"之类的词，这类词不能精确到大家都能同意接受的数字，因为不同的人对这些词都会有不同的评价。

The language of uncertainty has three main categories:(1) words such as probably, possibly, surely, which denote a single subjective probability and are potentially quantifiable;(2) words like many, often, soon, which are also quantifiable but denote not so much a condition of uncertainty as a quantity imprecisely known:(3) words like fat, rich, drunk, which can not be reduced to any accepted number because they are given different values by different people.

不确定的语言主要可分三类：（1）像probably，possibly，surely一类的记号，它们表达某一主观的、可以量化的可能性；（2）像many，often，soon一类的词，它们也是可以量化的，但它们表示的与其说是不能肯定的状态，不如说是一个知之不确的数量；（3）像fat，rich，drunk一类的词，它们不能将其转化为任何可接受的数字，因为不同的人赋予它们的量值不同。

The language of uncertainty has three main categories:(1)words such as probably, possibly, surely, which denote a single subjective probability and are potentially quantifiable;(2)words like many, of-ten, goon, which are also quantifiable but denote not so much a condition of uncertainty as a quantity imprecisely known;(3)words like fat, rich, drunk, which can not be reduced to any accepted number because they are given different values by different people.

模糊语言可分为三类：1。表示单一主观意义上可能性的，可能定量的词语，诸如"很可能"、"可能"、"肯定"等词。2。诸如"许多"、"时常"、"不久"等词语，这类词语也可以定量，但所表达的意义与其说是某种不能肯定的状况，不如说是一个知之不确的数量。3。诸如"胖"、"富"、"醉"这类词语，不能精确到人们都认同的数量，只因不同的人有不同的评判标准。

The language of film allows for the impressionistic image to convey a subjective character point of view that conveys an emotional reality that is not necessarily literal.

2电影的语言让影像去传达一个主观的观点，并透过这个主观的观点来传达情绪上的状况，但这样的状况不一定都是详实的。

Willpower, in a broad sense, is divided into objective will and subjective will.

在广义上，作为"行为一般"的意志有客观意志和主观意志之分。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。