查询词典 subject matter

Pesetsky (1995) claims different theta-grids for the two types of psychverbs: the object with ES psychverb is Target or Subject Matter; while the subject with EO verb is Causer.

Pesetsky还提出了针对EO动词的双词素结构分析：例如，动词amuse包含了一个词根√amuse和一个零致使词素CAUS。

Its subject matter is society---how people choose to lead their lives and how they interact with one another. But it approaches the subject with the dispassion of a science.

它的主题紧关社会，即人们的选择如何引导他们的生活，以及他们如何相互影响，但它却以科学的冷静来探索这个主题。

His classic draftsmanship gave the paintings a clear representation of subject and the subject matter was regional China as obviously seen directly by him at a particular moment.

尽管我多年专门从事艺术的工作，但是如果没有长时间的接触，我也是无法"看到"他深邃的理念、对色彩炉火纯青般的运用，对万升变化的自然光的捕捉和表现以及他那层次丰富的笔触。

Dragon, eagle, owl, cicada, and cloud-shaped Pei are subject matters of jade wares of Hongshan culture, and they are also the major subject matter of black-shell jade.

一些龙、鹰、鸮、蝉和云形珮等是红山文化主体玉器的表现内容，也是泛红山文化黑皮玉雕的重要表现内容。

Subject always to the goods being in sound condition at the time of attachment, this insurance covers, except as provided in Clause 4,5,6, and 7 below, loss of, deterioration of, or damage to the subject-matter insured which shall arise during the currency of this insurance.

本保险承保除了下述第4，5，6和7条规定者外的，在本保险有效期间发生的保险标的的灭失、腐坏变质或损害，但仍须受货物在本保险责任开始当时处于良好状态的限制。

This paper therefore examines the development of "the folklore Pai-Chang of Peking opera aria in Tainan city" through literature review depth-interview oral history and participant observation The concept frame is culture organism as the vertical axle and elements of a folklore activity as the transverse axle There are several significant findings about the general picture of this subject: During the late period of Japanese colonial era Tainan local people who played Peguan music learned Peking opera aria and tried to bring Peking opera aria into the folklore Pai-Chang which was one kind performance and traditional custom of Peguan music Some people who came from other places and played Peking opera aria had also known or learned "Pai-Chang" with touching Tainan local amateurs "Pai-Chang" used to be performed by amateurs for worship of god or goddess or for seasoning and wedding celebration without rewards Amateurs volunteered to perform "Pai-Chang" only for their duty temples and fraternity of Peking opera aria The majority of the audience is people who perform or like "Pai-Chang" or who live nearby There is a fixed pattern of the performance including the repertoire and the arrangement of the band The main meaning of this performace is to pray God's blessings therefore the procedure of "Ban-Hsian" is the most essential and ahead of Peking opera aria singing With time goes by the number of the amateurs has dropped; yet the demand for the worship ceremony remains; hence some of the amateurs have been trained to become professional performers Besides although the idea and the meaning of "Pai-Chang" remains the pattern of the performance has become simplified and rigid which is because of the performers' number decreasing and market adapting Nowadays the whole ecosystem of the folklore Pai-Chang of Peking opera aria in Tainan city keep changing which is mainly influenced by the transition of the society(such as the time and space of the industrial and commercial society being compressed and most people's pursuing of specialization and utilitarianism etc ) According to the findings in this paper the phenomenon can be regarded as the subject matter both of Peking opera and folklore studies For the studies of the Taiwanese culture however the subject not only enriches the subject matters of the Taiwanese culture(signifies the localization of Peking opera and a new pattern of Taiwanese folklore) but also reflects the characters of diversification integration adaptation and compromise of Taiwanese culture which used to be influenced by different regimes and the historical contexts Facing such a multicultural context this paper thus suggests researchers should show an open-minded attitude toward the complex of the Taiwanese culture studies and then important phenomenon would not be ignored or misunderstood

