查询词典 stiff-arms

Tips of pedicels with a circlet of stiff, overtopping hairs or spicules up to 1 mm

花梗具的端部硬，超过的毛或细刺可达1毫米的circlet 14

Circumcise then the foreskin of your heart, and do not be stiff-necked any longer

10：16 所以要给你们的心行割礼，不可再硬着颈项

Circumcise your hearts, therefore, and do not be stiff-necked any longer.

所以你们要将心里的污秽除掉，不要再硬着颈项。

2 Circumcise your hearts, therefore, and be no longer stiff-necked.

为此，你们要心受割损，不要再执拗

In TMS1 and TMS2 groups,no abnormal movement,stiff or clonus of limbs were found.Brain tissue morphology observation included gross observation,common light microscope and electron microscope,had no obvious changes.

TMS1组和 TMS2组在刺激过程中均未出现异常活动，无肢体强直、阵挛等，脑组织形态学包括大体观察、普通光镜及电镜改变不明显。

Why the images of fathers are only unacquainted, closemouthed and stiff in those works?

为什么在这些少年小说中父亲形象只是陌生的，有距离的，寡言的，甚至是木讷的，成为了肤浅的称谓和模式化的单调的代名词而已。

She wore a stiff black bonnet, a high white collar and a coarsely woven shawl around her shoulders.

她的脸孔，或许我能在眼睛和鼻子周围辨认出一些相似的地方。

When you're on your way back home from a long Sunday ride and you're riding your thirty-fifth mile smack into a stiff headwind, the fact that your frame is cobalt blue or even Bianchi green is not going to help you.

当你在回家的路从长远星期日驾驶和骑嫌你成为一个激烈的逆风您第三十五英里，但事实上，你的框架是钴蓝色或绿色，甚至比安奇是不会帮你。

Come C-Stiff over sb.

请这边来。

A nod to Dior's New Look peplum became a stiff patent hip-jutting belt with cross-lacing in the back, and a knowing acknowledgment of the basis of the hourglass silhouette came in a couple of see-through gowns with the corsetry fully on display.

一点头，以迪奥的新面貌peplum成为专利髋关节僵硬- jutting带跨lacing在后面，和明知承认的基础上沙漏人影来，在一对夫妇的透视袍与corsetry充分展示。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。