查询词典 stuck

It's the same word he gave a group of people when they were stuck in another country, exiled from their homeland.

这是同一个词，他给一组人时，他们被滞留在另一个国家，被流放到自己的家园。

It was overrun with Roman wormwood and beggar-ticks, which last stuck to my clothes for all fruit.

罗马苦艾和叫化草长满了，叫化草的小小的果实都贴在我的衣服上。

In all Xenophon's works, Socrates stuck to the utilitarianism of beauty all the time.

色诺芬的全部著作中，苏格拉底前后一贯地主张美的功利主义观点。

The practitioner may become too content, and may get stuck at the twelfth Yana, and have to start all over again.

修行者可能太自满而卡在第十二阶智，而必须从头开始。

If the person is a yapper , you're stuck listening to him since you won't be able to scurry away to your car in your birthday suit .

如果此人是 yapper ，你听他贴自从你将无法向你们赶快跑车适合你的生日。

Dad has been over 40, but in my opinion, you are forever stuck in three year-old.

爸爸已经年过四十了，但在我看来，你是永远停留在三十岁的。

No…this is…yeh…I'm stuck.

没错 我是被卡住了

But my zipper's stuck. Can you help me?

但我的拉丝卡住了能帮我吗？

Yes, but I have to take them back because the zipper is stuck .

是啊，不过我得拿回去退货，因为拉鍊卡住了。

Later by chance he was exposed to the more alternative world of music including John Zorn, Tom Waits as well as the disbanded local group The Box, that opened up his ear to a greater music language. For the last 10 years he had been more inclined in exploring sound for media such as theatres and video art until early 2003, with the help of a friend, he released his first solo CD "Stuck in Traffic" and since then he became more focused on making songs and music that he could "play on stage".

在1993 年，曾创作及演出首个个人音乐会"热壼仔音乐故事"，作为当年艺穗节节目之一；于95年，曾与本地作家小西及朗天合作，创作"给阿米巴节信"——一个结合舞台，音乐及动作之剧场；在97年，曾与另一本地音乐人潘德恕合作，举行多媒体音乐舞蹈剧场"极乐世界一九九七"，并邀请日本编舞者松岛诚进行创作，曾亦於此演出中同时以乐手及演员身份出现，於年末，其音乐部份亦以 CD 形式公开发行。98年初曾再度参与艺穗节，并进行其第二个个人音乐创作剧"卵石屋之歌"，并请来本地录影人卢燕珊负责视像及服装设计；由'00年至'02年间，曾亦3度被澳门石头公社邀请，参与当地之街头文化活动。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。