查询词典 string orchestra

She pasted the digital music lesson identification hold by China Music Association. She was in an orchestra when young and once a keyboard player of Klezmer bands. She once tutored an orchestra made up of elementary school students and wan the first prize in a city. She got the first prize in Kunshan '100 excellent lessons' and music teachers' basic skills competition of Suzhou.

自小参加乐团，大学期间任Klezmer Bands 键盘手，98年辅导小学生乐团《京调》获市一等奖。07年获昆山市百节优秀课一等奖，08年先后获昆山市、苏州市音乐教师基本功一等奖。09年获苏州市音乐评优课一等奖，同年录制江苏省音乐教材示范录像课。

A closer relationship between the audience and the stage is also on the cards, with an on-stage orchestra enabling production designer David Rockwell to dispense with the usual orchestra pit and create what has been described as "an immersive environment evocative of an intimate club."

观众和舞台的更紧密联系也可能出现；舞台交响乐乐队让制作设计师David Rockwell摒除了通常的交响乐&坑&从而产生出已经被描述为&唤起人们亲密俱乐部感觉的身临其境环境&

Dr. Chang is the co-founder and the group leader of Physicians Chamber Orchestra of Taiwan, also the co-founder and concert master of Taipei Civic Symphony Orchestra.

张医师除了是&医声室内乐团&的共同创办人与团长之外也是&市民交响乐团&的共同创办人及乐团首席。

Mr. Kamu's professional career started in the Helsinki Philharmonic Orchestra as a sub-leader of 2nd violin group in 1966 he was elected to become the 1st concert master of the Finnish National Opera's orchestra.

卡姆先生的职业音乐生涯开始于担任赫尔辛基爱乐乐团第二小提琴副首席。1966年，他被选为芬兰国家歌剧院乐团第一首席。

Among the many cultural groups performing during the opening weekend of the Olympic Games, the Cincinnati Pops Orchestra is one with a history of pioneering performances in China. In 2005, its musicians traveled to Asia and performed in the Great Hall of the People, thus becoming the first American Pops orchestra to do so.

在众多参加奥林匹克文化节演出的文化团体中，辛辛那提通俗交响乐团是一支具有在中国举办开创性演出历史的乐团。2005年，乐团的音乐家们来到亚洲并在中国在人民大会堂演出，成为美国第一支在中国演出的通俗交响乐团。

His major works and commissions include: ' Three Temperaments , for Big Choir ' (1986), ' Counterpoint of Times , for woodwind septet ' (1989), ' Wild Children , for mixed Chamber Ensemble ' (1993), ' Overture , for solo Chinese bass drum and Chinese winds and percussion band ' (1994), ' Intonation , for chamber orchestra ' (1990-1994), ' Flavour of Bashu , for two violins, piano and percussion ' (1995), ' Pole , for solo Chinese Yun-luo, Chinese pai-gu and Chinese bass drum with six percussionists ' (1996),commissioned by Japan Asian Percussion Ensemble, ' Symphonic Prelude --- Bashu Capriccio' (1996), 'The Song Without Words , for solo percussion ' (1997), commissioned by the Ministry of Culture of Japan, Japanese Contemporary Music Association, and Japanese Embassy in China,'Illusions of the Symphonic Stage of Tang Dynast y , for orchestra of Tang Dynasty, percussion, voices and a big choir '(1999), commissioned by Japanese No Music Guanshiliu Green Spring Association, Chinese Music Research Center in Japan, Japanese Asian Percussion Ensemble and Japanese-Chinese Cultural Exchange Association,'The Prospect of Colored Desert , for violin, cello, sheng, pipa and percussion '(2000),commissioned by Yo-Yo Ma, Silk Road Project Inc. of the U.S., Sony Record,'Three Movements of Autumn , for small Chinese instruments ensembl e'(2000) and ' Sound Games , for 5 Chinese Percussion Instruments Players ' (2000-01), commissioned by La Cité de la Musique, Paris "2000 Chinese Classical Music Series", ' Fusion I , for Mixed Chamber Ensemble ' (2002), commissioned by Holland New Ensemble and Atlas Ensemble, ' Fusion II , Concerto for Solo Chinese Percussion and Orch.' (2002), commissioned by Japanese–Chinese Committee of Friendship and Public Music Performance, and ' Fusion III , for Irish flute, accordion, bodhran, Chinese sheng, zheng, Percussion and 13 Strings with Chamber Choir.' (2003-04), commissioned by China-Ireland Exchange Program, ' The Three Images from Washing Painting , for chamber ensemble of 17 players '(2005) commissioned by the New Juilliard Ensemble for the special concert of the Juilliard Centennial and sponsored by Asian Cultural Council and the Guggenheim Partnership and 'The Butterfly Dream', new 7 scenes Opera inspired by KUN QU' (2007) commissioned by the Contemporary Legend Theatre, Taiwan etc.

