查询词典 stop at

As in "The Creation", the ambitiousunscrupulous Tian Ye, integrity and good at first after the stop at no evil Xu Wenbiao, and have no moral slaves of the over-Zhong Jian Ma Zhiqiang good - Kozo clear purpose, but sometimes desperate move forward, Culture and Sport Great tenacity ofcharacter, calm and collected just die hard, Koji not very principle, but would like to believe that the world, on theevening eating lunch reservoirs are also cross-stride.

如同《创世纪》，野心勃勃不择手段的叶荣添，起先正直善良后又无恶不作的许文彪，还有奴隶道德不辨忠奸的滥好人马志强--康三目的性明确、偶有绝望却勇往直前，康大性格坚韧、不动声色一味死捱，康二没甚原则、却相信希望在人间，上夜校吃盒饭跨水塘也安之若素。

I'll stop at the big raptor spot at 47.17, and grind it clear several times.

我在47.17的恐龙聚集点停了下来，打了不少怪

And at the end of the day, when your sojourn on Earth is over, you will make a stop at the Threshold of the World in order to observe your work.

在时日的最后，当你在地球的停留结束，你将在世界的入口停一下，好观察你的工作。

He is still afraid. And he will stop at nothing in his attempt at flight.

他们仍然是人，会恐惧，会不断地奔跑。

And he will stop at nothing in his attempt at flight.

而他将不顾一切，他企图外逃。

I'll arrive at the bus stop at nine o'clock.

我将于九点钟到达汽车站。

Can you be at the bus stop at six o'clock tomorrow morning?

明天早上六时你能到公共汽车站吗？

Can you be at e bus stop at six o'clock tomorrow morning?

明天 早上六时你能到公共汽车站吗？

I think we'll just leave this at where it's at for now .

想不出我以前会怎么说，说 stop here 太无礼了。

The people and objects floating through Gao Bo's works are without roots - perhaps they come from a momentary memory or a spark of interest. Looking at Gao Bo's works brings pictorial information stored deep in the mind to light, yet within a second these mind-images fade again, leaving behind a memory of all the images that lie underneath Gao Bo's warm and languid sketching. In Gao Bo's consciousness, these images don't stop at realism or simply exposit like some historical legend - in the end they reach towards the fringes of nothingness.These images can call up rich associations in our minds yet often these are false associations. For example, in "Gray Face" this is not the mystical dog of the god Erlang in Journey to the West; the rickety bridge in "River Bed" is certainly not a reference to a rainbow in Heaven; the story of "Contest" is not about two dogs running and pretending to be in love but a story of race dogs controlled by humans.

散漫在高波作品中的人与物没有根源，也许它们是源于个人瞬间的兴趣和记忆，有关知识的、情感的和在脑子里存储的图象信息随之而来，也可以随之而去，只是在温和缓慢的描绘背后还有一丝对所有形象匆匆停留过后的怀念，它们在高波的意识之中并不是一次停留于现实或者历史神话般司空见惯的陈述，它们的结果最终都是通向虚无的边缘，尽管那些形象似乎可以唤起我们丰富的联想，比如《灰色的脸》，它绝不是西游记中二郎神的天犬，在《河床》中不牢靠的拱桥，肯定不是寓指天堂里的彩虹，《竞赛》讲述的故事并不是两只在假装为爱情奔跑的狗，而是被人为所驱使的赛狗。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。