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Most critics mainly draw their attention to the analysis of the motif of the work, technique of writing and male characters of this novel. As for the female characters, they just mention them briefly. To the central character Caddy, they either give her a few words or simply take her for a frivolously dissolute woman. Few people try to scrutinize her tragic life and find the real cause of her tragedy. Few can feel her suffering in the course of the struggle against the patriarchal system and reconstruction of female's selfhood.

这部小说一直是评论家关注的焦点,然而他们的注意力大多集中于分析作品的主题、表现手法、男性角色等,而对于小说中的女性角色则较少关注,特别是小说的灵魂人物凯蒂,他们要么是一笔带过,要么是简单地把她归类为一个轻佻放荡的堕落女性,而很少能真正切入她悲剧的人生轨迹,去剖析并体验这位开始觉醒的女性在反抗男权专制、重构女性自我的艰难历程中所受到的磨难与所进行的挣扎。

In one of 'Myth' paintings, the huge stones almost occupy fully the whole surface; in contrast, the figures let down, after intense struggle, as if collapsedly, chikenlike, tiny, impotent, unreconciled and depressed, just like giving up battling with the stones. In this series of heroist mode, particularly as against with the picture surfaces in which the giantlike bodies and energy are expressed, the figures in it even look a sense of funniness – wherein we are certain that irony has been engaged in his paintings, and it can be understood as a self-irony that it is not a floppy laziness, while he indeed does not need to tighten his muscles, not to keep a zealous and single gesture for fighting, as if it seems difficult for everything to continue, and in the paintings when the heroes unpack the stones, the artist seems unpack the dream of heroes, letting alone the huge stones burning and overspreading, surrounding us, pressing us and scorching us, even running over the whole picture. It suffocates us with all these heaviness, hardness, and acuity, as registers our weak life like a paper-cut.

尹朝阳的《神话》系列里有一幅,巨大的石头几乎占满了整个画面,相比之下,画中的人经过了激烈的挣扎,松弛了下来,形将瘫软一般,渺小,无能,心有不甘而黯然神伤,俨然已经放弃了与石头的搏斗,在这个英雄主义调式的系列里,尤其是与其中表现了英雄那巨人般的体魄和能量的画面相对,这幅画中的人甚至显出了一种酸楚的滑稽感——这里,我们确知反讽已经介入了他的绘画,并且,可以理解为一种自我反讽,它并非是纨绔式的慵懒,然而,确实不再绷紧他全身的肌肉,不再保持激昂而单一的斗姿,好像一切都已经难以为继,在画中的英雄卸下了石头的同时,艺术家自己也仿佛卸下了英雄梦,任凭那巨大的石头像烈火般燃烧和蔓延,包围我们,紧紧地挤压、烤炙我们,并且溢出整个画面,它以全部的沉重、坚硬和尖锐使我们窒息,反衬出我们脆薄如剪纸般的生命。

For him as for them, writing enacts a head-on collision with the material realm, a struggle with brute facticity.

在他们看来,文学作品展现的是物质领域和真实性的一种正面的、残忍的斗争。

For many years, the Chinese people for have regained Hong Kong to wage heroically tenacious, the indomitable struggle.

一百多年来,中国人民曾经为收复香港作过英勇顽强、不屈不挠的斗争。

When death approaches, it is absolutely not yearn for students, not for a last-ditch struggle!

当死亡临近时,它绝不留恋生,绝不作垂死的挣扎!

Realising the receiver would struggle to collect money owed by customers, unless a buyer could be found to assume the 20-year guarantees Timberwise had issued, Mr Meikle proposed that in return for taking over the warrantees he would collect the debts for the receiver and retain 40 per cent.

米克尔意识到,除非能够找到买家承担 Timberwise发行的20年担保,否则破产管理者将很难收回客户欠下的资金。米克尔提出,作为接收这些担保的回报,他将为破产管理者收回这些债务并保留其中的40%。

The characters in Sartre's dramas, The Flies and Devil and God, shows Sartre's existentialist viewpoint of freedom in various aspects, namely the human being's loneliness and struggle when facing living rattrap in nothingness and the striving for freedom for oneself from just being free .

萨特的戏剧《苍蝇》《魔鬼与上帝》中的不同人物从不同侧面表现了萨特的存在主义自由观,即自由是人类生存的本质,人类在虚空中面临生存困境时的孤独和挣扎,从自在自由到自为自由的奋斗。

By awarding the 2008 Sakharov Prize for Freedom of Thought to Hu Jia, the European Parliament has added its expression of concern and support for human rights in China, and given affirmation to the Chinese human rights defenders' work and their struggle.

欧洲议会也以把2008年度萨哈洛夫思想自由奖颁给胡佳的方式,表达了对中国人权的关注与支持,表达了对中国维权人士的努力和奋斗的肯定。

It is an art for struggle as well as an art for self-development.

它既是一种斗争艺术,也是一种发展战略。

The reason for struggle is not only for our own life.

人类的奋斗不仅仅是为了自己的生活。

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The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应,而且减少跟风的可能性。

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