查询词典 stereotypes

So that we have been designing, manufacturing production stereotypes 150,000 Gai / hour, 17 Hwange / hour and 28 Hwange / hour three models of the "crown cap automatic production line" products.

从而使我们目前已设计、生产定型生产15万盖/小时，17万盖/小时和28万盖/小时叁种型号的"皇冠瓶盖全自动生产线"产品。

The smiling "darkey" eating watermelon was a popular image during America's racist past, and was the one of the stereotypes used by Obama-haters during the presidential campaign .

本人在美国住了28年，明白很多关于美国的小事情，叫黑人就叫豉油鸡或芝麻糊，因为"黑鬼"他们会听，闹不好一拳打过来不死也重伤。。。。。

The happy homemaker and the contented darky are both stereotypes produced by prejudice.

幸福的家庭主妇与心满意足的黑鬼都是偏见之下产生出来的脸谱式人物。

These sneakers cleaning care to 2-3 days, which includes sterilization, deodorization, stereotypes, such as a set of processes.

这些运动鞋清洁护理2-3天，其中包括杀菌，除臭，定型等一组进程。

Depersonalization makes it easier for people to accept negative stereotypes, pigeonholed, and, in the extreme, tolerate abuse and persecution of the people who have been depersonalized.

人格分裂使得它容易令人接受的负面刻板印象，束之高阁，而在另一个极端，忍受虐待和迫害的人已经人格化。

Printing and dyeing workshop for major equipment imported from Taiwan machine 3 Units stereotypes, domestic production in Guangdong setting machine 2 Units, domestic production in Jiangsu dryer 5 Units, Jiangsu capacity 1000KG big 18-cylinder machine, 500KG Units 10-cylinder machine, 400KG machine cylinder 8 Units , 200KG machine cylinder 12 Units, 12 China-made high-speed dewaterer Units, Shanghai, Wuxi production network 4-6-10 Park rolling machines and 10 sets of rolling car and a set of finishing equipment.

印染车间主要设备为台湾产进口定型机3台，国内广东产定型机2台，国内江苏产烘干机5台，江苏产1000KG大机缸18台，500KG机缸10台，400KG机缸8台，200KG机缸12台，国产高速脱水机12台，上海无锡产的4-6-10园网滚动机和轧车10台套及一整套后整理设备。

The images of China have contributed discursively as the symbol of cultural utopia to construct the experiences of Western modernity.The images of China appeared in three stereotypes and represented different facets of meaning in early modern times.

研究西方的中国形象，不是研究中国文化，而是从一个侧面、一个角度研究西方的文化史或观念史，在中西跨文化空间中探讨西方现代性的生成过程与意义。

There are many myths, misperceptions and stereotypes that bullies and their supporters, apologists and deniers disingenuously use to hide the facts listed above and to further victimise those targeted; click here for insight to counter these tactics.

许多欺负者们和他们支持者们、道歉者、矢口否认者们用于掩盖以事实，进一步地使目标人加大受害者程度的误解、错误的观点，和老套形象有很多；点击此处，深入了解来对付这些手法。。。

The six authors have displayed, in their own ways, a panorama of modem Chinese social life. Zhan Xin-xin expresses the anxiety and lost self of Chinese people at the beginning of main current political culture breakdown and materialistic flooding immediately after the Great Cultural Revolution. Liu Suo-la exposes the anti-classic and pro-individualistic radicalism of young college students facing an opening-up and multi-cultural age. Chen-Rong, in transcendence of historical rationalism, proposes human spiritual emancipation and subjective revelation in order to oppose traditional feudalistic stereotypes. Liu Zhen-yun in his typical cool-minded description, discloses the routine spiritual enslavement, oppression and murder, as well as men\'s helplessness, hopelessness and distortedness in familiar daily life affairs. Zhang Wei attaches importance to a heart-felt emotional and conscientious expression, thinking that the only things that may combine one\'s individual subjective options with his personal moral responsibility towards world and others are his inner authentic feelings and conscience.

这六位作家是张辛欣、刘索拉、谌容、刘震云、张炜和潘军，他们从不同的角度，以各自不同的方式，展示了中国现代社会中的一幅幅人生图景：张辛欣的作品呈现了"文化大革命"以后主流政治文化分化瓦解和物质主义泛滥初始人的自我迷失与彷徨焦虑的状态；刘索拉表达了改革开放和文化多元时代青年大学生反叛经典和张扬个性的激进姿态；谌容从超越历史理性的高度致力于反抗传统意识和封建世俗观念对人格个性的压抑，提倡人的精神解放和主体意志的彰显；刘震云以近乎残忍的描写，揭露了熟视无睹的日常生活对人的精神上的奴役、蹂躏和扼杀以及人在这一过程中的无奈、绝望和扭曲；张炜强调一种内在真情与良知的表达，认为唯一能够把个人的主观选择与对世界、对他人的道德责任联系起来的，就是人在心灵深处为自己和他人保存的那一份真情与良知；潘军从复归自我和维护个性尊严的角度，把人的爱欲和物欲升华为一种超越世俗伦理道德的纯个人化、精神化的心理体验和情感交流。

The six authors have displayed, in their own ways, a panorama of modem Chinese social life. Zhan Xin-xin expresses the anxiety and lost self of Chinese people at the beginning of main current political culture breakdown and materialistic flooding immediately after the Great Cultural Revolution. Liu Suo-la exposes the anti-classic and pro-individualistic radicalism of young college students facing an opening-up and multi-cultural age. Chen-Rong, in transcendence of historical rationalism, proposes human spiritual emancipation and subjective revelation in order to oppose traditional feudalistic stereotypes. Liu Zhen-yun in his typical cool-minded description, discloses the routine spiritual enslavement, oppression and murder, as well as men"s helplessness, hopelessness and distortedness "in familiar daily life affairs. Zhang Wei attaches importance to a heart-felt emotional and conscientious expression, thinking that the only things that may combine ones individual subjective options with his personal moral responsibility towards world and others are his inner authentic feelings and conscience.

这六位作家是张辛欣、刘索拉、谌容、刘震云、张炜和潘军，他们从不同的角度，以各自不同的方式，展示了中国现代社会中的一幅幅人生图景：张辛欣的作品呈现了"文化大革命"以后主流政治文化分化瓦解和物质主义泛滥初始人的自我迷失与彷徨焦虑的状态；刘索拉表达了改革开放和文化多元时代青年大学生反叛经典和张扬个性的激进姿态；谌容从超越历史理性的高度致力于反抗传统意识和封建世俗观念对人格个性的压抑，提倡人的精神解放和主体意志的彰显；刘震云以近乎残忍的描写，揭露了熟视无睹的日常生活对人的精神上的奴役、蹂躏和扼杀以及人在这一过程中的无奈、绝望和扭曲；张炜强调一种内在真情与良知的表达，认为唯一能够把个人的主观选择与对世界、对他人的道德责任联系起来的，就是人在心灵深处为自己和他人保存的那一份真情与良知；潘军从复归自我和维护个性尊严的角度，把人的爱欲和物欲升华为一种超越世俗伦理道德的纯个人化、精神化的心理体验和情感交流。

As she looked at Warrington's manly face, and dark, melancholy eyes, she had settled in her mind that he must have been the victim of an unhappy attachment.

每逢看到沃林顿那刚毅的脸，那乌黑、忧郁的眼睛，她便会相信，他一定作过不幸的爱情的受害者。

Maybe they'll disappear into a pothole.

也许他们将在壶穴里消失