代表了什麼意义？对於上述疑惑，查既有研究成果，不消没有论述者，具体提即「京调排场」现象的可说没有，基於此，有必要对台南市及其周边之民俗性京调排场，不管是语汇来由或者其现象本身，做一番研究。本研究透过文献、访谈、口述史、参与观察等方法，以文化有机体之纵的发展概念为经，以民俗表演之横切面各主客要素为纬，试图先对此文化现象调查并推论出一概貌：台南市民俗性京调排场的形成，是在京调传入台南，台南本地北管子弟改习或兼习京调后，结合北管音乐文化所固有的排场表演型态及民俗演出传统，融合而成，形成时间至迟在日治晚期。而一些不同时期的外来京调人士(如原本生长於其他地区、后移住台湾的票友，和中国大陆琴师等等)，也曾透过与当地子弟的接触，而习得或知晓「排场」语汇以及本地京调排场习俗者。此项音乐民俗表演在过往多由业余子弟於神诞或民众婚俗做寿时，对其有义务或交陪的庙宇及子弟间做酬酢性的演出，不收报酬；聆赏者多是京调同好与邻近民众，也有少数路过者；演出模式包括节目安排、乐队编制皆有一定；表演意涵上以「扮仙」祈求神明赐福人间最为重要，因此排仙必不可少，且一定先於京调演唱。随著时间推移，京调排场表演活动的各要素都有变动，惟变迁速度不一，大体而言，业余表演者锐减，人们对酬神娱神节目的需求仍在，因此一些过往的业余表演者遂逐渐转型为职业表演者。此外，虽然表演意涵不变，但在职业表演人员少、又要适应市场的情况下，表演模式亦逐渐流於简化、僵化。目前京调排场整体生态仍在转变的过程中，而这种变化应与工商社会时间空间的被压缩、事事追求专业化与尼Q化等因素有关。再者，据此概貌，在结论部分厘清其意义、定位以及其对台湾文化研究之启示。台南市及其周边之民俗性京调排场现象，可视为京剧研究与民俗研究的一环，然而对於台湾文化研究，除了其题材本身标志了京剧的本土化与台湾民俗活动之新类型，进一步扩充整体台湾文化研究的内容外，更重要的是现象背后所反映的台湾文化的多元融合与妥协适应取向。台湾的海岛地理位置与长期被不同文化背景政权所殖民的历史，其文化自然容易随社会环境改变而弹性适应变迁，呈现多元纷呈、多重覆叠的特色，因此展望未来，从事台湾文化研究应秉除单一观点，保持一定程度之开放与客观胸襟，方不忽视或误识更多重要的文化现象。

Perceptually speaking, this style must have the basic elements in two aspects, namely, creation by the subject in academic world and content of academic subject matter.

直观而言，这种文体必须具备两方面的基本要素，即创作主体的学者化和题材内容的学术化。

Rhema {hray'-mah} from 4483; TDNT - 4:69,505; n n AV - word 56, saying 9, thing 3, no thing + 3756 1, not tr 1; 70 1 that which is or has been uttered by the living voice, thing spoken, word 1a any sound produced by the voice and having definite meaning 1b speech, discourse 1b1 what one has said 1c a series of words joined together into a sentence (a declaration of one's mind made in words) 1c1 an utterance 1c2 a saying of any sort as a message, a narrative 1c2a concerning some occurrence 2 subject matter of speech, thing spoken of 2a so far forth as it is a matter of narration 2b so far as it is a matter of command 2c a matter of dispute, case at law

rhema {hray'-mah}源自4483； TDNT - 4：69，505；中性名词钦定本- word 56， saying 9， thing 3， no thing + 3756 1， not tr 1； 70 1 从活的声音所发出的，所说的事，字 1a 任何喉声所产生并且具有确定意义的声音 1b 说话，谈论 1b1 一个人曾经说过的话 1c 一组字联结在一起所形成的一句话 1c1 一个陈述 1c2 为了表达启示的任何种类的格言，解说 1c2a 与某些发生的事件有关 2 演说的主题内容，所谈论的 2a 凡是与所讲述的内容有关的 2b 凡是与指令的内容有关的 2c 争论的内容，法律的案例

Rhema {hray'-mah} from 4483; TDNT - 4:69,505; n n AV - word 56, saying 9, thing 3, no thing + 3756 1, not tr 1; 70 1 that which is or has been uttered by the living voice, thing spoken, word 1a any sound produced by the voice and having definite meaning 1b speech, discourse 1b1 what one has said 1c a series of words joined together into a sentence (a declaration of one's mind made in words) 1c1 an utterance 1c2 a saying of any sort as a message, a narrative 1c2a concerning some occurrence 2 subject matter of speech, thing spoken of 2a so far forth as it is a matter of narration 2b so far as it is a matter of command 2c a matter of dispute, case at law

相关经文回前一页 4487 rhema {hray'-mah}源自4483； TDNT - 4：69，505；中性名词钦定本- word 56， saying 9， thing 3， no thing + 3756 1， not tr 1； 70 1 从活的声音所发出的，所说的事，字 1a 任何喉声所产生并且具有确定意义的声音 1b 说话，谈论 1b1 一个人曾经说过的话 1c 一组字联结在一起所形成的一句话 1c1 一个陈述 1c2 为了表达启示的任何种类的格言，解说 1c2a 与某些发生的事件有关 2 演说的主题内容，所谈论的 2a 凡是与所讲述的内容有关的 2b 凡是与指令的内容有关的 2c 争论的内容，法律的案例

Where the contract is to insure the subject-matter at and from, or from one place to another or others, the policy is called a "voyage policy " and where the contract is to insure the subject-matter for a definite period of time the policy is called a "time policy".

1在保险合同承保保险标的&在和从&或&从&某一地点运送至另一地点或其他地点之场合，该保险单称作&航次保险单&；在保险合同承保保险标的某一段固定期间之情况下，该保险单叫做&定期保险单&。

Neither the killing of Mr Zarqawi nor any breakthrough on the political front will stop the insurgency and the fratricidal murders in their tracks.

在对危险的南部地区访问时，他斥责什叶派民兵领导人对中央集权的挑衅行为。

In fact,I've got him on the satellite mobile right now.

实际上 我们已接通卫星可视电话了