主要作品及委约包括：《三种气质，无伴奏合唱》(1986)、《时间的对位，木管七重奏》（1989）、《野娃子，混合室内乐队与童声》(1993)、《对话，男声独唱，女高音，童声合唱团，混声合唱团与混合乐队》(1993-94)、《序鼓，独奏中国大鼓、排鼓、云锣与中国民间吹打乐队》（1994）、《吟，室内交响乐》（1990-1994）、《蜀韵，两支小提琴、钢琴与打击乐》（1995）、《极，独奏中国云锣、大鼓、排鼓与六位打击乐演奏家》（1996）、《巴蜀随想，交响序曲》（1996）、《无词歌，打击乐独奏》（1997）（日本国文化厅、日本现代音乐协会、日本国驻中国领事馆等联合委约）、《梦的交响舞台，唐代乐队，打击乐，人声与合唱团》（1999）（日本能乐观世流绿泉会、日本中国音乐勉强会、日本亚洲打击乐团、日中文化交流协会等联合委约）、《舞蹈组曲，大型管弦乐队》(1999)、《漠墨图，小提琴、大提琴、笙、琵琶与打击乐》（2000）（马友友、美国丝绸之路文化发展公司、日本Sony唱片等联合委约）、《秋三阕，9位中国乐器演奏家》（2000）、《响趣，5位中国打击乐器演奏家》（2000）（法国巴黎音乐城&2000中国古典音乐系列音乐会&委约）、《融I ，混合室内乐团》（2002）（荷兰 New Ensemble， Atlas Ensemble联合委约）、《融II ，打击乐协奏曲》（2002）（日本日中友好音乐公演委员会委约）、《融III ，爱尔兰笛子、手风琴、巴朗鼓，中国笙、筝，打击乐，13件弦乐器以及室内合唱团》（2003-04）（爱尔兰国家文化委员会、爱中2004文化交流年组委会委约）、《水墨画意三则，为17位演奏家的室内乐团》（2005）（美国朱丽亚音乐学院新室内乐团委约，美国亚洲文化基金会和美国古根海姆基金支助）及《梦蝶，七场新昆剧》（2007）等。

He sang in the choir, played violin in the school orchestra and became one of the youngest members of the Eastbourne Symphony Orchestra.

他在合唱队唱歌，在校乐团拉小提琴，而且是伊斯特本交响乐团最年轻的成员之一。

His discography includes most notably the complete symphonies of Sibelius and Nielsen with the Finnish Radio Orchestra as well as works by Bartok, Dutilleux, Mussorgsky and Prokofiev with the Toronto Symphony Orchestra.

他与芬兰唱片公司独家发行了一系列畅销的唱片，主要是他指挥芬兰广播交响乐团演出斯堪的那维亚作品，其中在圣·彼得堡现场录制的《西贝柳斯交响曲》是世界最佳版本。

The memorable string sections were written by Mehdi and performed by the Swiss Philharmonic Orchestra. These heavenly Instrumentals include piano, acoustic guitar, violin, cello, flute, electric guitar, hammered dulcimer, rhythmic hand percussion, drum kit and Japanese Taiko drums all placed in lush orchestral arrangements.

令人陶醉的弦乐部分是由梅迪作曲，瑞士爱乐交响乐团管弦乐队演奏，器乐包括钢琴，吉他，小提琴，大提琴，长笛，电声吉他，重拍洋琴，打击乐器，敲击鼓，和日本Taiko 鼓等，全部被编排在大型管弦乐队的演奏中。

"This orchestra has all the right ingredients: the highly polished string sound that has traditionally been its strength; the solid, gleaming brass playing it has cultivated more recently; woodwinds that convey shapeliness and lyricism; and percussionists who aren't afraid to play at full throttle."

这个乐团拥有所有正确的元素：有传统实力的高亮度的弦乐；越来越有教养的强劲而辉煌的铜管；极具抒情效果的出色的木管；不畏以最高速度演奏的打击乐。

You can do some assertiveness training.

你可以进行一些自信训练。

We were well on the path to making a rear-wheel-drive global platform," says Mays."

我们正致力于建立一个后轮驱动的平台，"Mays这样说道。"