查询词典 staring

He pretends to be mad by whooping and bellowing and staring with a wild look.

他假装被百日咳 Abraham 和吼叫，并与野生盯着看疯了。

Time CAN heal all wounds, but not if the object of your pain is staring you in the face every Sunday.

时间可以治愈所有的伤口，但如果你的对象的疼痛是盯着你的脸每星期天。

Me staring in your dead eye with my hand around your throat.

让我的双手掐住你的脖子盯着你死去的眼神

She then opened her hands, staring at the dead bird in her hand with a frightening look.

她张开手，惊恐地盯着手中的死鸟。

Staring blankly at the seat back in front of you for the entire flight is no longer permitted on my airline.

在我们的航班里，整个飞行过程中，不允许你眨巴眼直挺挺的瞪着前面。

The child's little face pale, the mother has been using his big hand with the child's little hand, kneeling on the child's side, eyes staring at a blink also Buzha child's face.

孩子的小脸煞白，那位母亲一直用自己的大手握着孩子的小手，跪在孩子的身边，眼睛一眨也不眨地盯着孩子的脸。

Pulling away at his pipe, and staring into the distance, the painter was thinking about his work .

画家抽着烟斗，凝视远方，正在构思他的作品。

The film's theme - that, in the words of the heroine Miyoe, the image of the geisha as "symbol of Japanese beauty" is "all lies"–is expressed visually in the superb scene where she is assaulted by a prospective patron and escapes his attentions by violently biting his tongue. There follows a startling near-close-up of a stunned Miyoe staring into the camera in full geisha regalia, her immaculate white make-up broken by a bloody stain around her lips.

本部影片的主题（即女主角荣子所言之、艺妓形象是&日本之美的象征&这一点是&彻头彻尾的谎言&）在一个出色的场景中得到了视觉上的直观表达：在此场景中，荣子被一位未来的资助者施暴，她通过痛咬对方的舌头方才逃脱其注意；随之而来的是一个令人震惊的近距离特写，着艺妓全套盛装、处于惊愕之中的荣子凝视着镜头，她那完美的白色妆饰被唇边的一缕血迹破坏。

Wait! Turn right. The cabbies are staring at you. Flip them off.

转右 那司机在瞪着你对他们竖中指

The bird cawed hoarsely and with a flap of its bedraggled wings—feathers tufted this way and that—rose heavily to the top of the open kitchen door, where it perched staring down.

这种鸟cawed嘶哑和其拖泥带水的翅膀皮瓣羽毛簇绒这种方式，而且，增加大量的开放式厨房门的地方栖息俯视着，顶端。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。